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Description
The Studio Electronics SE-1 is a powerful tool for musicians and producers seeking the classic analog sound with modern control. As a monophonic analog synthesizer, the SE-1 delivers a rich and warm sound that harks back to vintage synths, but with the reliability and flexibility expected today. It’s particularly celebrated for its discrete VCO design, which ensures each note you play resonates with authentic analog warmth. The SE-1 also features a robust filter section with low-pass and band-pass options, allowing for extensive sound shaping.
This sound module is a favorite in studios for its ability to produce deep basses, lush leads, and sweeping pads, making it versatile across genres like electronic, hip-hop, and film scoring. With MIDI implementation, the SE-1 easily integrates into any setup, allowing for seamless control and automation.
Whether you're a seasoned professional or an aspiring enthusiast, the Studio Electronics SE-1 provides a tactile and sonic experience that invites creativity and exploration. Its interface is user-friendly, designed to encourage hands-on manipulation of sound parameters, making it both an inspiring and intuitive instrument to work with.
Key Features:
- Monophonic analog synthesizer
- Discrete VCO design for authentic analog sound
- Extensive filter section with low-pass and band-pass options
- Versatile sound production for basses, leads, and pads
- Full MIDI implementation for easy integration
- User-friendly interface for hands-on sound manipulation
Product specs
| Brand | Studio Electronics |
| Model | SE-1 |
| Finish | Black |
| Year | 2000s |
| Categories | Analog Synths, Rackmount Synths |
| Analog / Digital | Analog |
| MIDI I/O | MIDI Input, MIDI Output, MIDI Through |
| Polyphony | 1 Voice |
FAQs
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Is the Studio Electronics SE-1 a monophonic or polyphonic synthesizer?
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The Studio Electronics SE-1 is a monophonic synthesizer, meaning it can play only one note at a time, making it ideal for bass lines and lead sounds.
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What type of synthesis does the Studio Electronics SE-1 use?
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The SE-1 uses analog synthesis, providing warm, rich tones characteristic of classic analog synthesizers.
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Does the Studio Electronics SE-1 have MIDI connectivity?
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Yes, the SE-1 features MIDI Input, Output, and Through, allowing integration with other MIDI-compatible devices and sequencers.
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What kind of sound can I expect from the Studio Electronics SE-1 for bass sounds?
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The SE-1 is renowned for its deep, punchy bass sounds, thanks to its analog circuitry and monophonic design, making it a favorite for electronic and dance music producers.
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Is the Studio Electronics SE-1 suitable for live performances?
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While the SE-1 is primarily a rackmount unit, its robust analog sound and MIDI capabilities make it suitable for live performances when integrated into a larger setup.
Videos
JupiterSynth
Studio Electronics SE1 Demo
Reviews
4.0 out of 5
Based on 2 Reviews and 3 Ratings
41029
I am head over heels for this black box.
The SE-1 is the evolution of Studio Electronics' famed MIDI Moog. At its heart the SE-1 is very much a rackmounted, Mini Moog with full MIDI implementation, but there are a few useful additions to the Moog package that make this synth way more versatile. It features a ring mod, dedicated LFOs (so you don't have to sacrifice an oscillator to LFO duty like on a real model D) and a multimode filter. The filter of course has the classic Moog 4 pole 24db/oct low pass ladder and its wet and thick as can be, but it also can be set to an oberheim 2 pole 12db/oct low pass or band pass and the oberheim filter coupled with the moog oscillators and snappy envelopes provide a really distinctive sound for pads and leads. Using the ring mod and/or frequency mod features you can get some Xpanderish sounds on the less complex end of the oberheim spectrum.
She's not terribly attractive, but she's built like a tank (weighs a ton, but its not a synth you move once its plugged into your set-up).
At $400 used this synth is a no brainer as Moog doesn't offer a comparable product in this price range. Also, this synth sounds very different from my Sub Phatty. Setting the 3rd oscillator to sub provides a much different sub bass response and the oscillators in general sound a little more hifi. In Moog mode thefilter is wet ans sloshylike the Phatty, but cleaner even hen the Phatty's drive control is off. The filters on these 2 synths also respond differently when self-oscillating (cranked resonance). All in all this was a great buy. While it covers some of the same ground as Moog's current offerings it does a lot of stuff the Moog gear doesn't and the Moog synths can get textures that the SE-1 can only approximate with external processing (and a few that it will enver do thanks to the Phatty's infinitely variable oscillator shape control versus the fixed shapes the SE-1 inherited from the original Model D).
I highly recommend everyone get an SE-1 or SE-1X. My only wish is that each oscillator had an additional sine mode. I understand there are some limited edition 1Xes that replace the triangle on osc 3 with a sine, but the synth would be a perfect 3 oscillator analog giant if all the oscillators had a sine shape as well as all the other included shapes.
