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Description
The AMS DMX 15-80S Digital Delay is a quintessential tool for musicians and sound engineers seeking to add depth and texture to their audio projects. Known for its versatile delay capabilities, this effects processor delivers high-fidelity echo and delay effects, making it a staple in both live and studio settings. Designed with precision in mind, the DMX 15-80S offers an impressive array of features that cater to both novice users and seasoned professionals.
This digital delay unit is equipped with a robust set of controls, allowing for meticulous adjustments to delay time, feedback, and modulation. Whether you're aiming for a subtle echo or a dramatic, layered soundscape, the AMS DMX 15-80S provides the tools you need to achieve your desired sonic outcome. The digital architecture ensures clarity and consistency, while the intuitive interface facilitates easy navigation through its comprehensive settings.
Perfect for musicians who crave creative control, the DMX 15-80S integrates seamlessly into any setup. Its reliable performance is backed by a sturdy build and user-friendly design, making it a trusted choice for enhancing audio production quality. Whether you're crafting a new track in the studio or delivering a live performance, this digital delay unit is engineered to elevate your sound.
Key Features:
- Versatile delay capabilities for a wide range of audio effects
- Intuitive interface for easy navigation
- Comprehensive controls for delay time, feedback, and modulation
- High-fidelity digital architecture for consistent sound quality
- Reliable performance suitable for both studio and live environments
Product specs
| Brand | AMS |
| Model | Model DMX 15-80 S Computer Controlled Stereo Digital Delay |
| Finish | Black |
| Year | 1970s |
| Categories | Delay |
FAQs
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What are the key features of the AMS DMX 15-80S Digital Delay?
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The AMS DMX 15-80S is a computer-controlled stereo digital delay known for its high-quality audio processing and versatility. It offers adjustable delay times, modulation capabilities, and is renowned for its use in professional studio settings.
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How does the AMS DMX 15-80S Digital Delay enhance studio recordings?
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The AMS DMX 15-80S provides precise delay control and modulation options, allowing producers to create rich textures and depth in recordings. Its high-fidelity processing makes it a staple in achieving professional-grade soundscapes.
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Is the AMS DMX 15-80S suitable for live performances?
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While primarily designed for studio use, the AMS DMX 15-80S can be utilized in live settings to add dynamic delay effects. Its robust build and reliable performance make it a viable option for live sound engineers seeking high-quality delay effects.
Videos
Universal Audio
UAD AMS DMX Digital Delay & Pitch Shifter Sound Examples
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about AMS DMX 15-80S Digital Delay.
Features and functionality
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The AMS DMX 15-80S uses a crystal oscillator for modulating stereo delay time, creating unique pitch modulation effects through speed and depth adjustments.
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The granular module's position control acts as a delay time, allowing cascading pitch-shifted delays and blending traditional pitch effects when paired with a delay line.
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Known for producing thick, rich vocal effects, enhancing vocal tracks with depth and texture.
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Use cases and applications
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The granular module on devices like the Zoia can replicate AMS DMX's pitch-shifted delays, useful for creating cascading effects with a VCA in the feedback path.
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Comparisons
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Granular synthesis, used in older pitch-shifters like the Eventide H910, provides a similar pitch-changing method to the AMS DMX 15-80S, offering a glitchy character.
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Mods and upgrades
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Filtering in the feedback loop, particularly with a multi-filter, can shape pitch-shifted sounds better than an SV filter due to resonance control.
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Some units have a unique power supply connection; internal power supply footprint allows for upgrade with a currently available transformer.
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Setup and maintenance
Critic Reviews
5.0 out of 5
Based on 1 Review and 2 Ratings
41029
Groundbreaking
This used to be sitting unloved in a lot if studios under the lexicon and 2290 units and maybe a korg. Yes its old and quirky but its early digital delay lines hold up today. Wh er n its gotta sound like joy division? Yup.
Artist usage
Add artist
"If I walk into a studio and I don't see an AMS digital reverb and an AMS digital delay, I start having my suspicions about the place. I use the harmoniser function on the AMS DMX 15-80S delay system, plus delays and I always use their reverb if I can't use natural reverberation. Other ones are good, but they always sound a bit plonky - they've got a sort of tone on them that I don't like. The AMS one is superb — fully equalised top and bottom."
In this photo from an interview with Amazona.de, it is confirmed that Peter Schmidt uses the AMS DMX 15-80S Digital Delay.
Album Usage
The AMS DMX 15-80S Digital Delay has been featured on the following albums:
I Wanna Dance With Somebody (Who Loves Me)
Whitney Houston & Calum Scott (2025)
How To Re-Assemble An Atomic Bomb
U2 (2024)
Look Good
White Denim (2024)
The Story of Light
Steve Vai (2012)
Sex On Fire
Kings of Leon (2009)
Only By The Night
Kings of Leon (2008)
In Rainbows
Radiohead (2007)
...And Justice for All (Remastered)
Metallica (1988)
Faith
George Michael (1987)
Master of Puppets (Remastered)
Metallica (1986)
No Jacket Required (2016 Remaster)
Phil Collins (1985)
Beat Boy
Visage (1984)
Fascination!
The Human League (1983)
Peter Gabriel 4: Security (Remastered Version)
Peter Gabriel (1982)
Unknown Pleasures
Joy Division (1979)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use AMS DMX 15-80S Digital Delay, it is most commonly used with the following gear.
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