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Average Price: $75
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$200
$801+
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Description
The E-Mu Proteus 1 is a landmark in the world of digital sound modules, offering musicians a remarkable palette of tones to enhance their creative expression. Released in the late 1980s, this module cemented its place in music history with its legendary 16-bit ROM samples, which were cutting-edge at the time. It includes a diverse array of sounds, from lush orchestral strings to punchy brass and dynamic basses, making it a versatile tool for both live performances and studio sessions.
The Proteus 1 stands out with its intuitive interface, allowing musicians to effortlessly select and modify sounds with precision. Its robust sound architecture provides access to over 192 preset sounds that can be further customized to meet individual artistic needs. This module is perfect for those looking to add authentic vintage tones to their setup without the hassle of complex programming.
Key Features:
- 16-bit digital sound engine
- Over 192 high-quality preset sounds
- Intuitive user interface for easy navigation
- Extensive library of orchestral, brass, and bass sounds
- MIDI compatibility for seamless integration with existing setups
- Compact design ideal for studio and live use
Product specs
| Brand | E-MU Systems |
| Model | Proteus/1 Rackmount 32-Voice Sampler Module |
| Finish | Black |
| Year | 1989 |
| Made In | United States |
| Categories | Digital Synthesizers, Rackmount Synths |
| Analog / Digital | Digital |
| MIDI I/O | MIDI Input, MIDI Output, MIDI Through |
| Polyphony | 32 Voices |
FAQs
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What type of sounds does the E-Mu Proteus 1 offer?
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The E-Mu Proteus 1 provides a collection of general sounds from the Emulator library, suitable for a wide range of music production applications, including pop, rock, and electronic genres.
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How many voices can the E-Mu Proteus 1 play simultaneously?
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The E-Mu Proteus 1 features 32-voice polyphony, allowing for complex sound layering and rich musical arrangements.
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What are the MIDI connectivity options for the E-Mu Proteus 1?
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The E-Mu Proteus 1 includes MIDI Input, MIDI Output, and MIDI Through ports, facilitating seamless integration with other MIDI-compatible equipment in your setup.
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Is the E-Mu Proteus 1 suitable for live performances?
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Yes, the E-Mu Proteus 1 is rackmountable and offers reliable sound quality, making it a practical choice for live performances and studio use.
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How can I reset the E-Mu Proteus 1 to factory settings?
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To reset the E-Mu Proteus 1, hold down "master" and "edit" while powering it on, then navigate to the diagnostics mode and select "initialize" to restore factory settings.
Videos
Doctor Mix
The Emu Proteus 1 In Action
Reviews
PROS
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Vast library of professionally sampled instruments
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Pristine sound quality integrates well in modern mixes
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High multi-timbrality suitable for complex arrangements
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Versatile internal effects enhance output subtly
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Easy repairability with generic, easily replaceable parts
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Excellent MIDI integration with minimal lag
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Unique nostalgic sounds, ideal for specific genres like vaporwave
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Clean output with perfect isolation for recording
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Notable for punchy and hard bass sounds
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Cost-effective for retro and experimental music production
CONS
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Some sounds may feel dated or too niche
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Occasionally misinterprets MIDI note length and pitch
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Lacks onboard effects, relying on external processing for enhancement
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Limited appeal outside specific musical styles or production needs
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about E-Mu Proteus 1.
Features and functionality
Comparisons
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Proteus 2000 offers a completely different sound profile compared to the Proteus 1, thanks to its Composer ROM with 8 banks and over 1000 samples.
Source
User experience
Mods and upgrades
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Proteus 2000 allows for up to 4 ROM slots, offering significant expansion potential despite the high cost of individual ROMs.
Source
Setup and maintenance
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The Proteus/1 XR may lose presets if the internal battery dies, requiring replacement to restore functionality.
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Owners report that the SysEx transfer speed settings might need adjustments for successful data transfers.
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A missing +12v connection can cause audio issues; resoldering the ribbon cable to the PCB can resolve this.
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Surface mount reflow requires steady handwork, flux, and patience; improper technique risks bending legs and damaging PCB pads.
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Voltage regulators convert -12 and +12 to -5 and +5 for the audio amp stage and DACs, critical for proper sound output.
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Software and compatibility
Critic Reviews
4.0 out of 5
Based on 2 Reviews and 12 Ratings
219
50% gold, 50% fools!
I'm going to start by saying that if you've ever used digital recreations of the Proteus series, you're missing out. The soundfont files for the Proteus lines that are floating around are really inaccurate and sound really bad, and various digital recreations are inaccurate in one way or the other. You won't get anything good, unless you get the real deal.
