Pricing and availability
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Price
Average Price: $423
Standard/Professional
$249
$500+
Price Tier
Budget
Standard
High-end
Price History
Based on price data from 6 merchants for "JHS Colour Box". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Introducing the JHS Colour Box, a distinctive preamp stompbox that stands out in the world of guitar pedals. This amazing tool is more than just an effect pedal; it's a unique piece of gear that accurately emulates the legendary Neve recording console. Imagine the iconic tones of the Beatles right at your disposal - that's the magic of the Colour Box. Designed to be versatile, it's the perfect addition to your home recording setup, offering XLR ins and outs for effortless integration with any audio source.
Key Features:
- Unique preamp stompbox that replicates the Neve recording console
- Ideal for achieving classic Beatles-like tones
- Versatile tool for home recording setups
- Features XLR ins and outs for easy use with any audio source
- Designed with multiple gain stages for a broad tonal palette
Product specs
| Brand | JHS |
| Model | Colour Box V1 |
| Finish | Hand Painted, White |
| Year | 2014 - 2018 |
| Made In | United States |
| Categories | Overdrive and Boost Pedals, Preamps |
| Pedal Format | Standard |
FAQs
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What type of sound can the JHS Colour Box produce?
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The JHS Colour Box can produce a range of sounds from subtle clean tones to full-on distortion, mimicking the classic sound of plugging a guitar directly into a mic preamp.
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Is the JHS Colour Box suitable for both guitar and bass?
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Yes, the JHS Colour Box is designed to work well with both guitar and bass, offering versatile tonal shaping and overdrive capabilities for both instruments.
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How does the JHS Colour Box handle high gain settings?
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At higher gain settings, the JHS Colour Box can deliver a sound reminiscent of a fuzz box, providing gritty and saturated tones.
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Does the JHS Colour Box require a specific power supply?
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The JHS Colour Box operates on a standard 9V DC power supply, which is typical for most guitar pedals.
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Can the JHS Colour Box be used in a professional recording setup?
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Yes, the JHS Colour Box is suitable for professional recording environments, offering high-quality sound shaping that has been utilized by artists like The Edge and Josh Klinghoffer.
Videos
ProGuitarShopDemos
JHS Colour Box
Reviews
PROS
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Versatile DI for both bass and guitar
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Robust EQ function, even in 1st gen
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Suitable for a range of studio applications
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Offers unique dirt at higher gain stages
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Recreates famous Neve desk channel strip tone
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Includes Lundahl transformer for authentic sound
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Simple controls with powerful EQ section
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Features both 1/4" and XLR inputs/outputs
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Useful for live sound and studio recording
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Enhances amp simulators for guitar recording
CONS
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Lacks satisfying dirty breakup sound
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Expensive for some budgets
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High volume/power requires careful handling
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about JHS Colour Box.
Use cases and applications
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Effective as a 'volume brake' for managing super hot signals in analog setups, offering unique control not easily replicated by plugins.
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Owners find it useful for adding grit to beats when running them through the Colour Box in a home studio environment.
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Particularly valued in recording environments, allowing guitarists to recreate the direct console sound used on albums like Spoon's "Gimme Fiction" in live settings.
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The JHS Colour Box v2 is being used as a pedalboard amp with a cab sim for direct PA input, potentially replacing traditional amps for live performances in space-constrained venues.
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Features and functionality
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Functions well as a fuzz and EQ on both guitar and synths, with Hi/Lo switch enhancing versatility based on signal strength.
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Contains a dual gain stage and semi-parametric EQ, appealing to those seeking extensive tone-shaping capabilities beyond standard pedal offerings.
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The Colour Box v2 is praised for its versatility in home recording, particularly when used with a Fender Strat and Princeton Reverb, although it requires additional equipment for live use.
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Comparisons
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Compared to the UA Apollo, the Colour Box may fall short as a mic pre or bass DI for users preferring digital clarity over analog warmth.
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For those solely interested in its distortion, the JHS Crayon is recommended as a simpler alternative with a similar tonal character but without the full studio console features.
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Users suggest comparing the Colour Box paired with a cab sim to a UA Dream or Strymon Iridium for achieving a true Fender amp tone, noting the Colour Box's unique preamp character.
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User experience
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Some users find it challenging to integrate the Colour Box into digital-centric workflows, preferring plugins for EQ and gain adjustments.
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Owners report that using the Colour Box v2 as a standalone amp with a cab sim may result in a sound more akin to a direct input rather than a traditional guitar amp.
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Value and pricing
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Currently available for $336, offering a discount from its typical price, making it a more accessible option for those looking to invest in studio-grade gear.
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Critic Reviews
5.0 out of 5
Based on 2 Reviews and 20 Ratings
3485
Expensive but Well Worth It!
I purchased the JHS Colour Box to use as a preamp on my bass pedalboard in lieu of the typical Sansamp. The pedal is recreation of channel strip of the famous Neve recording desk used by such bands as The Beatles, Lenny Kravitz, Led Zeppelin, etc. Think the "fuzzed out" drive tone from the intro of The Beatles "Revolution". The Beatles achieved this tone by plugging a guitar straight into the Neve's preamp and maxing out the channel to overdrive the transformer. The Colour Box achieves this tone when the pre volume is high enough to achieve break up. The Colour Box features a Lundahl transformer to achieve this, and runs on 18volts of power. The pedal comes with its own wall power supply upon purchase, but be sure to keep this in mind when powering the pedal using an isolated power supply brick,
The pedal is simple to use, with the red knobs functioning as controls for the preamp, the blue knobs are for EQ, and the grey knob is a hi pass filter which can be turned on or off by the switch on the face of the pedal. The preamp section has a Master Volume, Pre Volume, and a six way rotary switch called "step" which changes the amount of gain the pre volume can achieve. The first notch is as clean as you can get with the pedal, while each notch ascending in gain, with the last notch achieving the most fuzzed out overdrive tones. I use the preamp section to add just enough gain to my signal to warm it up, without adding too much gain or overdrive.
