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Average Price: $241
Standard/Professional
$150
$601+
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Based on price data from 7 merchants for "Electro-Harmonix Mel9 Tape Replay Machine". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
The Electro-Harmonix Mel9 Tape Replay Machine is a game-changer in the world of guitar pedals and effects. This extraordinary pedal employs cutting-edge technology to transform your instrument into a vintage tape-based keyboard, replicating the iconic sounds of a Mellotron. With no modifications, special pickups or MIDI implementation necessary, the Mel9 can be used with ease on your guitar, bass, or even keyboard.
Nine classic Mellotron sounds are at your fingertips, including Orchestra, Cello, Strings, Flute, Clarinet, Saxophone, Brass, Low Choir, and High Choir. Each sound can be meticulously shaped via the Attack and Sustain controls. The Attack function adjusts the volume swell speed, allowing for notes to fade in more gradually, while the Sustain function controls the release time after a sound has been stopped.
The Mel9 offers separate Effect and Dry volume controls, permitting you to craft the perfect mix at the Effects output. A Dry Output jack also provides the ability to output your input signal at unity gain. The Mel9 truly is the ultimate tool to bring a touch of vintage vibe to your music.
Key Features:
- Emulates nine classic Mellotron sounds: Orchestra, Cello, Strings, Flute, Clarinet, Sax, Brass, Low Choir, and High Choir
- Compatible with any electric guitar, bass, or electronic keyboard
- Separate Dry and Effect outputs for dual-amp setups
- Attack and Sustain controls to shape sound
- No modifications, special pickups or MIDI implementation required
- Includes 9-volt power supply
Owner's manual
Electro-Harmonix Mel9 Tape Replay Machine User ManualProduct specs
| Pedal Type | Mellotron Emulator |
| Inputs | 1 x 1/4" |
| Outputs | 2 x 1/4" (effect, dry) |
| Power Source | 9V DC power supply included |
| Height | 2.25" |
| Width | 4" |
| Depth | 4.75" |
FAQs
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What type of sounds can the Electro-Harmonix Mel9 Tape Replay Machine emulate?
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The Electro-Harmonix Mel9 Tape Replay Machine emulates classic Mellotron sounds, including strings, choirs, and brass, offering a vintage tape replay texture to your guitar or keyboard performance.
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Does the Electro-Harmonix Mel9 require any special setup to work with a guitar?
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The Electro-Harmonix Mel9 works directly with your guitar without any special pickups or MIDI requirements, making it easy to integrate into your pedalboard for instant Mellotron-style effects.
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Can the Electro-Harmonix Mel9 be used with instruments other than guitar?
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Yes, the Electro-Harmonix Mel9 can be used with keyboards and other line-level instruments, allowing you to explore its Mellotron emulation capabilities beyond just guitar.
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What power supply does the Electro-Harmonix Mel9 Tape Replay Machine require?
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The Electro-Harmonix Mel9 Tape Replay Machine requires a 9V DC power supply, which is included with the pedal for your convenience.
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How do the dry and effect outputs on the Electro-Harmonix Mel9 function?
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The Electro-Harmonix Mel9 features separate dry and effect outputs, enabling you to send your unprocessed and processed signals to different amplifiers or mixing channels for versatile sound routing.
Videos
EHX
Electro-Harmonix MEL9 Tape Replay Machine (EHX Pedal Demo by Bill Ruppert)
Reviews
PROS
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Accurately replicates Mellotron and other tape replay sounds
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No latency and does not require extra hardware
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Offers unique, lo-fi sound quality for a distinct musical experience
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Versatile across various guitars and instruments
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Inspires creativity in songwriting and performance
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Works well with other pedals for expanded soundscapes
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Provides unique effects like dirty, grinding slides and bends
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Some settings, like Orchestra, are highly convincing and nostalgic
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Allows for 100% effect signal customization
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Enhances live performances with fuller sounds
CONS
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Uneven volume and sensitivity issues, especially at faster play speeds
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Inherent vibrato feature with no modulation adjustments
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Limited modulation and sound shaping control
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Noticeable delay that affects fast playing negatively
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Some sounds, like Cellos and Brass, are less convincing
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Lacks USB connectivity for sound customization
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Noisy pedal switch
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Pricey for the number of available sounds
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Requires a compressor to mitigate volume drops
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No dedicated preset switch, complicating live use
Critic Reviews
4.5 out of 5
Based on 8 Reviews and 53 Ratings
325
Sounds very grainy
First, a disclaimer that I have no idea how to use this thing. Second, it needs a compressor to not sound really bad. The tracking works fine if you play slowly but completely fails at higher speeds. The sound is grainy- not in a distorted way, but as though it were created by a low fidelity Gameboy Advance chip, or passed through a radio first. You need to really want this pedal before buying it.
