" My old Electro-Harmonix Micro-Synth, which is one of the weirdest, most bizarre (and most loved) pedals I've ever owned, will then leave the basement and go where the Space Station is right now." - Osenga about the MicroSynth pedal.

His trademark fuzz-wah freakouts and echo washes are produced with the help of a ProCo Rat, an original Vox CryBaby, and an Electro-Harmonix Micro-Synth and Deluxe Memory Man.

Shown at 0:29 in the FACT "In The Studio" video.

In an Instagram post by lorenzomariotti_occhialaio, it is shown that Giulio Favero uses the Electro-Harmonix EH-7900 Micro Synthesizer pedal during the reunion tour of the band "Il Teatro Degli Orrori." The caption reads, "Cazzarola, niente male! Pedaliere per il nuovo tour de @il_teatro_degli_orrori assemblate con amore per @gionatamirai e @giulioragnofavero," confirming the gear's use.

In a video by Ed Struijlaart titled "Rig Rundown: Tom Lodewyckx’s Gear Setup met Clouseau in het Sportpaleis Antwerpen," Tom Lodewyckx explains his pedalboard setup, which includes the Electro-Harmonix EH-7900 Micro Synthesizer.

Ali Güçlü Şimşek uses the Electro-Harmonix Micro Synth XO, as confirmed in an interview detailing his set-up, which is supported by an accompanying image.

On the official Jethro Tull site, Jonathan Noyce states that he uses an Electro Harmonix Micro Synthesizer.

Built into his Caius guitar, as featured in this January 6, 2013 Electro-Harmonix Blog post.

Chico Mann, a prolific afrobeat artist, turned us on to a tune he did using his guitar with its built-in EHX MicroSynth. Here it is:

Click to listen

“I played the Caius guitar with built-in MicroSynth plugged into a chain of all my EHX pedals.

To start, I tuned down my E-string, muted all the strings with a strip of foam so that I got a dull thump. Then I filtered the MicroSynth to get a low frequency tone as my bass drum sound. Ran the guitar through an ‘80s Fender 75 with the bass rolled up, mids a little less than half-way, and treble about one-quarter. Then played and recorded a four-on-the-floor bass drum pattern to a click track.

Next I filtered the MicroSynth to have a higher frequency cutoff for my snare sound, eq’d the amp accordingly, recorded that. Then in the same fashion made a 12-bit-like HH sound and recorded it. Mind you, I played all the ‘drum’ sounds straight through. No looping! The Big Muff Pi came in handy for these sounds too!

With the POG-2, I made some organ sounds and comped some chords. The SuperEgo and Holy Grail gave the comps an extended decay with washy ambience.

Next I made a squelchy, resonant synth bass sound ala the Roland TB-303 with the MicroSynth. The POG-2 added the octaves below for a more convincing synth bass sound.

The top-line synth parts were made the same way, basically with MicroSynth programming and EHX pedals for coloration. The detune function on the PolyChorus is also really handy at helping create the detuned oscillator vibe that I love about analog synths.

I could probably keep going about the particulars but that’s the basic gist of my process.

This was just a little demo that I recorded in a couple of hours to show what EHX pedals could do when you approach them from a little outside the box!”