Triton Audio FETHead Broadcast In Line Microphone Preamp

3.2 (3)

$149.95

$116.43 4 available New

4.0 (1)

$149.95

4.8 (4)

$125.00

£119.99

$149.95

Average Price: $140

Budget/Beginner

$599

$2000+

Price Tier

In the Preamps category, Triton Audio FETHead Broadcast In Line Microphone Preamp is priced in the Budget/Beginner range. This is great gear to get started with or for creators on a budget.

Budget

Standard

High-end

Price History

Based on price data from 4 merchants for "Triton Audio FETHead Broadcast In Line Microphone Preamp". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.

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Description

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Enhance your audio setup with the Triton Audio FETHead Broadcast In Line Microphone Preamp, crafted specifically for the demanding environments of live performances and broadcast applications. This compact powerhouse harnesses Class A FET technology to deliver up to 23dB of pristine gain, ensuring your microphones perform at their very best. Whether you're dealing with long cable runs or aiming for a cleaner signal, the FETHead Broadcast is your trusty sidekick.

Designed to seamlessly integrate into any setup, this in-line preamp can be conveniently positioned between your microphone and preamp or mixing console. Its robust metal chassis and balanced I/O make it rugged enough for the toughest gigs, while its low-impedance output buffer efficiently drives long cables with minimal noise interference. Plus, it provides phantom power to your condenser mics, simplifying your setup with no need for external power supplies or batteries.

For those who demand superior audio quality, the FETHead Broadcast doesn't just boost your mic's signal—it transforms it. Experience lower noise, greater sensitivity, and improved transient response, all while maintaining an exceptional signal-to-noise ratio. Ideal for dynamic and condenser microphones, this preamp offers a studio-level character that enhances the natural sound of your instruments and vocals.

Key Features:

Provides up to 23dB of clean, FET-fueled gain
Compatible with both dynamic and condenser microphones
Low-impedance output buffer for driving long cables with reduced EMI
Convenient in-line design with balanced I/O
Durable metal chassis for reliable use in challenging environments
Passes phantom power for condenser microphones

Product specs

Type	In-line Mic Preamp
Channels	1
Inputs	1 x XLR
Outputs	1 x XLR
Features	23dB Gain Boost
Power Supply	48V phantom power
Height	3.11"
Width	1.22"
Depth	1"
Weight	0.17 lbs.

FAQs

What is the primary use of the Triton Audio FETHead Broadcast In Line Microphone Preamp?: The Triton Audio FETHead Broadcast is primarily used to boost the signal of dynamic and ribbon microphones by 23dB, providing a cleaner and stronger output for recording and broadcasting applications.
Does the Triton Audio FETHead Broadcast require an external power source?: The FETHead Broadcast requires 48V phantom power, which it draws directly from the connected audio interface or mixer, eliminating the need for an external power source.
Is the Triton Audio FETHead Broadcast compatible with all types of microphones?: The FETHead Broadcast is designed specifically for use with dynamic and ribbon microphones. It is not suitable for condenser microphones, as they require phantom power for operation.
How does the Triton Audio FETHead Broadcast connect to a microphone setup?: The FETHead Broadcast connects directly in-line with your microphone using its XLR input and output, allowing for a seamless integration into your existing audio setup.

Videos

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Greg Simpson

TritonAudio FetHead Broadcast In-Line Mic Pre *REVIEW*

Greg Simpson

Triton Audio ◆ FetHead Broadcast

TritonAudio

Reviews

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PROS

Offers higher gain than standard FetHead versions
Supports Ribbon, Dynamic, and Condenser mics simultaneously
Provides low-noise amplification suitable for long cable runs
Compatible with phantom power for added versatility
Robust build quality reduces risk of damage during travel
Ideal for low-gain microphones and budget audio interfaces
Enables connection of 3.5mm mics over extended distances
Ensures high-level, low-impedance signal to recorder

CONS

Slightly heavy, may require extra cable management
Cannot connect directly to the microphone without additional cables

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Triton Audio FETHead Broadcast In Line Microphone Preamp.

Features and functionality

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The Triton Audio FETHead Broadcast raises the gain by 27dB and requires phantom power, which can lead to increased ambient noise pickup.
Source
0 0

The FetHead Germanium can introduce significant noise and hiss, particularly when used with certain interfaces like the Focusrite Scarlett 2i2, which may not provide sufficient power.
Source
0 0

The FETHead provides a high input impedance around 20 kOhm, making it particularly suitable for ribbon microphones, which often benefit from higher impedance values.
Source
0 0

The FETHead is designed to work with dynamic and ribbon microphones, but not with condenser microphones that require phantom power pass-through.
Source

Comparisons

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Users note that dynamic microphones often need an in-line preamp like the FETHead, whereas condenser microphones like the Behringer C-1 do not.
Source
0 0

The FetHead Germanium is noted for adding character through germanium transistor distortion, unlike the standard FetHead, which offers a cleaner gain boost.
Source
0 0

Users note that the FETHead offers a cleaner signal compared to the Cloudlifter in some setups, potentially due to differences in design and component quality.
Source

Use cases and applications

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The FETHead is favored for dynamic mics to overcome insufficient gain in audio interfaces like the Focusrite Scarlett 4i4, potentially enhancing performance in quieter recording settings.
Source
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When using the FETHead with ribbon mics, users report it improves sound quality, particularly for softer audio sources, by enhancing signal strength without adding significant noise.
Source

Software and compatibility

0 0

The FETHead does not pass phantom power through, which can disable condenser microphones that require it, such as the Behringer C-1.
Source

User experience

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Owners find that while the FETHead improves gain, it requires a quiet room due to increased sensitivity to ambient sounds.
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0 0

Owners report that the standard FetHead offers a cleaner signal compared to the Germanium version, reducing noise significantly even at high gain levels.
Source
0 0

Some owners find that the FETHead works effectively with older entry-level interfaces, like the Steinberg UR44, to improve the preamp noise floor.
Source

Setup and maintenance

0 0

Best practice suggests connecting the inline preamp directly to the microphone to minimize interference, rather than placing it further down the chain.
Source
0 0

Use with long cables can benefit from the FETHead's ability to boost signal strength before significant attenuation occurs, maintaining better signal-to-noise ratios.
Source

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Genre Usage

Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.

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