That being said, this is a fun little synth with a cute set of sounds, I picked mine up earlier this year, and while I've not used it much for actual production, the playing around I've done with it has been quite a treat as I find it to be very fun to fiddle with and see what patches I can mix together to get really cool sounds, plus this thing sounds cool on its own despite having no onboard EFX, no clue how they pulled it off but the 'fakery' they do for simulating things like reverb trails on strings is smart and well done.
26907
Great write-up :) So sample sets made from the original equipment won't do this thing justice?
530
Nothing to rave about, but it changed an industry when it came out
Quoted from Vintagesynth.com
http://www.vintagesynth.com/emu/proteus.php
Throughout the 1990’s, E-mu came to be known for its rack-mounted synth and sampler modules. In 1989, the Proteus was the first rack-mount module E-mu produced, and it was a huge success for the company. The Proteus 1 is an economical one-space module consisting of your basic rock and pop sounds. It has 4 MB of sounds from the EIII library such as samples of pianos, organs, strings, horns, guitars, basses, drums, Latin percussion, and more all at your fingertips. The Proteus offers professional features such as full 16-part MIDI multitimbrality, 32-voice polyphony, 16-bit ROM samples, six individual polyphonic outputs and extensive editing and modulation capabilities. There is also E-mu's RMidiPatchS that allows direct real-time control of over 40 parameters for keyboard, midi controllers, internal LFOs and envelopes. It has been used by Astral Projection, Pet Shop Boys, Vangelis, Genesis, and Information Society.
Artist usage
Add artist
In the Radiophonic Workshop Gallery image, the E-Mu Proteus 1 is visible, confirming its use by Roger Limb.
"Roland JV2080 + expansions, EMu Proteus, AKAI S1000 but we built our own samples for the games… I had an Emulator IV for PDZ but switched to Gigasampler. Also JP8000 on that game….but soft synths were starting to happen…"
Composer Tony Bernetich confirmed his use of the E-Mu Proteus 1 by stating, "I had a bunch of Proteus equipment including both I and II plus a Morpheus and a drum and dedicated piano module." This statement serves as proof of his use of the specific sound module.
Howard Goodall confirmed his use of the E-Mu Proteus 1 by stating, "Well, for those electro-music buffs who might know about it, I have all the Proteus machines, which are all very good sampled sounds." This information is sourced from the Red Dwarf Smegazine (November 1992) available on the Internet Archive.
David Bergeaud listed several of his synthesizers, including the E-Mu Proteus 1, on eBay, indicating that he used them in his various game projects.
Mike O’Donnell confirmed on his Twitter that he and Junior Campbell used a Proteus 1 was used in scoring Thomas The Tank & Friends.
David Ferguson's equipment list:
Apple G3 266 computer, 96Mb RAM/4Gb HD. Akai S3000XL sampler. Alesis ADAT XT digital recorder/BRC remote. Alesis Microverb effects. Bit 99 synth. Drawmer DS201 Gate & LX20 compressor. Emagic Logic Platinum 2.6 sequencer. Emu Proteus 1, 2 & 3 sound modules. ("On the album, the 'Hall Strings' preset from Emu's first Proteus module is used a lot, because it's a great marcato string sound.") Emu Proformance piano module. Ensoniq VFX synth. FriendChip Timecode Refresher. Iomega Jaz drive. Korg 1212 PCI card. Korg DRV3000 effects. ("Weird and sometimes wonderful.") Korg Wavestation SR synth. Lexicon MPX1000 effects. Logan String Melody keyboard. ("The last of Random Hold.") Mackie 32:8:2 mixer. Oberheim DPX1 sample player. Roland D550 synth. Roland S760 samplers/SP700 playback unit. Sony 600Mb optical drive. Sony DTC690 DAT recorder. Spirit Absolute 2 monitors. SPL Vitalizer enhancer. Symetrix 511A noise reduction. Tascam DA30 MkII DAT recorder. TC M2000 Wizard effects. Yamaha AN1x synth. Yamaha SPX50 effects.
In the YouTube video "TRIO KWEK KWEK - Rame Rame," Trio Kwek Kwek uses the E-Mu Proteus 1 sound module, likely for the choir sounds in the track.
Included in his studio are synthesizers such as the Roland MKS-70, two MKS-50s, a MKS-80 and D-50; Yamaha TX-81Z; four Oberheim Matrix 1000s, E-mu Orbit and Morpheus, and a Casio VZ-10M. Sample players include Kurzweil 1000AX+, Roland U-110, Oberheim DPX-1, E-mu Proformance Piano and Proteus (as well as the Proteus 2 and 3), Alesis NanoBass and samplers, including a Casio FZ-10M, two Akai S-1000s and three Akai CD-3000s. He also turns to E-mu Procussion, Roland R-8M, Alesis DM-5, Roland BD-1 and a Roland SPD-11 for drum sounds.
Album Usage
The E-Mu Proteus 1 has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use E-Mu Proteus 1, it is most commonly used with the following gear.
Community setups
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