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Description

The Akai S1000 is a 16-bit, 44.1 kHz professional stereo digital sampler, released by Akai in 1988. The S1000 was among the first professional-quality 16-bit stereo samplers.[3] Its abilities to splice, crossfade, trim, and loop sound in 16-bit CD quality made it popular among producers in the late 80s through to the mid 90s. The S1000 used 24-bit internal processing, had digital filters and an effects send and return, and came with 2MB of RAM (expandable to 8MB).[2]

Version 2.0 of the S1000's operating system introduced primitive timestretching, allowing a sound's pitch and length to be altered independently of one another.

SynthMania

SynthMania

Akai S1000 - a few old school sounds

Video thumbnail for Akai S1000 - a few old school sounds by SynthMania

Akai S1000 - a few old school sounds

SynthMania

SynthMania

Video thumbnail for How To Make Jungle With AKAI S1000 by IJO Sound

How To Make Jungle With AKAI S1000

IJO Sound

IJO Sound

Video thumbnail for The Ultimate Guide to Sampling in the Akai S1000 by Groovin in G

The Ultimate Guide to Sampling in the Akai S1000

Groovin in G

Groovin in G

Video thumbnail for Akai S1000 | Old School Sampling by Espen Kraft

Akai S1000 | Old School Sampling

Espen Kraft

Espen Kraft

Video thumbnail for How I Start A Track | Akai S1000 Sampler | Jungle Production Techniques | Cubase VST | DAW | by IJO Sound

How I Start A Track | Akai S1000 Sampler | Jungle Production Techniques | Cubase VST | DAW |

IJO Sound

IJO Sound

Video thumbnail for Akai S950 Vs S1000: Which Hardware Sampler Is Better? by TheBizzyBScience

Akai S950 Vs S1000: Which Hardware Sampler Is Better?

TheBizzyBScience

TheBizzyBScience

Video thumbnail for What was revolutionary about the Akai S1000 sampler? by TheBizzyBScience

What was revolutionary about the Akai S1000 sampler?

TheBizzyBScience

TheBizzyBScience

Video thumbnail for How I Make Oldschool JUNGLE With AKAI S1000 & Hardware by IJO Sound

How I Make Oldschool JUNGLE With AKAI S1000 & Hardware

IJO Sound

IJO Sound

Video thumbnail for Hopes & Dreams (Akai S1000 Oldschool Drum'n'Bass) by IJO Sound

Hopes & Dreams (Akai S1000 Oldschool Drum'n'Bass)

IJO Sound

IJO Sound

Video thumbnail for Unleashing the Full Potential of the AKAI S1000: The Ultimate OS v4.4 Upgrade! by TheBizzyBScience

Unleashing the Full Potential of the AKAI S1000: The Ultimate OS v4.4 Upgrade!

TheBizzyBScience

TheBizzyBScience

Reviews

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Akai S1000.

Setup and maintenance

  • Replacing the PSU in the Akai S1000 is straightforward and easy; swapping the front panel and tact switches may require more effort.

    Source

Mods and upgrades

  • Owners recommend a new LED display over EL Foils for brighter, more reliable visuals.

    Source
  • For those with faint displays, an iPhone 6 backlight mod can be a cost-effective alternative under $100, or opt for a new LED display for $120-140.

    Source
  • Replacing the floppy drive with a SCSI2SD is a recommended modification to streamline sample transfer and enhance usability.

    Source
  • An external floppy drive with 'omniflop' software can facilitate reading S1000 disks into a PC, useful for archiving and transferring sample libraries.

    Source

Features and functionality

  • The S1000 supports 16 notes polyphony in mono, which may suffice for most applications despite its limitations.

    Source
  • The Akai S1000 is praised for its ability to pitch sounds across the keyboard effectively, offering a distinct and appealing tonal quality.

    Source
  • The Akai S1000 offers stereo sampling with converters praised for their compact, tight sound, providing a more detailed output compared to the S-950's crunchier tone.

    Source

Software and compatibility

  • Some users connect a PowerBook G3 via SCSI for sample editing with Recycle and Bias Peak.

    Source
  • To integrate S1000 samples into a DAW, options include using its 8 outputs with MIDI control, or transferring samples via an external Atari Falcon with a card reader.

