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Average Price: $537
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Description
Step into the realm of classic sampling with the Akai S1100, a legendary piece in the world of DJ Gear and Audio Samplers. Known for its robust performance and unparalleled sound quality, this sampler has been a staple in professional studios since its inception. It offers a unique blend of reliable hardware and cutting-edge sampling technology, providing musicians and producers with a tool that empowers creativity.
The Akai S1100 is celebrated for its 16-bit stereo sampling, which delivers crisp and clear audio. Its intuitive interface allows users to easily navigate through various functions, making it an ideal choice for both seasoned professionals and enthusiastic newcomers. With its 8 MB memory capacity, you can store a multitude of samples, offering ample room for your creative endeavors. Additionally, the S1100 is equipped with a built-in effects processor, adding depth and dimension to your samples with features like reverb and chorus.
This sampler stands out with its SCSI connectivity, enabling seamless integration with other devices and enhancing your workflow efficiency. The Akai S1100 is not just a piece of equipment; it's a gateway to endless sonic possibilities, crafted with precision to meet the demands of modern music production.
Key Features:
- 16-bit stereo sampling for high-quality sound
- 8 MB memory capacity for extensive sample storage
- Built-in effects processor including reverb and chorus
- SCSI connectivity for easy integration with other devices
- User-friendly interface for efficient navigation and operation
Product specs
| Brand | Akai |
| Model | S1100 MIDI Stereo Digital Sampler |
| Finish | White |
| Year | 1990 |
| Made In | Japan |
| Categories | Digital Synthesizers, Samplers |
| Analog / Digital | Digital |
| MIDI I/O | MIDI Input, MIDI Output, MIDI Through |
| Polyphony | 8 Voices |
FAQs
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What is the main difference between the Akai S1100 and its predecessor, the S1000?
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The Akai S1100 features enhanced digital effects, digital outputs, and separate DACs compared to the S1000. It also includes higher quality ADCs and a SCSI interface for expanded connectivity.
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What types of effects can be programmed on the Akai S1100?
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The Akai S1100 allows users to program up to 50 effects patches, including reverb, chorus/flange, stereo pitch shifter, and echo/DDL.
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How many voices of polyphony does the Akai S1100 support?
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The Akai S1100 offers 8 voices of polyphony, allowing for complex layering and sampling within your music production.
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Does the Akai S1100 have MIDI connectivity options?
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Yes, the Akai S1100 includes MIDI Input, MIDI Output, and MIDI Through, providing comprehensive connectivity for integration with other MIDI-equipped devices.
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Is the Akai S1100 suitable for live performance or studio use?
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The Akai S1100 is versatile for both live performance and studio use, thanks to its robust sampling capabilities and effects processing, making it a valuable tool for DJs and producers.
Videos
vinyljunkie07
Akai S-1100
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Akai S1100.
Mods and upgrades
Software and compatibility
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The S1100 requires a 90s Mac for optimal SCSI operation, using software like Recycle and Bias Peak for editing.
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Chicken System Translator can create disc images for ZuluSCSI compatibility, though reliability varies.
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Omniflop is necessary for creating AKAI 1.6MB disks, requiring a real floppy disk drive or specific USB FDDs.
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A solution for transferring samples is using an old 2000s laptop with a built-in disk drive that runs Windows XP or 2000.
Source
Features and functionality
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Artist usage
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This is the Akai S1100. I think it was the first Akai sampler with effects in it. It's got a couple of reverbs, delays, echoes, pitch shift. This Akai that I've got has an SD replacement where the original floppy disk drive was and it connects to the SCSI port on the back and tyhen allows me to have essentially thousands of floppy disks on a little SD card. It's plug & play as well which is great. So If you want to save parts it's easy to dip between setting up key groups and samples.
Tim Simenon used the Akai S1100 while working on Depeche Mode's album "Ultra," as mentioned in a discussion on Gearslutz.
Chris and cosey use this sampler as mentioned in the 3rd paragraph down and 8th line.
According to this article on the making of Goldie's Timeless album from the June 1998 issue of Sound on Sound magazine, Playford says, "...there have always been things I like to constantly upgrade. It used to be my samplers. I went from the S950 to the S1000, then up to the S1100, and finally to a S3200. I can't see myself upgrading again soon."
Source: Interview with Michael Münzing and Luca Anzilotti about SNAP! in mu:zines.co.uk from 1994. https://www.muzines.co.uk/articles/snap-to-tomorrow/8245
In an article titled "The Beloved" from Sound On Sound (March 1993), Jon Marsh mentioned, "The most daunting thing was the S1100 and the whole C-Lab package with the Atari. Now I look back and it's like anything; you learn how to do it, it becomes second nature and you become very fast and adept at doing it. What was really good was that both me and Helena set the gear up and we got to understand it together." This confirms that Jon Marsh used the Akai S1100.
John Webster, a keyboardist and composer, used the Akai S1100 sampler during the 1990s as part of his essential equipment rack. This information is confirmed by the artist himself on his biography page, where he also lists other gear he used at the time, such as the Waldorf Microwave and Korg Wavestation AD.
Album Usage
The Akai S1100 has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Akai S1100, it is most commonly used with the following gear.
Community setups
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