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Average Price: $8,173
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$500
$1501+
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Description
Step into a world of sonic exploration with the Oberheim Matrix 12, a pinnacle of analog synthesis that continues to captivate musicians and producers alike. This legendary synthesizer is renowned for its expansive sound palette, driven by a combination of cutting-edge technology and classic analog warmth. With its 12-voice polyphony, the Matrix 12 offers an unparalleled depth of sound, allowing for lush, complex textures that are ideal for both studio and live performances.
Each voice is equipped with two oscillators, providing a robust foundation for creating anything from warm pads to sharp leads. The Matrix 12's unique modulation matrix is a standout feature, offering extensive routing options that let you sculpt your sound with precision. Its 61-key velocity-sensitive keyboard is responsive and expressive, catering to dynamic playing styles.
The user interface is designed for intuitive navigation, featuring a clear display and an array of dedicated controls that make real-time sound manipulation straightforward. Whether you're a seasoned synth enthusiast or a newcomer to the world of analog synthesis, the Oberheim Matrix 12 offers a versatile and powerful tool for music creation.
Key Features:
- 12-voice polyphonic analog synthesizer
- Dual VCOs per voice with multiple waveforms
- Extensive modulation matrix with flexible routing
- 61-key velocity-sensitive keyboard
- Dedicated controls for real-time sound shaping
- Comprehensive MIDI implementation for seamless integration
Product specs
| Brand | Oberheim |
| Model | Matrix 12 61-Key 12-Voice Synthesizer |
| Finish | Black |
| Year | 1985 |
| Categories | Analog Synths, Keyboard Synths |
| Analog / Digital | Analog |
| Key Size | Full Size |
| Keyboard Action | Synth Action |
| MIDI I/O | MIDI Input, MIDI Output, MIDI Through |
| Number of Keys | 61 Keys |
| Polyphony | 12 Voices |
FAQs
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Is the Oberheim Matrix 12 a polyphonic synthesizer?
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Yes, the Oberheim Matrix 12 is a polyphonic synthesizer with 12 voices, allowing for complex and rich sound layering.
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What type of synthesis does the Oberheim Matrix 12 use?
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The Oberheim Matrix 12 uses analog subtractive synthesis, featuring dual oscillators and a sophisticated modulation matrix for versatile sound shaping.
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Does the Oberheim Matrix 12 have MIDI connectivity?
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Yes, the Oberheim Matrix 12 includes MIDI Input, MIDI Output, and MIDI Through, allowing for integration with other MIDI-compatible gear.
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What are the key features of the Oberheim Matrix 12's sound engine?
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The Oberheim Matrix 12 features dual oscillators with FM and sync capabilities, multimode filters, and an extensive modulation matrix, enabling a wide range of sonic possibilities.
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How many keys does the Oberheim Matrix 12 have?
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The Oberheim Matrix 12 has 61 full-size keys, providing ample range for expressive playability.
Videos
musictrackjp
Oberheim Matrix-12 Demo & Review
Reviews
PROS
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Exceptional sound quality with warm analog pads, leads, and basses
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Rich sound modulation capabilities for tone tweakers
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Rare custom chips contribute to unique sound characteristics
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Vintage status adds exclusivity
CONS
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Extremely high cost, possibly not justifiable by its features alone
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Scarcity of replacement parts, including custom chips and power supply unit
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Requires extensive programming time, not ideal for fast performance needs
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Original power supply prone to overheating, requiring expensive replacement
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Overrated by some, with alternatives offering similar sounds at lower costs
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Oberheim Matrix 12.
Setup and maintenance
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Only a few specialized technicians, like those in LA, Chicago, and New York, can effectively service the Matrix 12 due to its complexity.
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Cosmetic damage such as blue marker on logos is not critical but can be addressed by major service tech shops.
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Some owners recommend contacting Bell Tone in Philadelphia for reliable repair work on the Matrix 12.
