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Description
Immerse yourself in the timeless allure of the Gibson ES-300, a classic piece of musical craftsmanship that harks back to the golden era of electric jazz guitars. This semi-hollowbody electric guitar is a testament to Gibson's dedication to superior sound and aesthetic appeal. Originally crafted with a distinctive long-angled pickup, the ES-300 transitioned post-World War II to include the renowned P-90 pickup, known for its warm, rich tones and exceptional clarity.
The ES-300's archtop body style is not just about elegant lines; it’s an acoustic marvel that produces a resonant and dynamic sound, perfect for both intimate venues and large stages. Its design is further enhanced by a trapeze tailpiece and F-holes, which contribute to a balanced sound with a touch of vintage charm. Whether you're playing smooth jazz or powerful rock, the ES-300’s split block inlays and tortoiseshell pickguard provide both style and function, ensuring you stand out in any performance setting.
This guitar isn't just about nostalgia; it's a versatile instrument for the modern musician, blending historic design elements with a playability that meets today’s demands. The combination of a semi-hollow body with the P-90 pickup delivers a sound that's both classic and contemporary, making the Gibson ES-300 a prized addition to any guitarist's collection.
Key Features:
- Semi-hollowbody design for rich, resonant sound
- P-90 pickup for warm, clear tones
- Archtop body style with F-holes
- Trapeze tailpiece for vintage aesthetic
- Tortoiseshell pickguard
- Split block inlays for a classic look
- Two control knobs for tone and volume adjustment
Product specs
| Brand | Gibson |
| Model | ES-300 |
| Finish | Natural, Sunburst |
| Year | 1946 - 1956 |
| Made In | United States |
| Categories | Hollow Body Guitars |
| Body Material | Maple |
| Body Shape | Non Cutaway |
| Body Type | Hollow Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Color Family | Brown, Tan |
| Finish Pattern | Sunburst |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Family | Gibson ES-300 |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| Pickup Configuration | S |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Wood Top Style | Plain |
FAQs
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What is the primary music genre suited for the Gibson ES-300?
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The Gibson ES-300 is well-suited for jazz, blues, and early rock and roll, thanks to its warm, resonant tone and hollow body design.
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What kind of pickups does the Gibson ES-300 have?
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The Gibson ES-300 features a single-coil pickup, which delivers a bright and clear sound, ideal for genres that benefit from articulation and detail.
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How does the Gibson ES-300 differ from other Gibson ES models?
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The Gibson ES-300, with its hollow body and single pickup configuration, offers a distinctively warm and resonant tone compared to semi-hollow models like the ES-335, which typically have dual humbuckers for a thicker sound.
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Is the Gibson ES-300 suitable for live performances?
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Yes, the Gibson ES-300 is suitable for live performances, especially in genres like jazz and blues, where its hollow body and single-coil pickup provide a rich, vintage tone.
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What is the neck profile of the Gibson ES-300 like?
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The Gibson ES-300 features a set-neck construction with a comfortable mahogany neck, providing a smooth playing experience ideal for intricate fingerwork and chord transitions.
Videos
Chicago Music Exchange
1947 Gibson ES-300 Sunburst | CME Vintage Demo | Joel Paterson
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Gibson ES-300.
Setup and maintenance
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The low E string frequently slips off the saddle, a common setup issue that requires luthier attention for optimal playability.
Source
Value and pricing
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Originally priced at $300, the ES-300 was considered top-of-the-line, reflecting its rarity and high value in today's market.
Source
Critic Reviews
Based on 0 Reviews and 0 Ratings
Artist usage
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At 3:42:40 in the "The Collection: Director’s Cut, Part One" video by Gibson TV, guitarist Charlie Starr showcases his Gibson ES-300, which he mentions purchasing from a pawn shop while on tour.
Django Reinhardt is seen with a Gibson ES-300 in a user-uploaded photo on Tumblr, illustrating his use of this semi-hollowbody electric guitar.
I played a lot of Gibsons – an L-7, ES-300, ES-5, and they were great. But somewhere along the line, I got an Epiphone Deluxe. What a sound!
George Barnes is seen playing a Gibson ES-300 in a user-uploaded photo on Wordpress, showcasing his use of this semi-hollowbody electric guitar.
"On Rock Around the Clock Danny Cedrone played a mid to late ‘46 honey-brown, sunburst Gibson ES-300 (serial number 21 G4669) with one P-90 Pickup (First introduced on this guitar model) through an 18 watt, top-of-the-line Gibson BR-1 Amp with a 12" Jensen speaker.
The specs for this particular ES-300 are as follows: Two-piece top of solid maple showing moderate flame; two translucent gold barrel knobs; one P-90 pickup; nickel plated tailpiece with f holes; tulip shaped tuners on non screw plates; one-piece mahogany neck; rosewood fingerboard with double parallelogram inlays; the head inlaid with black letter logo and crown device; no cut-out, unbound f-holes.
This 'Rock Around the Clock guitar' is currently on display at the Rock'n'Roll Hall Of Fame in Cleveland, USA."
Album Usage
The Gibson ES-300 has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Gibson ES-300, it is most commonly used with the following gear.
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