    Source
  • Conversion software like 'translator' or 'Awave' can convert S1000 samples into soundfonts for use in software samplers, maintaining the unique character of the original samples.

    Source

User experience

  • The data wheels of the Akai S1000 are appreciated for their solid and satisfying feel during operation.

    Source
  • Users highlight the S1000's intuitive interface once muscle memory develops, allowing for efficient programming even without visual cues.

    Source

Use cases and applications

  • The S1000 is favored for creating tracks with authentic, old-school sound textures, especially if users seek a gritty, bitcrushed aesthetic without extensive DAW processing.

    Source
  • Owners often map each drum hit to a single note, using envelopes and filters to refine sounds, particularly to enhance kick drums with additional 'umphhh'.

    Source

Comparisons

  • Compared to smaller Akais, the S1000 offers more versatility and sound capacity, ideal for those who require more than 16 sample slots in their workflow.

    Source

Critic Reviews

Akai S1000 (MT Dec 88)

muzines.co.uk

The Akai S1000 sets a new standard for samplers with its 16-bit stereo capabilities and flexible output options. Its clean, dynamic sound quality and expansive memory make it a professional studio powerhouse. While the user interface is praised for its operational simplicity, the initial sample disks are underwhelming, and there's a pesky background whine in the review model. Despite these minor flaws, the S1000's comprehensive MIDI features and the ability to integrate with existing S900 libraries are standout features. With promised updates like time-stretching, the S1000 is poised to become an essential tool for serious musicians.

positive

Hands On: Akai S1000 Sampler (SOS Feb 92)

muzines.co.uk

The Akai S1000 stands out as a pivotal studio tool that addresses the limitations of its predecessor, the S900, with improved 16-bit resolution, stereo sampling, and expanded memory options. While it doesn't quite reach CD-quality audio, its usability and comprehensive feature set make it a benchmark in the sampler world. Some users might find looping cumbersome compared to older models, and stereo sampling could be better streamlined. However, its robustness in operation and popularity in studios make it a must-know for sampler enthusiasts.

positive
Add

4.5 out of 5

Based on 2 Reviews and 25 Ratings

5 star
4 star
3 star
2 star
1 star
mikefiction

I love my Akai'sss

Yep. I love them. I want to marry all the Akais. They make the world sound like music and they make drums that kick your pants off. Stretchy digital goodness.

If it were a person, it would be amazing at facilitating original ideas at corperate meetings. Those meetings would never be boring.

Sample movies or your backyard or your kitchen. Sample the world into your Akai and you will smile forever and the world will be an ok place.

summedanddot

Akai S1000

Akai S1000 still have it in action ........

Artist usage

Add artist
See how Fjaak uses Akai S1000

Fjaak

Music Producer, DJ

...
Verified via Facebook

can be seen in this post from April 30, 2014

See how Andrew Eldritch uses Akai S1000

Andrew Eldritch

Singer, Drummer

The Sisters of Mercy

...
Verified via The-sisters-of-mercy

We nevertheless upgraded to the Akai S1000 sampler. This is still the core of the onstage Doktor."

See how Michael Cretu uses Akai S1000

Michael Cretu

Singer, Composer

Enigma

...
Verified via Photo

The Akai S1000, an audio sampler, can be seen mounted beneath the Akai S900 in the setup of Michael Cretu, as evidenced by the provided image.

See how Plaid uses Akai S1000

Plaid

Music Producer

...
Verified via Attack Magazine

"What do you remember of the hardware setup you had in the early days?

Andy: We had an 808, 303, 202 and 101, a monophonic digital synth, Akai 950 sampler and a few other analogue keyboards. We hired in an Akai S1000 to record the first EP.

Ed: Also the Oberheim Matrix 12 and Matrix 1000, which were pretty important. Sequencing was initially an Alesis MMT-8 then Dr T’s on Commodore."

See how Geoff Barrow uses Akai S1000

Geoff Barrow

Composer, Music Producer

Portishead

...
Verified via reverb.com

Per Reverb.com:

Geoff Barrow was working as an assistant at Coach House studio while Massive Attack was recording its own debut album, Blue Lines. Seeing a strong aptitude in the young assistant, the group gifted Barrow with an Akai S1000 and an Atari 1040 computer to start him off on his sampling journey.

