In an April 2016 interview with [Miles Kane](https://equipboard.com/pros/miles-kane) and Alex Turner of Last Shadow Puppets, Alex Turner talks about recording demos for their album on a Tascam 388: "It’s the establishing shot! We had been demoing on my Tascam 388 eight-track recorder, working on some stuff on that, and then we just had to convince James Ford to do it again." Original source [here](http://alexturner2005.tumblr.com/post/142418510744/interview-the-last-shadow-puppets-by-will-oliver).more
"To capture the electric, anything-can-happen vibe the band projects when they perform, Thee Oh Sees recorded Warm Slime as if they were performing the songs live - tracking the whole thing on an old Tascam 388 eight-track tape machine in one short day of recording with zero overdubs." http://thebaybridged.com/2010/08/13/dissecting-the-song-thee-oh-sees-warm-slime/more
In a StereoGum.com interview with T. Cole Rachel on the 7th of April 2014, Kim got into some details about her Tascam studio gear. "Right now I’ve got a 338 quarter inch thing, you know they look like a big four-track Tascam? They break all the time. It’s consumer grade, man. It always breaks. It never really works. I ended up getting that and it’s driving the Tascam 16-track half inch, so I’m really liking that. I’m using the 338 as a pre-amp for recording onto the 16-track."more
Gives your sound the best charcacter possible, at least for me anyways. I've seen a lot of huge studios, but this stays a very small and simple analog one which will give you some fun!
I bought my 388 in a non-operational state for $300. One of the best gear purchases I've ever made. I've been working with mine for over 3 years now exclusively as my recording medium. I love the interface, the limitations it imposes and the way it constantly pushes me to try to make a better recording on it. I could easily see dedicating myself to this machine for years to come.
I always wanted a Studio 8, since I saw the adverts when they were new. Recently bought a mint one and love it. Easy enough to use, sounds great (I use the DBX on and as long as you don't drive it hard, it sounds excellent) and makes recording way more fun than a DAW IMHO. If you find a good one, grab it. Doesn't have phantom power, so you need an external phantom supply if using condenser mic and only 2 sends and 2 returns could be seen as limiting, but the machine is all about work flow and for that, it's unbeatable.
I bought my first one about 13 years ago, sold it a few years later. I missed the hell outta it so I bought a second around 8 years ago. This machine is just plain fun to work on. I also have and Otari 5050 1/2" 8 track but still can't bring myself to sell the 388. I used to have an huge MCI 1" 8 track (easily my favorite) & I couldn't bring myself to sell it then either. It is definitely limited with no phantom power, only two sends, and a fairly terrible EQ. Doesn't take any of the fun away. A list of big records have been made on this machine. If you play two its strengths it'll pay off. If you find one in good shape, I'd say snatch it up!