Levin Goliath LM-26 Acoustic Guitar

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Page last updated Aug 10, 2025

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The Levin Goliath LM-26 Acoustic Guitar stands as an exemplary choice for musicians seeking a blend of power and precision in their acoustic sound. Crafted with meticulous attention to detail, this steel-string acoustic guitar is designed to deliver a rich and resonant tone that is both warm and articulate. Whether you're strumming chords or fingerpicking intricate melodies, the LM-26 offers a dynamic range that suits various playing styles and genres.

One of the defining characteristics of the Levin Goliath LM-26 is its solid Sitka spruce top, known for its exceptional tonal quality and clarity. Paired with mahogany back and sides, this guitar provides a well-balanced sound with strong midrange presence and sparkling treble. The sleek, comfortable neck is constructed from mahogany as well, offering smooth playability that encourages hours of practice and performance.

The LM-26 includes a rosewood fingerboard, which is both durable and aesthetically pleasing, complementing the guitar's overall design. With its premium components and classic craftsmanship, the Levin Goliath LM-26 is more than just an instrument—it's a gateway to exploring your musical potential.

Key Features:

Solid Sitka spruce top for enhanced tonal clarity
Mahogany back and sides for a balanced sound
Mahogany neck for comfortable playability
Rosewood fingerboard for durability and smooth feel
Steel-string design for robust acoustic performance
Ideal for a variety of playing styles and musical genres

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The Fellowship of Acoustics

Levin LM-26 1962 at The Fellowship of Acoustics

The Fellowship of Acoustics

Levin LM-26, Made in Sweden 1959 - Acoustic Guitar Demo

Claes Gellerbrink

Levin LM-26, Made in Sweden 1959 - Acoustic Guitar Demo

Claes Gellerbrink

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5.0 out of 5

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bcorrall

over 10 years ago

I think I own Petes first Guitar

1963 Levin Goliath Guitar Serial # 423717 Purchased in Oxford from a friend of a friend who I believe worked as a roadie who worked with a band I think the detours

I paid very little for the guitar (a little more than beer money) as the varnish was cracked apparently, from leaving it too close to a radiator in a hotel room! That was the story I think. The guitar has a separated section of the sound hole, which could and probably was caused by a sound hole pickup being attached.

The varnish has not been repaired but has attained a great patina over the last 50 years. Everything else (apart from the strings and bridge) are original.

I was 17–18 around 1966–67 when I bought it, and lived in a houseboat on the canal in downtown Oxford and worked in Oxford as an illustrator.

I have always loved the great sound of this guitar and have not really done anything to it since I have had it, so it’s in quite original condition, apart from the usual wear over time.

And me I am still a lousy guitar player living in Canada now.

[email protected]

Bob