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Value and pricing
Comparisons
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The Jupiter-6 and MKS-80 can replicate Matrix-12 patches using 1-2 LFOs/EGs but lack the full modulator range.
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DSIs like Mopho X4, Prophet 08, and Rev2 use CEM3397 chips, similar to Matrix-6/1000, but the sound differs significantly.
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The Moog One, Andromeda, and Polybrute offer VCO polys with high modulation but don't replicate the Matrix-12's unique sound.
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Owners note that the Matrix-12's ADR envelope portions are notably slow, offering a unique aspect in sound modulation not found in some other synths.
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The Matrix-12's sound is often described as having a cold, sci-fi quality, akin to the Prophet 600 and Jupiter 6, due to its CEM chip architecture.
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Features and functionality
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Emphasized for its vast number of modulators per voice, making it unparalleled in modulation capabilities.
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The Matrix-12's ability to define each of its twelve voices independently makes it ideal for complex layered compositions and evolving soundscapes.
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The Matrix-12's digitally-controlled signal routing matrix offers modular synthesizer experiences without the need for physical patch cables, enhancing its versatility.
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Software and compatibility
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Arturia's Matrix-12 VST is considered outdated and less authentic than Matrix-6 or 1000 sounds.
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Critic Reviews
5.0 out of 5
Based on 1 Review and 16 Ratings
773
outstanding piece of analog
Ive only used this beast as a plugin but would love to own a original it sounds oustanding and can create a wealth of warm analog pads, leads and sub frequency basses an textures etc . The arturia plugin off this synth sounded great except it consumed a hell of a lot of cpu juice which is a shame I hope arturia iron this problem out on their virtual synth emulations software as this will definately go down as a must have classics so many tasty patchs can be created on this animal outstanding piece of kit.
Artist usage
Add artist
To complement his sample library, Blank has also built up a sizeable collection of synths over the years, including not only classic analogue synths such as the Oberheim Matrix 12, Sequential Circuits Pro One and ARP Odyssey but also more recent digital offerings like the Roland D50, Yamaha SY77 and Korg Wavestation.
Tim Simenon used the Oberheim Matrix 12 synthesizer during the production of Depeche Mode's "Ultra" album, as discussed in the Gearslutz Pro Audio Community.
In a 1987 studio photo, Michael Hoenig is shown with the Oberheim Matrix 12 synthesizer, as seen on Discogs.
"The thunder sound on the track 'Glasgow' on Craig Armstrong's CD is from the Matrix 12. It's actually a preset. I think that synthesizer is still rare enough for me to be able to get away with using presets. When I first went down to Syco 15 years ago and tried out a Matrix 12 it was definitely the thing I most wanted in the world, and more than anything it was that thunder sound that sold it to me. It is one of those keyboards that I use on almost every record. I first saw it when I was probably 20‑21 and just starting out as a keyboard player. At the time it represented the absolute Rolls Royce of synthesizers. There was no comparison, and to many people it still is the best analogue synthesizer ever made. For a non‑modular system it is extremely deep, the modulation technology on it is extremely complex. The sound of it is glorious, it has the best filters and the best oscillators. They are very sophisticated filters for the time — you get notch filters and phase filters and comb filters, and all that back in the days when normally you would have been lucky to get more than one resonant low pass filter. So for all those reasons, and also the multitimbrality of it, it was a revolutionary thing at the time."
In an Instagram post by The Egyptian Lover, he is shown using an Oberheim Matrix 12, as seen in the image captioned "Working."
Erik Norlander is confirmed to use an Oberheim Matrix 12 synthesizer, as evidenced by a photo available at musicophilia.nl.
Doug Firley can be seen playing the Oberheim Matrix 12 in this photo posted by the official Gravity Kills facebook page.
Doug Firley doing what Doug does at Roseland Ballroom in New York City. August 9, 1996 with Sex Pistols and Stabbing Westward.
Album Usage
The Oberheim Matrix 12 has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Oberheim Matrix 12, it is most commonly used with the following gear.
Community setups
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