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Description
Explore a new dimension of sound with the AMS DM2-20 Tape Phase Simulator, a highly versatile effects processor designed for discerning studio engineers and musicians. This sophisticated device emulates the lush, warm sound of classic tape phasers, bringing the iconic modulation of vintage gear into the modern studio setting. Whether you're looking to add subtle movement or dramatic sweeps to your tracks, the DM2-20 provides a rich palette of tones to enhance your music production.
Equipped with proprietary algorithms, the DM2-20 accurately recreates the dynamic phase-shifting characteristics of tape-based systems, offering a truly authentic analog feel. Its intuitive interface allows for seamless integration into any studio setup, making it both a practical and inspiring tool for creative sound design. The sturdy construction ensures reliability, while the comprehensive control options enable precise adjustments to suit any musical genre or style.
Enhance your audio with advanced modulation capabilities that include adjustable depth, feedback, and speed parameters. The AMS DM2-20 is perfect for those who demand high-quality, classic sound with the convenience of digital precision.
Key Features:
- Authentic tape phase simulation with modern digital precision
- Proprietary algorithms for true analog sound emulation
- Comprehensive control options for depth, feedback, and speed
- Durable build suitable for studio environments
- Ideal for a wide range of genres and musical applications
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Artist usage
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Used on Discovery, as stated in this May 1, 2001 Remix interview and in this October 1, 2001 Mix Online interview.
Remix
You use vocoders and phase shifters on many of your tracks.
Bangalter: People always ask us what vocoder we use, but every one of our vocal tracks uses a different vocoder effect. We have the old Roland one [an SVC-350], Auto-Tune, and a Digitech Vocalist. We take the same approach with phase shifters. Every track on this album uses a different phase shifter. We have a Mu-Tron phaser, a Moogerfooger pedal, an old AMS phaser, and an Ensoniq DP-4. With the older items, you can have several of the same model and they all sound different.
Mix Online
The key principle that de Homem-Christo repeatedly invokes in discussing Daft Punk's compositional approach is bricolage, a French term referring to the art of taking found materials (in this case, found sounds) and incorporating them into something new. “Sometimes we use an instrument in a way that it was never created for,” he explains. “Some people might say, ‘You're doing something wrong using this effect like that,’ but we always try to do different tricks and techniques that are maybe a little bit wild for usual sound engineers. But by experimenting with some crazy ideas, you find some crazy sounds.”
To get those sounds, the pair uses many vintage keyboards, including Korg, Roland and Moog gear from the '70s. “We use the big ones that were used in the '70s, like the Juno. It depends on how you use it — if you put a distortion effect on a Juno, you can't tell it's a Juno.” Their main synths include a TR-909, TR-808, Juno-106, ARP Odyssey, E-mu 3 and AMS Phasers.
Album Usage
The AMS DM2-20 Tape Phase Simulator has been featured on the following albums:
Genre Usage
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Used With
Based on how musicians on Equipboard use AMS DM2-20 Tape Phase Simulator, it is most commonly used with the following gear.
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