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Average Price: $999
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$60
$181+
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Description
Step into the world of vintage-inspired fuzz with the Guild Foxey Lady (V2), a pedal that channels the raw energy and iconic tones of the late '60s and early '70s. Designed for guitarists who crave a rich, thick, and saturated sound, this fuzz effects pedal delivers a distinctly classic vibe with modern reliability. The silicon transistor-based circuitry offers a smooth, consistent tone that cuts through the mix with both aggression and clarity.
The Foxey Lady (V2) is a nod to the past with its straightforward controls, allowing you to dial in your preferred level of fuzz, tone, and volume effortlessly. Whether you're aiming for subtle warmth or all-out sonic chaos, this pedal covers the spectrum. Plug it into your signal chain and explore a world of textures, from smooth sustain to gritty, growling fuzz.
Key Features:
- Classic silicon transistor-based fuzz circuit
- Easy-to-use controls for fuzz, tone, and volume
- Robust construction for road-ready durability
- True bypass switching for uncolored tone when disengaged
- Versatile enough for a wide range of musical styles, from rock to blues to psychedelic jams
Product specs
| Brand | Guild |
| Model | Foxey Lady 2-Knob Fuzz |
| Finish | Silver |
| Year | 1960s |
| Made In | United States |
| Categories | Fuzz Pedals and Effects |
| Pedal Format | Standard |
FAQs
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What type of sound can I expect from the Guild Foxey Lady 2-Knob Fuzz?
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The Guild Foxey Lady 2-Knob Fuzz delivers a classic 1960s fuzz sound, characterized by its rich, saturated tones and smooth sustain. It's ideal for recreating vintage rock and psychedelic music textures.
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How does the Guild Foxey Lady 2-Knob Fuzz differ from other fuzz pedals?
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This pedal stands out with its simple two-knob design, offering easy control over volume and fuzz intensity. Its vintage circuitry provides a distinct, warm fuzz tone that is reminiscent of the iconic sounds from the 1960s.
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Is the Guild Foxey Lady 2-Knob Fuzz pedal suitable for both guitar and bass?
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While primarily designed for electric guitar, the Guild Foxey Lady 2-Knob Fuzz can also be used with bass guitars, providing a thick, fuzzy sound that complements both instruments.
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Does the Guild Foxey Lady 2-Knob Fuzz require a specific power supply?
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The Guild Foxey Lady 2-Knob Fuzz typically requires a standard 9V battery, common for pedals from the 1960s. It’s important to check if it has been modified to accept modern power supplies for consistent performance.
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How durable is the Guild Foxey Lady 2-Knob Fuzz pedal?
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Built in the 1960s, the Guild Foxey Lady 2-Knob Fuzz features a robust metal casing, ensuring durability. However, due to its vintage nature, care should be taken to maintain its condition.
Videos
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Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Guild Foxey Lady (V2).
Features and functionality
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The Foxey Lady V2 blends first and second amplifier stage outputs, maintaining guitar dynamics even under distortion without a tone knob for thickness adjustment.
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Comparisons
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Unlike the V3, the V2 lacks diodes and buffers, resulting in a more natural fuzz sound without the mid-hump issue present in the V3.
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The Guild Foxey Lady V2 shares tonal similarities with the Rams Head Muff, known for its aggressive fuzz tones suitable for Pink Floyd and King Crimson styles.
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Setup and maintenance
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Correcting a circuit mistake, a 47k resistor should be replaced with a 22k from 9V to Q1's collector for accurate replication.
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Use cases and applications
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For achieving Robert Fripp's tones in "Starless" and "Red," the Guild Foxey Lady V2, a variant of the V1 Big Muff, was historically used.
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Artist usage
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Part of this Bonham's auction listing.
The Jimi Hendrix Experience: A Cossor microphone and partial foot pedal, comprising: a Cossor microphone, with lead and tripod stand in original box; the front panel for a foot pedal, volume and tone controls, with wiring; and a Bolex microphone, probably for a tape recorder, Cossor mic 5½ inches (14cm) long
Footnotes
Provenance: Mitch Mitchell. From the Jimi Hendrix Experience equipment and kept by Mitch since September 1970.
Big Muff scholar Kit Rae notes this listing on the "Jimi Hendrix Big Muff" page of his website, observing the item's appearance next to Hendrix's foot in an in-studio photo taken by record engineer Eddie Kramer.
Shown above - pedals on the floor near Jimi's feet while recording at the Record Plant in 1968. The one on the right is the same 2 knob, unbranded Foxey Lady pedal pictured above. The one on the left appears to be another Foxey Lady. These early fuzz boxes did not all sound the same, so it was common for musicians to have several of the same type in the studio to try out for the best sound.
Jimi did own one of Mike Mathew's pedals around 1968, the first version of the Foxey Lady Mike had built for Guild by Aul Instruments in 1967. One can be seen in an Eddie Kramer photo, near Jimi's feet, while recording in the Record Plant in 1968. One was also among Mitch Mitchell's collection of Hendrix Experience gear, actioned off after his death.
Genre Usage
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