279
Amazing device
I've had this for a few weeks at this point, but everytime I play it I become more enamoured with it. Bear in mind this replicates the sound of a mellotron, so the sound quality is purposefully lo-fi (I read that the original mellotron tapes were 5 to 6 generations from the source recordings so the sounds of the mellotron were never high fidelity). That said, this does a really good job replicating some of those sounds (my favourite settings are cello, flute, low choir and Brass). It’s an inspiring pedal.
362
Funny noises rescue me from hiring keyboarder
Not as natural sounding as a keyboard, but that's a good thing in a lo-fi context. Pairs nicely with a vibrato pedal. I've heard people say they struggle to find uses for it, but I put a lot of mellotron lines in my demos anyway, this lets me play them live without bringing in another instrument/musician. The flute clarinet and orchestra sounds can be really tasteful in a band context. Sax noise is horrible, choirs are pretty funny, but everything is usable in the right context. Don't expect to get a really serious orchestral sound for battle metal or anything like that, think Beatles, Daniel Johnston, Adam Green and you'll be happy with this.
236
perfect substiute for the real thing
My band does alot of covers by the Moody Blues. Genesis, ELP and FLoyd and yes, and this little baby saves me from switching to the keys back to guitar!
96
Honestly, I prefer my GForce M-Tron Pro software instrument.
This pedal has its uses but for me it's just a bit too ephemeral sounding. Mixing dry with wet signal will give you some nice sounds but I prefer the keyboard version much better. It sounds more tangible in my opinion.
960
Great Mellotron simulator with extra presets.
On the pricey side, but tracks well and does what is says. Mellotron in a box with add instruements: Orch, Cello, Strings, Flute, Clarinet, 2 horns and 2 vocals. Fun to play!
Artist usage
Add artist
In this video posted by Ibrahim on his Instagram page, one of the pedals that can be seen in his pedalboard is the EHX Mel9 tape machine.
"Kevin picked up a Cathedral stereo reverb and Andrew grabbed the MEL9 tape replay machine."
In this Instagram pedalboard photo posted online by Scheuczher, the EHX Mel9 tape replay machine can be seen.
In a 2017 Instagram post titled "loop city," Zach Schwartz showcases the Electro-Harmonix Mel9 Tape Replay Machine, highlighting its role in his setup.
Interview with EarthQuaker Devices:
"...Okay, so on tour, I play a 1962 Jazzmaster with Joe Barden pickups in it. They’re Two Tones. And then my pedals: I start with a ZVex Fuzz Factory, then I go into a Digitech Whammy, then I have the Diamond Comp Jr., then I go into an [Electro-Harmonix] Mel9, and I just got a Greer Super Hornet, which I really like because it has a momentary octave fuzz switch. Then I go into a Boss volume pedal. I have two sides to the pedalboard: the side where I can control the volume of like, the Fuzz Factory, so I put everything that’s noisy before that, so I can be dynamic with noise stuff.
In the tuner jack of the volume pedal, I have the [TC Electronic] Polytune. That goes into a Klon Centaur, then a [Crowther Audio] Hot Cake, then my old Rat (which is the first pedal I got when I was twelve), then I go into your Afterneath (which I love), then into the Zvex RingTone, the Boss DD-7 for reverse delays, and I currently have the Moog MF Delay, a Holy Grail Nano, a 16-Second Digital Delay re-issue with the foot controller, and then I go into a ZVex Lo-Fi Loop Junky, and from there I go into the Voodoo Lab Amp Selector."
In this video at the 8:32 time stamp Michael discusses how he uses the Mel9 for all of his string sounds on his guitar.
In this snapshot taken from Instagram Stories of Vu's profile, Electro-Harmonix Mel9 can be seen. The pedal can also be seen in this photograph of Vu performing live at KEXP on July 12, 2024.
Album Usage
The Electro-Harmonix Mel9 Tape Replay Machine has been featured on the following albums:
Terrasite
Cattle Decapitation (2023)
What Normal Was
Billy Howerdel (2022)
The Battle at Garden’s Gate
Greta Van Fleet (2021)
Distant Populations
Quicksand (2021)
Zeaxanthin
Noveller (2020)
Canyons
Noveller (2020)
I Let It in and It Took Everything
Loathe (2020)
Act Surprised
Sebadoh (2019)
Call The Comet
Johnny Marr (2018)
No Dreams
Noveller (2013)
Defend Yourself
Sebadoh (2013)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Electro-Harmonix Mel9 Tape Replay Machine, it is most commonly used with the following gear.
Community setups
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