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Description
The Randall RH100 is a formidable contender in the world of guitar amplifier heads, known for delivering 100 watts of pure power designed to meet the needs of both aspiring and seasoned guitarists. This solid-state amp head is crafted to provide a reliable and consistent performance, ensuring that your sound remains clear and defined, whether you’re jamming at home or performing live on stage.
With its robust construction and intuitive controls, the RH100 is built to withstand the rigors of frequent use while offering a seamless user experience. It features a dual-channel design, allowing players to switch effortlessly between clean and overdrive settings, thus tailoring their sound to a wide array of musical styles. The inclusion of a 3-band EQ further allows fine-tuning of your tonal output, from crisp highs to deep, resonant lows.
For those who crave versatility, the RH100 includes an effects loop, enabling the integration of external effects pedals to expand your sonic palette even further. Whether you’re looking to achieve a classic rock crunch or a modern metal roar, this amp head stands as a reliable partner in your musical journey.
Key Features:
- 100-watt solid-state power
- Dual-channel operation: Clean and Overdrive
- 3-band EQ for precise tonal shaping
- Built-in effects loop for external effects integration
- Rugged construction for durability and reliability
Videos
Thiago Sforcin
Randall RH100 - Review (Celestion & Eld Power)
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Randall RH100.
Setup and maintenance
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Owners report that gently tapping components with a chopstick can help identify loose or faulty connections inside the Randall RH100.
Source
User experience
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Some users experience a significant volume drop, which can be temporarily fixed by shaking or knocking the amp, indicating a possible loose connection.
Source
3.5 out of 5
Based on 2 Reviews and 2 Ratings
398
Great cleans, decent distortion, can definitely take a beating.
I got a used version of this amp several years ago, and though I don't use it much (having switched to modelling since moving to the west cost), it's still working today despite going on a US tour, a cross country trip to California, and countless hours being tweaked and played and pushed to its limit.
The cleans are to die for; slight compression (maybe) and it doesn't matter if you're running a single coil, humbucker, p-90, et all. It's bright, it's beautiful, and i would usually run it through a chorus and delay through the FX loop (when it decided to work, but then again I also purchased it off of Daddy's Junky Music for like $200 and have no clue what kind of history it has before me).
The distortions are okay - pretty standard buzzsaw tones, good if you're going for metallica or mid-late era pantera (the latter especially - that mid-scooped tone is what it does best). I've heard better, but for a solid state amp, especially one as old as this (I'm not sure the exact age, but it was already very well loved when I got it, and it's been close to a decade since then). It also runs pedals very well, so you can use overdrives and distortion boxes to essentially add new channels. It's decent for low-mid gain stuff, but shines when the gain is pushed past 1 or 2 o'clock (higher than that though and I've found it gets a bit too noisy). I'd recommend getting a noisegate for it, but aside from that it's hella tight sounding, handling everything from low tunings (i've gone to a low A with no loss in quality) to high solos (again, great for 'tallica/'tera), and honestly its shimmering cleans work well with everything from metal and rock to jazz and pop (i let a friend borrow it for a ska show and he fell in love with it).
Since it's a solid state amp, and an early one at that, it lacks a bit in the warmth department, though it cuts through a mix like butter (so long as you don't eradicate what little mids it has). Also, for the love of whatever entity or non-entity you as an individual have put your faith in, I do NOT recommend mixing its gain channel with a pedal. It'll sound like ass. Trust me. Overdrive, distortion, fuzz, that gain channel's meant to be on its own, and sounds best as such. Even with the gain setting low on the amp, adding anything but a light boost will cause the signal to become a haven for harsh noise you didn't even know your guitar/amp was capable of producing.
It does have a penchant for overheating if you push it, though (a problem that's apparently relatively universal, as i've discovered through a cursory look through reviews in an attempt to discern how old the amp actually is) - this problem has apparently been solved in the G2 and G3 series, but the OG model can get hot and even burn out if pushed too hard. Not that you'd need to, of course - since it's solid state, it'll give you the virtually the same tone regardless of if the master's at 2 or 10, making it great for bedroom practice.
So yeah, final verdict: It's not bad. No 5150 or dual rec, but it'll get the job done, and since it was originally designed as an entry level model from what I've seen, it won't break the budget to pick one up used if you can find it. However, be mindful of it's level and temperature. I probably won't be bringing this on tour again (maybe as a back up, but definitely not as a main amp), but if you're low on a budget and just need something to kick some ass, this is your guy.
40997
I got my strat from Daddy's Junky in New Britain! I love those guys. The guitars and amps are fucked up usually but CHEAP!
This is the best amp that I have ever played
The only issue that I have with the amp, is horrible feedback from the second gain channel. Other than that, best metal amp I've ever played and own.
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