Includes a gated glitchy fuzz effect with a slower gate closure compared to other gated fuzz pedals.

The pedal's design is praised for delivering a distinct fuzz effect without mimicking existing models, offering a fresh sonic palette.

Often stacked with a BOSS BD-2W for enhanced ducking/swelling effects during staccato play.

Likely used in John Frusciante's lead tones, potentially stacked with a variac fuzz or SD-1 for specific solos.

It's favored for recreating tones from Stadium Arcadium, suggesting suitability for rock and psychedelic styles.

The Not the NotRite pedal is associated with John Frusciante's use during tours, complementing his Variac Fuzz for a broader tonal palette in live performances.

Owners appreciate its silence when not playing, making it ideal for stacking in lead setups.

A user mentioned it effectively replaced a previous fuzz pedal on their board, enhancing their sound for specific John Frusciante lead tones.

A user noted that the Big Muff, specifically the EHX Little Big Muff, offers a satisfactory Hendrix tone with specific settings: tone at 3 o'clock and sustain fully maxed.

Although initially limited, pre-orders reopened multiple times, indicating ongoing availability despite claims of limited production.

There is a notable hesitation among potential buyers regarding the higher price point of the Not the NotRite pedal, with some opting for more affordable alternatives like used Big Muffs.

Some players note the Not the NotRite offers a unique tonal character distinct from the Mosrite Fuzzrite, despite Wilson Effects' claim of no circuit influence.

The Not the NotRite fuzz is positioned as a premium option compared to the more budget-friendly Big Muff, with discussions highlighting its unique tonal offerings for specific John Frusciante tones.

The Variac Fuzz is preferred by some users for recreating tones from John Frusciante's new albums, while the Not the NotRite is associated with his live setup.