Pricing and availability
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Average Price: $154
Standard/Professional
$60
$181+
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Description
Unleash the sheer power of sonic devastation with the Black Arts Toneworks Destroyer, where pummeling fuzz meets unbridled doom. This compact titan of sound combines the ferocious fuzz of the Oath and Ritual pedals, delivering layers upon layers of thick, grinding tones that defy the boundaries of traditional music. With just two footswitches and a singular knob, simplicity is at the heart of controlling this uncontrollable beast. Designed for those who dare to venture into the realms of extreme gain and diverse textures, the Destroyer lives up to its name, offering an unparalleled experience in fuzz effects pedals. Ideal for guitarists looking to make a bold statement, this pedal is not for the faint of heart.
Key Features:
- Combines the fuzz of the Oath and Ritual pedals for layered, grinding tones
- Simple control interface with two footswitches and one knob
- Delivers insane amounts of gain and diverse textures
- Perfect for creating bold, doom-laden soundscapes
Product specs
| Brand | Black Arts Toneworks |
| Model | Destroyer |
| Finish | Metal |
| Year | 2010s |
| Made In | United States |
| Categories | Fuzz Pedals and Effects |
FAQs
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What type of sound can I expect from the Black Arts Toneworks Destroyer fuzz pedal?
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The Black Arts Toneworks Destroyer delivers a heavy, aggressive fuzz tone with a thick, saturated sound ideal for doom, stoner rock, and metal genres.
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Is the Black Arts Toneworks Destroyer suitable for bass guitar?
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Yes, the Destroyer works well with bass guitars, providing a rich, full-bodied fuzz that maintains low-end clarity.
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What power supply does the Black Arts Toneworks Destroyer require?
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The Destroyer operates on a standard 9V DC power supply, which is common for most guitar pedals.
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How does the Black Arts Toneworks Destroyer differ from other fuzz pedals?
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The Destroyer is known for its unique combination of vintage and modern fuzz characteristics, offering a versatile range of tones from classic fuzz to more aggressive modern sounds.
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Can the Black Arts Toneworks Destroyer be used in a live performance setting?
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Yes, the Destroyer is designed for both studio and live performance, delivering consistent and reliable fuzz tones on stage.
Videos
BlackArtsToneworks
Black Arts Toneworks Destroyer Demo Video
Reviews
PROS
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Combines Ritual and Oath circuits for versatile fuzz tones
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One knob control offers simplicity while providing range from overdrive to full-on fuzz
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Second channel adds unique character, especially when combined with the first
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Ideal for stoner rock/doom genres with its heavy, gritty sound
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High-quality build and slick paint job add to its appeal
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Eyes lighting up on the pedal adds a cool visual effect
CONS
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Extremely loud with no option to reduce volume directly on the pedal
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Does not integrate well with modulation, delay, and reverb effects
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One side (Oath) can be too intense for some, with no adjustment available
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The other half (Ritual) might sound muddy to some users
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Black Arts Toneworks Destroyer.
Features and functionality
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The Destroyer features two circuits: "Ritual" for OD to high gain fuzz, and "Oath," which is permanently maxed, creating significant volume and low-mid gain.
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Unlike the Mastotron, the Destroyer doesn't offer crazy gated sounds but excels in maintaining note clarity even at high gain settings.
Source
Setup and maintenance
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Using a Saturnworks true bypass looper with an output volume knob is crucial to manage the Destroyer's excessive loudness without damaging your amp.
Source
Mods and upgrades
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An owner suggests modding the Destroyer to include an output volume control for the Oath circuit and a switch to change the series order of the circuits.
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User experience
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Owners report the Oath circuit is so loud it may require multiple volume pedals to control, emphasizing its potential to overwhelm an amp.
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Comparisons
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The Destroyer is described as thicker and more low-mid heavy than the EQD Acapulco Gold, with a shared high volume output that requires careful initial setup.
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The Destroyer's "Oath" circuit can be overly aggressive for some amps, contrasting with the more balanced response from a Laney amp compared to a plexi setup.
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The LSTR offers a scooped, high-gain fuzz that differs from the Pharaoh's capabilities, which might not cater to those seeking unique tones beyond what the Pharaoh provides.
Source
4.5 out of 5
Based on 0 Reviews and 5 Ratings
Artist usage
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Used With
Based on how musicians on Equipboard use Black Arts Toneworks Destroyer, it is most commonly used with the following gear.