"At home I've got a basic setup of demos. I've got (Hybrid Arts) ADAM machines for the recording, and I program on (Steinberg) Cubase. I use an Akai CD3000, a (Roland) JD-800, and c (Clavia) Nord Lead. The Nord is a very interesting synthesizer -- the fact that you can record all your movements real time into computer, wave sweeps and everthing. I like it. I've also got three ARP 2600's and two Minimoogs. But I tend to keep things very basic at that stage."

Akai CD 3000 XL (10MB) is included in Liam Howlett's gear list.

"I used Akai S3200 and CD3000 for them. RT @JRokujuushi Most rock songs without vocals sound like they use similar drums- Windy and Ripply... "

An Akai CD3000 can be seen in Koji Kondo's studio, to the right.

In a photo captured by Rolling Stone, Adam Schlesinger is seen using the Akai CD 3000 audio sampler.

Tim Simenon used the Akai CD 3000 on Depeche Mode's album "Ultra," as noted in a discussion on Gearslutz.

Isham's 'orchestra pit' is, however, no slouch, with several Akais (S3200, CD3000, S1000, S1000PB and three S2000s), three Emu E4Xs, three Roland S760s, plus a selection of older units. "They each have their own characteristics — the Akais have a tremendous transient response, and for percussion they're just brilliant; the Rolands have a warmth about them. I also have so many because of the various different programmers that work in the different formats. Eric Persing of Spectrasonics pretty much works for Roland, and he's just so good that I had to have some Roland gear to take advantage of his wonderful work."

In this shot the CD3000 can be seen on the left side of the rack.

"I just use loads of CD‑ROMs which I play through the Akai CD3000. I do like the Miroslav Vitous Symphonic Orchestra Samples. The other one I use a lot is Peter Siedlaczek's — that's another orchestral set, and there are actually five CDs of his stuff. The most important thing is that they were recorded in a room with the orchestra sitting where they're supposed to sit — in other words, the basses come out of the right‑hand side. I once had an engineer who didn't know where the orchestra sit and was complaining because it was too right‑heavy — well, that's where they sit, you know!"

In the MusicRadar Tech studio tour video, Andy Meecham, known as Emperor Machine, showcases his use of the Akai CD 3000 sampler.

Eric Chevalier's gear list circa 2003:

Mixing Consoles: - Sony DMX-R100 - Yamaha 01V Monitors: - Genelec 1031.A - Genelec 1030.A Samplers: - Akai s6000 (x2) - Akai CD3000XL - Roland S760 (x4) - Roland SP 700 Synthesizers: - Roland JD800 - Roland JD990 - Roland MKS80 + PG - Roland MKS70 + PG (x2) - Roland XV3080 - Roland D550 - Roland A80 - E-MU Proteus 2000 - Yamaha TX802 - Kurzweil MicroPiano - Korg M1R EX - Korg Wavestation AD - Korg Triton - Alesis DM5 (drum machine) - Access Virus A - Access Virus C - The theremin - Nord Lead Computer (& Plugins): - PowerMac G4/733 - PowerBook Titanium - Monitors Plasma (x2) - Pro Tools Mix Plus (software) - Logic Audio Platinum (+ eMagic plugins) - Spectrasonics Athmosphere - Spectrasonics Stylus - Mac Five - DD 80 Go + 120 Go + 160 Go LaCie - DD 40 Go Ice - Synchro: "Time Machine" C Lab - Unitor MK2 (x3) Effects: - Lexicon 480L - PCM80 / LPX15 - Yamaha SPX90 / D1500 (x2) - Tube Tech Compressor LCA 2B - EQ Moog - TC Electronics M5000 - TC Electronic Finalizer 96K - DAT Panasonic SV-3800 - DAT Sony PCM R500

Included in his studio are synthesizers such as the Roland MKS-70, two MKS-50s, a MKS-80 and D-50; Yamaha TX-81Z; four Oberheim Matrix 1000s, E-mu Orbit and Morpheus, and a Casio VZ-10M. Sample players include Kurzweil 1000AX+, Roland U-110, Oberheim DPX-1, E-mu Proformance Piano and Proteus (as well as the Proteus 2 and 3), Alesis NanoBass and samplers, including a Casio FZ-10M, two Akai S-1000s and three Akai CD-3000s. He also turns to E-mu Procussion, Roland R-8M, Alesis DM-5, Roland BD-1 and a Roland SPD-11 for drum sounds.