See how Howard Jones uses Akai S1000

Howard Jones

Singer, Keyboardist

The Conspirators

...
Verified via Muzines

As if this isn't enough, Jones' collection of sound sources is breathtaking. Inhale deeply for an (incomplete) overview: Fairlight Series III; Yamaha TX816 rack; Akai S1000; Roland Super JX, MKS50, D50, Jupiter 8, Juno 60, D550, and MKS20 digital piano; Korg Wavestation; Prophet T8; MiniMoog; Vocoder VP330; Yamaha KX88 and TG77; and somewhere in a corner his old 808 drum machine. Still there?

See how Alec Empire uses Akai S1000

Alec Empire

Music Producer

Atari Teenage Riot

...
Verified via Discogs

Atari Teenage Riot's 1995 album was produced by Alec Empire and lists the following instruments in the liner notes: "This album was recorded with an ATARI 1040, a CASIO FZ-1 sampler and a TR-909 drummachine… Sorry but we had to use the AKAI S-1000 sometimes for timestretching"

See how Andy McCluskey uses Akai S1000

Andy McCluskey

Singer, Guitarist

Orchestral Manoeuvres in the Dark

...
Verified via Muzines

EQUIPMENT LIST

RECORDING Akai S1000 Sampler + Hard Drive Alesis HR16 Drum Machine Atari 1040ST Computer Casio CZ230S Synth E-mu Systems Proteus Sample Reader Korg M1 Workstation Oberheim Matrix 1000 Synth Module Roland D110 Synth Module Roland Super JX Synth Module Steinberg Pro24 v3 Sequencing Software Yamaha RX5 Drum Machine Yamaha TX81Z Synth Module

See how Mefjus uses Akai S1000

Mefjus

...
Verified via Photo

Mefjus uses the Akai S1000 for fun and beat-making, as shown in a photo posted on his Facebook timeline.

See how Rhys Fulber uses Akai S1000

Rhys Fulber

Music Producer

Fear Factory

...
Verified via Releasemagazine

What kind of gear did you use at the time?

R: “Caustic” was a pretty minimal set up. All we used was the Atari, an Akai S1000 and S950, a Minimoog, Micromoog, Pro One and a Kawai K4 for strings… Less is more I’m starting to think! We did have a couple disks of Adrian Sherwood drums and Yello bass sounds for the Akai that were used a lot.

See how Paul Humphreys uses Akai S1000

Paul Humphreys

Keyboardist

Orchestral Manoeuvres in the Dark

...
Verified via Omdweb

Although boasting a lush sound, the album was recorded largely at Paul's Rhythm Ranch studio on a single tascam 16-track with a Studiomaster desk. Synths used include: Roland D-50, Akai S1000 and S3000, Kork M1R, Waldorf Microwave, Roland Super Jupiter module, Oberheim Matrix 1000, Yamaha TX802, Minimoog, MIDIMoog, Oberheim Two-Voice, Roland Jupiter 8 and SH-101.

See how Daniel Miller uses Akai S1000

Daniel Miller

Keyboardist, Music Producer

...
Verified via Soundonsound

Akai S1000 is included in the list of equipment at Daniel Miller's home studio.

Used With

Based on how musicians on Equipboard use Akai S1000, it is most commonly used with the following gear.

Oberheim Matrix 1000
13
Atari 1040 ST
Atari 1040 ST Computers & Peripherals
13
Akai S1100
Akai S1100 Audio Samplers
9
Roland Juno-106
Roland Juno-106 Synthesizers
9
Yamaha DX7
Yamaha DX7 Synthesizers
8
Korg M1
Korg M1 Synthesizers
8
Korg M1R
Korg M1R Synthesizers & Sound Modules
8
Korg Wavestation
Korg Wavestation Synthesizers
8
Roland D-550
Roland D-550 Synthesizers & Sound Modules
8

Community setups

Show yours
noisengineer

noisengineer

Gear IQ 196

noisengineer

noisengineer

Gear IQ 196

1 alternative for Akai S1000, curated by the Equipboard community.

TAL-Togu Audio Line: Sampler

$69.00

similar sound cheaper alternative

TAL's Sampler features an explicit emulation of the S1000's distinctive DAC circuit.

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