In this video at 12:37 we can see FabFilter Pro-DS De-Esser Plugin

At the 12:58 mark of the "IRON" Project Breakdown Twitch Stream, Luke is seen using the FabFilter Pro-DS De-Esser Plugin as part of his vocal processing chain.

In this video at 1:09:58 minutes see FabFilter Pro-DS De-Esser Plugin

The main chorus lead vocal has the FabFilter Pro–Q 2 EQ, the Waves Rennaissance Vox, again the UBK1, two instances of the FabFilter Pro–DS de–esser, two instances of the UAD Pultec EQP–1A, and the FabFilter Pro–MB

Used on Cardi B's vocals for "Bodak Yellow", as mentioned by mix engineer Evan LaRay in this February 2018 Sound on Sound interview. An image of the settings can be seen here.

In his mix of ‘Bodak Yellow’, Evan LaRay used almost identical vocal chains on two auxiliary busses. The ‘Vox 1’ chain includes FabFilter’s Pro-DS de-esser and Waves’ C4 multiband compressor, plus the Waves CLA Vocals plug-in and SoundToys’ Decapitator saturation processor.

Used for Ray's vocals on "Old Town Road (Remix)", as stated by mix engineer Andrew "VoxGod" Bolooki in this August 2019 Sound on Sound interview.

Billy Ray Cyrus' verse lead vocal provides an example of the mind-boggling complexity of Bolooki's vocal treatments. The audio is spread over five tracks (36-40), four of them with the same insert effects chain of Melodyne, FabFilter Pro-Q 3, FabFilter Pro-DS and Waves CLA-76. The fifth track replaces the Pro-DS with the Avid ModDelay 3, and adds a send to the 'rvb2' aux with the Soundtoys Effect Rack. All five audio tracks are routed to an aux group track (35), which has the Pro-Q 3, Waves C6 and RVox, UA Distressor and SSL Channel, plus a whopping seven sends to delay and reverb aux tracks, and another Distressor aux. The quarter- and eighth-note delay auxes themselves each have four insert plug-ins (Waves H-Delay, Pro-Q 3, MetaFlanger, and DVerb) and a send to the 'rvb1' reverb aux. That means that the verse vocal alone has a total of 38 plug-ins, spread over five audio tracks, one group aux track, and seven aux effects tracks!

Bolooki: "I spoke to a mixer a couple of years ago and asked him how he got things to sound so polished. And he said: 'You can't just throw on a plug-in, you have to take more control, and make sure you purposely put things in different places in different ways.' So, for example, in this song I added the DVerb to the delay auxes, to create a distant effect, so it's not obvious. There are many effects going on, but none of them are overpowering. They are all set back. Nothing gets in the way of the lyrics and the vocal performance. I could probably delete half these effects and it would have sounded the same, but people liked it the way it was, so I left them all.

"This was the first time I used the UAD Distressors and I ended up having two on Billy's vocals: one as part of his main vocal aux, and another set much more aggressively in a parallel and blended back into the same lead vocal aux. This made his vocals really kick ass, and helped make each word crystal-clear. I also ended up copying the Waves SSL strip from Nas' vocals on some of Billy's vocal tracks too, just for some tonal continuity. I have no problem stacking plug-ins on plug-ins. If it's better, it's better.

"Just to highlight some of the other plug-ins I used, there's an aux called 'VoxDoubler' with the Waves Greg Wells VoiceCentric. It definitely adds a bit more of a finished feel and works well mixed in parallel. I put the Waves C6 multiband compressor on almost every single vocal bus, using the 'Pooch Vocal' preset. This cleans up some of the mud. You can solo the side-chain bands and sweep around until you find the annoying frequency, and then just cut that out. If I need to play back something for someone really fast, this is my emergency plug-in to get it to sound better really quickly. Also, the Melodyne plug-in is greyed out, because I printed it. I also like using the Pro-DS, and always put it before the CL76 compressor, because I think it just makes the most sense to fix issues before you boost the whole track with a compressor."

This plugin can clearly be seen at 0:52, listed as 'FF Pro-DS'

13:07 uses Pro DS on vocal chain

In the video titled "Vance Powell: Recording Rock" by Sound On Sound magazine, at 26:20, music producer and audio engineer Vance Powell is seen using the FabFilter Pro-DS De-Esser Plugin within Pro Tools.

DJ Jino uses this De esser for his live broadcasts

You can see Fabfilter's DS for de-essing vocals in 'Can You Hear Me'.

Tom Alexander Schmitt has confirmed his use of the FabFilter Pro-DS De-Esser Plugin.