The Dramastic Obsidian in 500 series is praised alongside the Serpent Audio SB4001, suggesting solid performance compared to other mastering compressors in its class.

The Obsidian offers an SSL-like vibe without narrowing the soundstage, unlike some SSL compressors.

Users often pick the Obsidian over the API 2500 when seeking a specific tone, noting the Obsidian’s capability for more significant sonic impact.

The Obsidian is one of the few 500 series compressors noted for its ability to handle mastering tasks effectively, countering the general trend of preferring rack-mounted units for high headroom.

The 500 series version of the Obsidian is mentioned as a viable option for those wanting a compact solution without sacrificing too much on performance compared to full rack units.

The Obsidian is noted for its ability to handle complex mixes, maintaining clarity and providing a cohesive "glue" effect across diverse musical styles.

The Obsidian 500 features a built-in high pass filter up to 330Hz, allowing low-end frequencies to pass through before compression affects higher frequencies.

The Obsidian's high pass filter feature allows it to preserve low-end dynamics while compressing higher frequencies, which is particularly beneficial for dance music production.

Users report that the Obsidian provides a satisfactory balance and "glued together" sound, which is often sought after in mastering scenarios.

Owners report the Obsidian maintains low-end integrity, crucial for sub drops and weighty sound designs, making it a reliable choice for these applications.

Owners note that the Obsidian 500 delivers a punchy low-end, making it a preferred choice especially for dance music tracks.

The Obsidian has been used effectively in commercial music projects, offering a broad application range, from synth-driven tracks to orchestral arrangements.

Owners frequently patch the Obsidian towards the end of the mastering chain for dance music, citing its ability to deliver a big, punchy sound.