"The first pedal I modified successfully was an Electro-Harmonix Electric Mistress. I changed the range of the speed and how it interacted with the positive and negative forms of the slope, and also created forced feedback within itself to oscillate and create noises. What really gave me a lot of knowledge was starting the effects pedal company. I used to take custom orders for anything, and that forced me to figure out how to build some projects that I’d agreed to do."

In this photo, we can see Waters with his rig, which also has the EHX Electric Mistress pedal.

In an interview featured on Ultimate Guitar titled "Forgotten Guitar Gear Uli Jon Roth Used During His Scorpions Era," Uli Jon Roth mentioned using the Electro-Harmonix Electric Mistress Flanger/Filter Matrix pedal.

In this interview, Todd states he uses an Electro-Harmonix Electric Mistress Flanger:

Who makes your equipment?

The Harmonizer is an Eventide [265 W. 54th St., New York, NY 10019]. The flanger is an Electro-Harmonix [27 W. 23rd St., New York, NY 10010] Electric Mistress, and I'm using Tapco [3810 148th N.E., Redmond, WA 98052] graphic equalizers, and E-mu [3046 Scott Blvd., Santa Clara, CA 95050] synthesizer modules. The preamp is part of the E-mu setup. It triggers the synthesizer modules--the voltage-controlled filters, amplifiers, and so on.

We’ve been able to program our Peavey 5150/6505 settings into it and interface it with our Custom Audio Electronics effects unit so we have access to all our presets, and also manual moves if need be. Included in my CAE unit is: Rocktron Prophecy 2 for some clean tones (it will be weeded out after I get more familiar with the Fractal), MXR Zakk Wylde Overdrive, MXR Super Fuzz, BOSS CE-5 Chorus, MXR EVH Phase-90, BOSS NS-2 Noise Suppressor, Voodoo Lab pedal power, Electro-Harmonix Electric Mistress.In the effects loop- BOSS DD-7 delay, CE-5 chorus and a compressor for that Neil Schon sustain. Depending on the venue I’ll use the rack mounted Dunlop Wah or a Zakk Wylde wah (in polka dot Buddy guy casing tributing Randy Rhoads).

In this interview with Perfect Sound Forever, Keith explains that in PiL's heyday, the only pedal he used was an Electric Mistress.

"We’ve been experimenting with new stuff lately, but right now my effects include Boss PS-5 Super Shifter and PH-3 Phase Shifter pedals, a Line 6 DL4 Delay Modeler, an Ibanez AD-9 delay, a Hardwire RV-7 reverb, an Electro-Harmonix Electric Mistress flanger…"

Electro Harmonix Electric Mistress is included in the list of Gareth Jones' gear.

"I wanted to explore these new instruments to find out what they could do. Try to make a new language for them. I’d been working at home with the synth and drum machine. Began in 1978 with an Arp Odyssey, an Elka string machine, a Roland 301 Space Echo and a Roland CR78 drum machine and a four track. "

"CM: 'Can we have a list of your gear?'

JF: 'I couldn’t possibly list all of Benge’s gear but if I work alone then sometimes I record the CR78 and then work on top of this with both analogue and digital synths and effects. I mainly use the Aryp Odyssey and the Roland Vocoder. I believe in using a limited palette of sounds - with just one or two in real focus for the track. The star sounds. This allows for consistency and some innovation at the same time. Arp Odyssey Arp Sequencer Roland Vocoder Plus Elka Strings Moog Minimoog Roland Juno 60 Roland CR78 Roland 909 Outboard: Roland Space Echo 301 MXR Phaser - orange footwitch type Electro Harmonix Electric Mistress Flanger."

• Interview, John Foxx - Computer Music Magazine (unknown issue)

En este podcast Richard cuenta que a sus 15 años, en un viaje a EEUU, compra su Gibson Les Paul Deluxe (Cherry sunburst con mini humbuckers) un Electric Mistress v1 (el mismo que usa Summers y Gilmour) y un Little Big Muff.

"My effects included a TC Electronic 2290 Dynamic Digital Delay, Roger Mayer Voodoo Vibe and Octavia pedals, an Electro-Harmonix Electric Mistress, a Boss Vibrato, an Ernie Ball volume pedal, and an old Matchless Hot Box distortion.”

"I also use an Electric Mistress phaser and a wah-wah pedal on the Fender."