In a photo shared by Johannesschmoelling, Johannes Schmölling is shown using the Roland MKS-80 Super Jupiter, highlighting its role in his setup.

Vince DiCola uses the Roland MKS-80 Super Jupiter, as evidenced by a photograph he posted on Facebook. The image confirms that two of these racks are part of his modular setup.

Kurt Ader, known for his work with KApro, uses the Roland MKS-80 Super Jupiter synthesizer, as shown on his Facebook page.

Not that Isham has entirely forsaken his 'synthetic' past — far from it, in fact. Even his beloved analogue collection — now expanded to incorporate an Oberheim Xpander, a Roland MKS80 with MPG80 programmer, and a rare Moog Model 12, one of those 'big modular Moogs' he once admired from afar — regularly gets a look in: "I just did an entire film score that used the 2600, MIDI'd via an old Roland MPU101 MIDI‑CV converter" says Isham, with a hint of bravado. Isham's studio also contains an extensive selection of more modern synths. Of his Korg Trinity Plus, Z1, Prophecy, Wavestation A/D and ubiquitous M1, Roland JD800, and newly acquired, knob‑laden Access Virus, the latter is currently proving most agreeable with the composer.

Progress, as they say, is progress. But curiously, the same fate nearly befell a much more recent piece of technology - the Roland Super Jupiter synth module. Luckily for the machine (and for the stage show, where the machine comes into its own in the capable hands of Martin Cooper), OMD found a way of keeping it under control, as it were, after a few hiccups.

“The first keyboard that Stephen bought for Blancmange was the Roland Super Jupiter"

In this artical with attack magazine, Tom says "Also residing here is the MSK 80 Super Jupiter, a rack Roland Jupiter-8. Need I say more?"

The MKS-80 and it's programmer can be seen in the far left rack in this photo.

The two Macs are interfaced to the outside world with two Opcode Studio 3 units and a Studio 5. Hague has plenty of sound sources to drive with these. There's an M3R, a DX7II, two rack-mounted Roland Super Jupiter modules (with programmers), a Roland JD800, DS50 and U220, a Korg Wavestation A/D, and an Akai/Linn MPC60, plus a few oldies. Amongst the latter are a Korg MS12, his original Yamaha CS80, and an Oberheim OB8.

Mentioned in this May 19, 2021 Roland interview.

In a studio packed with equipment spanning many brands and eras, Roland factors heavily, both in hardware and software forms. “I’ve got a JUNO-106 over there, and the Roland Cloud JUNO-60 plug-in is amazing. I’ve also got the MKS-80 Super Jupiter and a JV-1080.” Amid vintage Roland JC-120s and drum machines, Lee notes a particular box and its influence on a famous client. “I used the TR-8 all over U2’s last record, so they went and bought one. Now I’ve got the TR-8S.”

Jim Gilmour confirmed his use of the Roland MKS-80 Super Jupiter sound modules during a tour, as stated: "For this tour I've got a pair of Roland Super Jupiter modules and a pair of Planet S modules, and an MKB1000 mother keyboard to control them. It was between that or the Yamaha KX88, but I liked the feel of the Roland better." This information is sourced from the article "Transatlantic Trends - Saga" published in Electronic Music Maker, May 1986.

The MKS-80 is pictured and discussed in this interview with Neil.