You can see the Super Jupiter in this picture from Tosca's studio.

According to an article on Sound On Sound, Pete Namlook purchased a Roland MKS-80 Super Jupiter in the 1980s.

In this interview with ElectricityClub about the recording of "A Secret Wish", RALF DÖRPER is quoted as saying: "In general terms, you could say that ‘Dr. Mabuse’ (produced by Trevor Horn) was very much based on Fairlight while the album production (by Steve Lipson) was much more Synclavier, PPG and still Roland. The Super Jupiter is featured quite often." source: https://www.electricityclub.co.uk/propaganda-noise-girls-come-out-to-play/

I have deliberately NOT included the other items mentioned, as there are various versions of them, but there is only one Super Jupiter. Please do not include them unless you have other reference sources that pin them down more exactly.

In the April 1986 issue of International Musician & Recording World, an article titled "Beatroute" confirmed that keyboardist John Sinclair used the Roland MKS-80 Super Jupiter during his tour with Ozzy Osbourne.

Luca Anzilotti uses a Roland MKS-80 Super Jupiter in his setup. This is confirmed by Studiorepair.com, which serviced his unit and identifies Anzilotti as the owner below an image of the circuit board on their website http://studiorepair.com/gallery/Roland/MKS-80/slides/Roland_MKS-80_PCBs__STUDIOREPAIR_11022401_1105142910.html

Quote: "Roland MKS-80 - Circuit Boards - Image by Nikolaus Riehm - Equipment courtesy of Luca Anzilotti of SNAP!"

Source: Interview with Michael Münzing and Luca Anzilotti about SNAP! mu:zines.co.uk - 1994: https://www.muzines.co.uk/articles/snap-to-tomorrow/8245

Eric Chevalier's gear list circa 2003:

Mixing Consoles: - Sony DMX-R100 - Yamaha 01V Monitors: - Genelec 1031.A - Genelec 1030.A Samplers: - Akai s6000 (x2) - Akai CD3000XL - Roland S760 (x4) - Roland SP 700 Synthesizers: - Roland JD800 - Roland JD990 - Roland MKS80 + PG - Roland MKS70 + PG (x2) - Roland XV3080 - Roland D550 - Roland A80 - E-MU Proteus 2000 - Yamaha TX802 - Kurzweil MicroPiano - Korg M1R EX - Korg Wavestation AD - Korg Triton - Alesis DM5 (drum machine) - Access Virus A - Access Virus C - The theremin - Nord Lead Computer (& Plugins): - PowerMac G4/733 - PowerBook Titanium - Monitors Plasma (x2) - Pro Tools Mix Plus (software) - Logic Audio Platinum (+ eMagic plugins) - Spectrasonics Athmosphere - Spectrasonics Stylus - Mac Five - DD 80 Go + 120 Go + 160 Go LaCie - DD 40 Go Ice - Synchro: "Time Machine" C Lab - Unitor MK2 (x3) Effects: - Lexicon 480L - PCM80 / LPX15 - Yamaha SPX90 / D1500 (x2) - Tube Tech Compressor LCA 2B - EQ Moog - TC Electronics M5000 - TC Electronic Finalizer 96K - DAT Panasonic SV-3800 - DAT Sony PCM R500

David Arnold has confirmed his use of the Akai S1000, along with other equipment such as the Akai S3000, Nord, Roland MKS80, Wavestation, and some vintage Crumar gear, in a statement on Bluesky Social.

Quoted: "akai s1000 and 3000. Nord . Roland MKS80, Wavestation and some old crumar stuff"

Marcus Vere, the keyboardist for Living in a Box, uses the Roland MKS-80 Super Jupiter as part of his music gear, as detailed in "Music Technology" magazine, August 1987: "Vere's hardware rundown for the album reads like just about any modern equipment listing - Emulator, Super Jupiter, DX7, TX816, Akai S900 and so on - but stops short of Fairlight or Synclavier indulgence. Technology has been a good and loyal friend of Living in a Box, but Vere is cautious about letting it get the upper hand."

Michele Luppi uses the Roland MKS-80 Super Jupiter, as evidenced by a post on his official Instagram account. In the post, Luppi states, "Finally a brand new oled display for my beloved Roland MKS-80! Amber is the colour of 80s Synth!!!" This provides confirmation of his use of this specific music gear.

Keyboardist and music producer Andy Richards is confirmed to use the Roland MKS-80 Super Jupiter. In the studio, his gear setup includes this specific module, as detailed in the article "Programmer's Protocol" from Music Technology, June 1988.

"Meanwhile, for the keyboard parts, Nick Glennie-Smith used a rig consisting of an Emulator II, a Roland MKS80 Super Jupiter, the new-fangled Yamaha DX7"