Zaza

At first, let me tell you this is a killer guitar. The pickups, bridge and tremolo are made in America but the guitar was assembled in Mexico. The neck is very nice though glossy, no fret sprouts, fits into my hand really well. The rhythm circuit is different than on your usuall offset guitars and it's actually very handy when used together with fuzz pedals. The color is fabulous. I don't like one thing and that's the small vintage frets. If you have never played a guitar with 7.25 radius and vintage frets, you have to learn how to play all over again, especially if you bend a lot. Otherwise, it's really easy to fret complex chords thanks to the vintage radius.

I bought this just out of necessity for recording and practicing. There were some sharp fret ends I had to get rid of and the setup was bad, but when you set it up, it plays nicely and the sound ain't bad. Into the DI you get that jazzbass sound used on many funk songs and played through the bass amp it rocks. Some of the knobs are quite noisy due to the cheap electronics.

This pedal makes me sound better. Subtle optical compression, EQ knob comes handy when the compressor is placed after your drive pedals to bring treble back. What it does is that it makes your overall tone fuller on any setting without squashing it, even if you can't really hear the compression in effect (settings from 7:00 to 11:00). Around 2:00 you are getting to that squishy territory, but words can't describe how pleasant it sounds opposed to a Dynacomp. Personaly, I like to have it after my dirt pedals, so I can still use the advantages of rolling down the volume knob on the guitar but also have balanced volume level. I definitely recommend to anyone who would love to have a compressor, but didn't like the squishiness of a Dynacomp.

Being a huge Smashing Pumpkins fan, I love this pedal. When compared to the classic NYC reissue, this has more balls especially when you bypass the tone circuit. Build quality is solid as usually, though the sound is a one trick pony, you either love or hate Muffs. You have to play it into the clean channel, no amp gain or drive at all, unless you want the notes to choke.

If DD-3 is a fantastic delay, DD-7 is quadruplesuperdupermegahyperultrastic and much more. Built to last, easy to use with some fantastic modes to choose. Tap tempo function with subdivisions works great, especially if you have two delays like I do.

I had a CH-1 Super Chorus clone by Behringer (UC-200), but I after some time I decided to try a different chorus sound. I bought this little Mooer based on various reviews and they were definitely correct - this is a fantastic chorus, a clone of the legendary CE-2. The enclosure is small yet sturdy, two small knobs for setting the level of chorus effect and depth, one large knob for rate. To be honest, the rate knob is quite sensitive and you could change it even by touching it slightly. This is the only thing that's somewhat "bad", but the rest is only positive things. Sound is full, great for compressed slightly overdriven lead playing (think current James Dean Bradfield, Johnny Marr), blends well with the distortion. Also, this pedal is dead silent. UC-200 could get similar tones, but I felt that something was lacking. Ensemble King provides that "something" plus sounds great, functions well and is cheap. I definitely recommend.

DS-1 was my first pedal, but I sold it. I ordered another one two years ago, but even with the dimed volume I couldn't get unity gain. DS-2 has so much volume and gain on tap, I find it very versatile on both modes. Mode 1 sounds very similar to DS-1 and DS-2 is THE sound of Dani California solo. Just try to play those notes around 13-15th fret ;) And it's BOSS, so it looks awesome and will survive a nuclear warfare.

If I was starting on a guitar and got this pedal, I’d be satisfied - It’s got a lot of gain, but that’s it, nothing else. Very noisy.

Cool digital delay pedal - clean and pristine. Combined with the Muff you get that David Gilmour lead tone. The only issue is the blend signal has a natural volume drop (just like almost any other EHX delay pedal).

I couldn't get any usable tone on this pedal unless I put a booster before it. It sucks more low frequencies than an MXR Dyna Comp.

I have a love/hate relationship with this compressor - it sucks the high frequencies from your tone, but it gives you that infamous squish that you've heard on all classic records. On clean, you sound like Chic. If you use it before your OD's, it pushes them a little bit more just like a boost and when you place it after OD's, it keeps overall volume just fine (but as mentioned before - it sucks some of your highs). Build quality is great and I prefer it's switch more than on any EHX pedal.

Infamous DD-3 - great clean digital delay, very easy to use. Built to last. You can find your favourite delay tone very quick, no wonder it's been used by so many greats.

Very easy to apply on any guitar and works as it should. My straps finally don't fall off.

One day it just snapped. Nowadays I'm using a similar winder made by Ortega which is much better, because the handle is screwed on.