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Description

The Yamaha SA-1000 semi-hollowbody electric guitar combines timeless design with modern craftsmanship, making it an ideal choice for musicians seeking versatility and quality. Known for its ability to deliver rich and resonant tonal characteristics, the SA-1000 features a unique combination of a semi-hollowbody construction paired with dual humbucking pickups. This combination provides a warm, full-bodied sound with reduced feedback, perfect for jazz, blues, and rock genres.

Crafted with a stunning laminated maple top, back, and sides, the SA-1000 offers both durability and aesthetic appeal. The mahogany neck with a rosewood fingerboard provides a smooth playing experience and ensures comfortable playability for extended practice sessions or live performances.

The SA-1000 is equipped with a tune-o-matic bridge and a stop tailpiece, ensuring excellent tuning stability and sustain. The dual humbucker pickups are complemented by a three-way toggle switch and individual volume and tone controls, allowing for a wide range of tonal possibilities. This guitar is not just about sound; it’s also about feel and looks, making it a reliable companion for both stage and studio.

Key Features:

  • Semi-hollowbody construction for warm, resonant sound
  • Laminated maple top, back, and sides
  • Mahogany neck with rosewood fingerboard
  • Dual humbucking pickups with individual volume and tone controls
  • Three-way toggle switch for versatile tonal options
  • Tune-o-matic bridge and stop tailpiece for exceptional tuning stability
  • Ideal for jazz, blues, and rock genres
Phil Walker

Phil Walker

Yamaha SA1000 Super Axe

Video thumbnail for Yamaha SA1000 Super Axe by Phil Walker

Yamaha SA1000 Super Axe

Phil Walker

Phil Walker

Video thumbnail for Yamaha SA1000 by Surin Vintage

Yamaha SA1000

Surin Vintage

Surin Vintage

Video thumbnail for Semi hollow Yamaha SA-1000 1978 japan by Zenona Guitar

Semi hollow Yamaha SA-1000 1978 japan

Zenona Guitar

Zenona Guitar

Video thumbnail for 【中古・試奏動画】YAMAHA SA-1000 セミアコースティックギター by paprica music

【中古・試奏動画】YAMAHA SA-1000 セミアコースティックギター

paprica music

paprica music

Video thumbnail for 1979 Yamaha SA1000 Super Axe 335 by 44 Guitars

1979 Yamaha SA1000 Super Axe 335

44 Guitars

44 Guitars

Video thumbnail for YAMAHA SA-1000 Sound Check Crunch by Heavy Gauge Guitars

YAMAHA SA-1000 Sound Check Crunch

Heavy Gauge Guitars

Heavy Gauge Guitars

Reviews

4.5 out of 5

Based on 1 Review and 2 Ratings

5 star
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1 star
jimmarchi1

Bang for buck.

Greco also made SA branded 335 clones and they are more accurate most of the time. With Greco the SA stood for semi-acoustic, but Yamaha asserts it stands for "Super Axe", a moniker boldly emblazoned on the headstock via a les paul script silkscreen. I intend to tell you what makes this axe so super, but first lets start with the differentiations from a legit 335.

Okay, these 335 clones run below the radar and can be had way cheap. The SA-1000 is from the 70s early series. They're built well with a long neck tennon. Neck is Mahogany and the block is typically maple however the plies in the back and sides can be birch, beach, Asian spruce, maybe maple or a combination of any of the above. The SA-1000 has nice A2 PAF copies (though they have Phillips pole pieces, WTF?) that sound pretty solid. The neck has a 70s volute. The necks are chunky but have more of a mid 60s nut width so not a great guitar for fat-fingered guys. The electronics are great. Still working and sounding right after 40 to 50 years. The fretboard appears to be ebonized though it was sold as ebony. The binding does not have nibs and is very thin. The bridge is like a giant, funky abr1 clone designed by a blind man based on a verbal description of a real abr1, but its serviceable and functional. I can't tell what they finished this guitar in. Feels like some kinda toxic lacquer and not polyesther resin, though later Yamaha literature asserts they use a proprietary poly formula. Regardless, its well applied and very thin. Sadly, the pickguard is attached like an LP, not a 335. What a cop out. She also sports an oversized headstock with a few extra curves (I guess designed to avoid the Gibson lawsuits Yamaha and other Jap builders suffered anyway) and it looks plain weird at certain angles. Oh! the tuners are all metal keystone-shaped grover style. They work adequately even after many moons.

These guitars are incredibly resonant. Like really resonant, pal! The neck set is at a really good angle to allow you to get the stop bar flush with the body causing every note to transmit into the block and hollow wings. Between the toneful stock electronics and the wonderful resonance and sustain you will have to pry this "super axe" from my cold dead hands. Buy one before they go over a grand. People will catch on soon. SA-700s are cool too (rosewood board, anyone?), but they have inferior electronics with weird/weak A3 buckers.

I have named this guitar Big Red and she voiced no objections.

From Gear Setup
xaqary

Dammit...eBay alerts activated. Jerk.

jimmarchi1

its a good guitar, not as finely crafted details as my gibby, but still very good and definitely more resonant.

xaqary

Watching one on eBay now...

jimmarchi1

if you prefer reosewood the 700 is a good guitar too, basically the same with a rosewood fingerboard and different pickups. Admittedly a lot of Japanese guitar people dislkike the alnico III humbuckers in the 700, but YMMV. My best all around set of humbuckers is probably alnico III sowho can say whats in this magnet mojo anyway. Good luck, I I think I got mine from japan... can't recall anymore. It was about 7 or 8 hundred bucks

skylinerr

so its basically a yamaha 335?

Artist usage

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See how Larry Carlton uses Yamaha SA-1000

Larry Carlton

Guitarist

Steely Dan

...
Verified via Photo

The guitar behind him is Yamaha Sa-1000. (Live in Tokyo / Novermber 1978) / https://session-guitarist.net/larry-carlton-mr-335-live-in-japan-1979/

See how Roland Orzabal uses Yamaha SA-1000

Roland Orzabal

Singer, Guitarist

Tears for Fears

...
Verified via YouTube

In the YouTube video "Tears For Fears • 'Everybody Wants To Rule The World/Head Over Heels' • 1985 [RITY Archive]" by ReelinInTheYears66, Roland Orzabal is seen playing a black Yamaha SA-1000 guitar during two mimed performances of "Everybody Wants to Rule the World" and "Head Over Heels" on an Australian television program. The same guitar appears again in 1986, used by keyboardist Ian Stanley in the "Mothers Talk" US Mix music video.

Genre Usage

Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.

Used With

Based on how musicians on Equipboard use Yamaha SA-1000, it is most commonly used with the following gear.

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jimmarchi1

jimmarchi1

Gear IQ 41029

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