The blue section of the Colour Box is a 3 band EQ that features Treble, Mid, and Bass. The EQ is powerful enough that I use it rather than the EQ on my SVT classic. This is especially useful for DI tones when recording bass. Though I do not use the Hi pass filter for bass, it is useful when recording guitars with the pedal.
For bass players, the colour box features 1/4 OR XLR input, with a -20db pad for active basses, as well as a 1/4 inch AND XLR out. This is especially useful to recording bass. In recording my bands EP, all I used was this pedal along with my four pedal pedalboard (Tuner--> JHS Lime Aid Compressor-->Fuzzrocious Demon King-->JHS Colour Box) and no amp. The pedal is that good.
In terms of guitar, the pedal is also perfect for recording guitar in that it brings amp simulators to life. Beware, however, that this pedal has a LOT of volume and power and can cause damage to your equipment if you are not careful when using the volume.
The pedal can also be used on mics, including condenser and ribbons mics (though the pedal does not provide phantom power). If you are looking for studio sound in your live sound, this is the pedal you need.
Artist usage
Add artist
In an Instagram post by Lee Kiernan, the JHS Colour Box pedal is part of his setup showcased during a performance in Glasgow.
In this photo uploaded to Lucas' Instagram story, a JHS Colour Box can be seen on his board.
On September 8, 2020, she posted a picture on her Instagram story and you can see part of her personal pedalboard.
Efrim Menuck is shown using a JHS Colour Box, identifiable by its distinctive white casing with red and blue knobs, as seen in the Imgur gallery.
The Japanese House showcases their use of the JHS Colour Box overdrive pedal in an Instagram post, tagging @jhspedals and @fender.
In 1961 a British engineer would start a company from a spare room in his England home that would permanently change the history of the Pro Audio industry. This company set a trajectory for musical tones that spanned across genres and impacted every generation that followed. We are talking about the famous piece of gear known as the Neve* recording console. From "Love Me Do" by The Beatles to the famous sounds of Led Zeppelin, U2, Spoon, Pink Floyd, Motown, Quincy Jones, Nirvana, Steely Dan, Neil Young, Tears For Fears, and Tom Petty (the list is endless), The Colour Box is our tribute to the legend and application of how a piece of gear can change music.
Britt is credited by JHS as using a Colour Box, but he is rarely seen using it in a live setting. This pedal was mentioned by Daniel in the 2018 Vintage Guitar interview.
Used for Villains, as stated by co-producer and engineer Mark Rankin in this October 26, 2017 AudioTechnology interview.
“I used a lot of distortion from a great company in LA called Overstayer. We heavily used the Saturator. I usually put that on ambient and room mics to drive those a bit. Overstayer’s VCA compressor also has harmonics you can blend in. I used the JHS Colour Box pedal on the RCA mic. It has two stages so you can drive it into itself. And the Standard Audio Level-or is insanely good. Sometimes we’d also drive the board.
Buck Meek of Big Thief utilizes the JHS Colour Box, a Neve 1073 console channel strip clone, on his pedal board. In an interview with Delicious Audio, he explains that he primarily uses the highest gain stage for direct console fuzz sounds on the track “Real Love.” Additionally, the sensitive EQ section allows him to transform his amp’s clean tone using the clean stage.
In this https://youtu.be/IPcgOUvl5-s?t=1017 at 16:56 Tim was using the JHS Colour Box.
I never see this pedal in the lives concerts of O Terno.
Album Usage
The JHS Colour Box has been featured on the following albums:
Take It Easy
Alex Melton (2024)
Infinity
Alex Melton (2024)
Arches
Illiterate Light (2024)
Fall for That
Suzanne Santo (2020)
We Already Lost the World
Birds in Row (2018)
Ruby Red
Suzanne Santo (2017)
Blood on Your Knees
Suzanne Santo (2017)
Villains
Queens of the Stone Age (2017)
Stiff
White Denim (2016)
Melhor do Que Parece
O Terno (2016)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use JHS Colour Box, it is most commonly used with the following gear.
Community setups
Show yoursSimilar
Add recommendation5 alternative and related items for JHS Colour Box, curated by the Equipboard community.
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A briefly produced rackmount version of the Colour Box.
$183.00 - $199.00
“Little brother to the Colour Box”, as described in the official product description: https://www.jhspedals.info/crayon
LITTLE BROTHER TO THE COLOUR BOX
The JHS Pedals Colour Box began with a simple idea: create a pedal that sounds like plugging directly into a vintage preamp and cranking it. No amp, no speaker, just DI goodness. Well, the Colour Box became much more as we got into designing it. Thus we decided it was time to pare it down and give guitar players and bass players a simplified version that gives you the distinct compressed overdrive and fuzz sounds you’ve heard on so many classic recordings. The Crayon is just that, a powerful little box that has all the color and characteristics of a vintage studio preamp when cranked.
$124.00 - $174.20
$3,205.39 - $4,115.00
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