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Average Price: $2,533
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$100
$501+
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Based on price data from 2 merchants for "Summit Audio MPC-100A Tube Pre-Amp and Compressor/Limiter". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
In the world of audio signal processing, the Summit Audio MPC-100A Tube Pre-Amp and Compressor/Limiter stands out as a beacon of singular warmth. This dual-function powerhouse unites a high-fidelity tube preamplifier with an innovative compressor/limiter, enriching your recordings with unparalleled depth and clarity. Every nuance of your performance is preserved, making it an indispensable tool for musicians and audio engineers aiming to elevate their sound.
Designed to seamlessly transition your sonic inputs to the digital realm, the MPC-100A offers a pristine audio path that captures the essence of your instruments with authenticity. The tube preamp section imparts a lush, warm character to vocals and instruments, while the compressor/limiter ensures that the dynamics are perfectly balanced, preventing any unwanted peaks or dips. This meticulous design makes it an excellent choice for both studio environments and live performances, providing a consistent and polished output.
Whether you're recording a delicate vocal passage or a powerful guitar riff, the MPC-100A's intuitive controls allow for precise adjustments, ensuring that your final mix is nothing short of perfection. Its robust build and reliable performance make it a favorite among professionals who demand the best from their equipment.
Key Features:
- Combines high-fidelity tube preamplifier with a compressor/limiter
- Provides singular warmth and depth for vocals and instruments
- Optimizes signals for seamless transition to digital
- Intuitive controls for precise sound adjustments
- Robust construction suitable for studio and live environments
Product specs
| Preamp Type | Tube |
| Number of Channels | 1 |
| Frequency Response | 20Hz-20kHz |
| Phantom Power | Yes |
| Compressor Threshold | -30dB to 25dB |
| Analog Inputs | 1 x XLR (Mic), 1 x XLR (Line), 1 x 1/4" (Hi-Z) |
| Analog Outputs | 1 x XLR, 1 x 1/4" |
| Other I/O | 1 x 1/4" (Side Chain Insert), 1 x 1/4" (Link) |
| Rackmount Spaces | 2U |
| Height | 3.5" |
| Depth | 10" |
| Width | 19" |
| Weight | 17 lbs. |
FAQs
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What type of preamp does the Summit Audio MPC-100A feature?
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The Summit Audio MPC-100A features a tube preamp, which is known for adding warmth and character to audio signals, making it ideal for studio recordings.
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Does the Summit Audio MPC-100A provide phantom power for condenser microphones?
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Yes, the Summit Audio MPC-100A includes phantom power, allowing you to use condenser microphones that require this feature.
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What are the input options available on the Summit Audio MPC-100A?
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The Summit Audio MPC-100A offers multiple input options, including 1 x XLR (Mic), 1 x XLR (Line), and 1 x 1/4" (Hi-Z) for versatile connectivity.
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Is the compressor on the Summit Audio MPC-100A adjustable?
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Yes, the compressor on the Summit Audio MPC-100A is adjustable, with a threshold range from -30dB to 25dB, allowing for precise control over dynamic range.
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How does the Summit Audio MPC-100A connect to other audio equipment?
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The Summit Audio MPC-100A features 1 x XLR and 1 x 1/4" analog outputs, as well as a 1 x 1/4" side chain insert and a 1 x 1/4" link for flexible connectivity.
Videos
SummitAudioGear
Summit Audio MPC-100A Mic Preamp Compressor
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Artist usage
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The Artist plays bass on nearly all of the Rave Un2 the Joy Fantastic tracks. (Rhonda S. appears on two songs.) For most of his parts The Artist used Graham’s Moon bass with Bartolini pickups; when the Moon was unavailable he used the Warwick Eye Bass. Engineer Hans-Martin Buff ran the signal into an Avalon U5 active DI, either a Demidio or Neve mike preamp, a Summit Audio compressor, and sometimes an API 550 EQ.
Album Usage
The Summit Audio MPC-100A Tube Pre-Amp and Compressor/Limiter has been featured on the following albums:
Genre Usage
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Used With
Based on how musicians on Equipboard use Summit Audio MPC-100A Tube Pre-Amp and Compressor/Limiter, it is most commonly used with the following gear.
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