But this is a lot of synth for the money and a joy to program and play. I can't dock it a point anywhere, the MIDI implementation is fabulous, the knobs are inviting and easy to turn without sacrificing precision. Patch storage is a breeze. This is one of the absolute best monosynths on the market. I wish they would make a poly version.
26904
$400? Wonderful review, but these have always hovered between $600 and $1000+ if memory serves. You got a hell of a deal... based on your experience, sounds like their worth the $800 or so dollars Reverb sellers are currently asking.
41029
its an old review.... I wrote it 3 years go and I ahd already owned it for awhile before that. But I also got a deal. If I recall I needed to solder something thatw as failing onmine when I got it and it lowered the price but I've been seeing the regular se1, not the 1x or earlier ones with real moog guts for about 500-700 on flea bay, sometimes a bit more asking price but they're not selling for that. Reverb sellers are always inflating the market. Personally I might ditch mine soon. I'll let you know if you want one. Its just I'm ore into modular now and I'm such a die hard ARP guy and in my band my bestfriend is mr minimoog… even solo I use it less and less as my go to bass. I'm kinda 'over it' even though its a righteous synth. I really like the sub phatty a lot again. Kinda Taurus with features. Really wet filter
269
Monster Bass Monosynth
Many people have never heard of Studio Electronics or the SE-1, as they were one of those smaller companies quietly making excellent analog synths before the current revival (and are still around today, by the way). The SE-1 is a 3-oscillator monosynth that can be described as a pseudo-minimoog with modern features (patch memory, MIDI) and some other interesting tweaks. Considering that Moog itself is making synths again, why should you bother with a SE-1? It sounds amazing, especially if you are looking for huge bass sounds, and it has lots of lovely knobs to make sound editing a breeze. And, unlike the Moog Slim Phatty that this replaced in my studio, the sounds fit very well with the other synths and gear that are being used. It's a lovely synth, and for under $500 used, a hell of a deal...if you can find one!
(The newer SE-1 models are called the SE-1X, and feature expanded patch memory, an audio-in port and some other updates.)
Artist usage
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List of equipment in George Michael's studio, from the July 1996 issue of Sound on Sound:
RECORDING
AKG LSM50 cube monitors Aphex Expressor compressor Denon tape deck * Dynaudio Acoustics M1 monitors Lexicon PCM80 effects Lexicon LXP15 effects Mackie 32*8 32:8:2 8‑buss console Otari RADAR 24‑track hard disk recorders (x2) Tascam DA20 DAT * Yamaha NS10 monitors
SOUNDS
Akai S3000i samplers (x2) Akai S3200 sampler * Emu Procussion percussion module Emu Vintage Keys Plus module Emu Ultra Proteus synth module Korg Prophecy keyboard synth Korg Trinity Plus keyboard synth Kurzweil K2000 sampler/synth Roland JV1080 synth module Roland Juno 106 analogue keyboard synth Roland Vintage Synth MVS1 sound module Studio Electronics SE1 synth module * Yamaha SY77 keyboard synth Yamaha TG500 synth module
MISCELLANEOUS
DAC hard drive * Opcode Studio 4 MIDI interface (x2) Powermaster drive *
"The M1R gets used for its Bottle Bell patch, but I have to say that I'm a bit disappointed by Studio Electronics' MIDIMini analogue synth, as the tuning drifts quite badly. However, I also have their SE1 analogue synth which is great for bass. Surprisingly, the little Peavey Spectrum Bass also has some great bass sounds that I use — patches three and four. My Vintage Keys is only used occasionally, mainly for the Wurlitzer piano, while the Korg X3 is left set to patch 10, a kind of Rhodes sound. The JV1080 also has a lovely electric piano sound on it, but I'm a bit disappointed with the Technics WSA1R as it doesn't have many really usable sounds. I've just bough a Yamaha CS2X for a bit of fun, for sequencing and so on, and the Trinity I still like."
Studio Electronics SE-1 can be seen regularly in the ARTE documentary "DJ Mehdi - Made in France".
To clarify one point, it is indeed the SE1 and not the SE1-X, the latter having been released in 2019.
“I also had a [Studio Electronics] SE1 which was basically a Minimoog that had memories and MIDI, a Roland Sound Canvas just for traditional instruments — cymbals and things like that — and obviously a 303.”
Many producers out there are using the Moog synths, while not many of them know the Studio Electronics SE-1, a raw, dirty monophonic synth that reminds me of the basic Moog stuff, though it’s got wider oscillators that are maybe even more useful in their simplicity.
The Studio Electronics SE-1 is seen in front of Ami Kusakari while performing 目が明く藍色 during sakanaction's SAKANAQUARIUM アダプト TOUR at the Nippon Budokan, around the 6:08 mark in a YouTube video.
The liner notes of Pete Namlook's 1994 album "Namlook IV - Power Supply" mention the Studio Electronics SE-1, which spontaneously created sound at the beginning of the album.
Album Usage
The Studio Electronics SE-1 has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Studio Electronics SE-1, it is most commonly used with the following gear.
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