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Average Price: $199
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$60
$181+
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Description
Unleash a torrent of sonic chaos with the EarthQuaker Devices Terminal Destructive Fuzz Device V2, a guitar pedal that proudly defies convention. Crafted for adventurous musicians, this pedal is inspired by the vintage JAX fuzz circuit, delivering gritty, aggressive tones that can be tailored to fit any style of music. Whether you’re aiming for thick, rich sustain or a biting, mid-range punch, the Terminal V2 has you covered. Its simple interface features controls for Level, Voice, Treble, and Fuzz, allowing you to easily sculpt your perfect fuzz sound.
The Voice control is a standout feature, offering a range of tonal textures from a throaty growl to a searing top-end sizzle, making this pedal versatile enough for both studio experimentation and live performances. The device's all-analog circuitry ensures a warm, organic sound, while true bypass switching maintains the purity of your guitar signal when the pedal is disengaged. Built in Akron, Ohio, the Terminal V2 is designed with durability in mind, housed in a rugged enclosure that can withstand the demands of gigging musicians.
Perfect for players looking to add a distinct edge to their sound, the Terminal Destructive Fuzz Device is here to help you push the boundaries of fuzz.
Key Features:
- Inspired by vintage JAX fuzz circuit
- All-analog circuitry for warm, organic tones
- True bypass switching for signal purity
- Controls: Level, Voice, Treble, Fuzz
- Voice control for diverse tonal textures
- Handcrafted in Akron, Ohio
- Durable, gig-ready enclosure
Product specs
| Brand | EarthQuaker Devices |
| Model | Terminal Destructive Fuzz Device V2 |
| Year | 2017 - 2019 |
| Made In | United States |
| Categories | Fuzz Pedals and Effects |
| Pedal Format | Standard |
FAQs
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What kind of tone can I expect from the EarthQuaker Devices Terminal Destructive Fuzz Device V2?
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The Terminal Destructive Fuzz Device V2 offers a gritty, aggressive fuzz tone with a wide range of sonic textures, from thick and saturated to biting and cutting, making it versatile for various musical styles.
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Does the Terminal Destructive Fuzz Device V2 work well with bass guitars?
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Yes, the Terminal Destructive Fuzz Device V2 is compatible with bass guitars and can deliver a heavy, full-bodied fuzz that enhances low-end frequencies without losing clarity.
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What are the main controls on the EarthQuaker Devices Terminal Destructive Fuzz Device V2?
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The pedal features four main controls: Voice, Treble, Level, and Fuzz. These allow you to shape the tone, adjust the treble response, control the output volume, and dial in the desired amount of fuzz.
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Is the EarthQuaker Devices Terminal Destructive Fuzz Device V2 true bypass?
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Yes, the Terminal Destructive Fuzz Device V2 is equipped with true bypass switching, ensuring that your signal remains unaltered when the pedal is not engaged.
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What power supply does the Terminal Destructive Fuzz Device V2 require?
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The Terminal Destructive Fuzz Device V2 requires a standard 9V DC power supply with a center-negative plug. It does not support battery operation.
Videos
Burning Hand Sounds
EarthQuaker Devices Terminal Destructive Fuzz on Bass
Reviews
PROS
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Produces unique, synth-like square wave sounds
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Retains low end exceptionally well, excellent for bass
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Recreates iconic "Time is Running Out" bass tone
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Delivers gnarly, raw electricity-like fuzz
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Offers a more focused sound than typical fuzz pedals
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Ideal for experimental sound stacking
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Provides distinct, non-distortion fuzz character
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Affordable despite being a high-quality, legendary pedal
CONS
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Not suitable as an always-on pedal
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Requires careful gain pairing with pickups
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Inconsistent results when stacking with other pedals
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about EarthQuaker Devices Terminal Destructive Fuzz Device V2.
Comparisons
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The Terminal V2 fills the niche between the Fjord Fenris and Hoof V2, offering a unique "Jack White Lazeretto" fuzz.
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The Terminal V2 is compared to the Wattson Shin-ei clone, noted for being a cheaper alternative to the original Shin-ei FY-2 used by Colin Greenwood.
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The Malekko B:Assmaster is suggested as an alternative for achieving a sawtooth sound, highlighting the Terminal's niche tonal capabilities.
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The Team Awesome Fuzz Machine is another pedal mentioned for achieving similar sounds, though it might require adjustments for exact tone replication.
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Use cases and applications
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The pedal excels in recording, cutting through mixes with a distinct 60's garage fuzz sound.
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Similar to the Shin-Ei Companion Fuzz, it replicates the massive wall of fuzz found in Jesus and Mary Chain's "Psychocandy."
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Users note the Terminal achieves a "hollow zippering sound," making it suitable for replicating Radiohead's "Exit Music" fuzz tone.
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Features and functionality
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Noted for its satisfying fuzz texture, similar to the bass part in Radiohead's "Exit Music."
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