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Average Price: $350
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$75
$201+
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Description
The Electro-Voice RE-15 is a dynamic microphone that has earned its reputation as a studio staple, renowned for its Variable-D technology. Perfect for both recording and live performances, this mic is designed to provide a smooth, natural sound with minimal proximity effect, making it an excellent choice for vocalists and instrumentalists alike. Its uniform cardioid polar pattern ensures consistent sound quality from all angles, reducing feedback and unwanted noise.
The RE-15’s rugged construction is built to withstand the rigors of both studio environments and the road, making it a favorite among professionals who demand reliability and durability. The microphone’s integrated hum-bucking coil provides additional noise rejection, allowing for clean audio capture even in challenging environments. Whether you're capturing the subtleties of a vocal performance or the nuances of an acoustic instrument, the RE-15 delivers clarity and precision.
With its legacy of excellence and reliability, the Electro-Voice RE-15 continues to be a trusted tool for audio professionals worldwide. This microphone is a testament to Electro-Voice's commitment to quality, offering a versatile and dependable option for any sound setup.
Key Features:
- Dynamic microphone with Variable-D technology for reduced proximity effect
- Cardioid polar pattern for consistent sound and feedback rejection
- Built-in hum-bucking coil for superior noise rejection
- Rugged construction for durability in studio and live settings
- Ideal for vocals and instruments alike
Product specs
| Brand | Electro-Voice |
| Model | RE15 Cardioid Dynamic Microphone |
| Finish | Satin Nickel |
| Year | 1960s |
| Made In | United States |
| Categories | Microphones |
| Electronics | Analog, Passive |
| Microphone Type | Dynamic |
| Polar Pattern | Cardioid |
| Wired/Wireless | Wired |
FAQs
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What is the primary application of the Electro-Voice RE-15 microphone?
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The Electro-Voice RE-15 is ideal for both studio recording and live performances, offering a smooth, natural sound with minimal proximity effect, making it well-suited for vocals and a variety of instruments.
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How does the cardioid polar pattern of the RE-15 benefit recording?
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The cardioid polar pattern effectively reduces background noise and focuses on the sound source directly in front of the microphone, making it excellent for isolating vocals or instruments in a recording setting.
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Is the Electro-Voice RE-15 suitable for live sound applications?
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Yes, the RE-15 is designed to handle live sound environments with its durable build and ability to minimize feedback, making it a reliable choice for live performances.
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How does the RE-15 compare to other dynamic microphones for vocal recording?
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The RE-15 is known for its natural sound reproduction and minimal proximity effect, which provides clarity and detail for vocal recordings compared to other dynamic microphones that may color the sound more.
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What are the standout features of the Electro-Voice RE-15 microphone?
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The RE-15 features a cardioid polar pattern, satin nickel finish, and robust build, offering excellent sound isolation, durability, and a classic aesthetic, making it a versatile choice for various recording and live sound applications.
Videos
Cole Picks Vintage
Electro Voice Vintage Dynamic Microphone Shootout (666, 664, RE-15, 635A)
Reviews
PROS
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Delivers a great sound quality, enhancing performance
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Aesthetically pleasing, even when bought used
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Offers rugged durability for long-term use
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Produces a smooth sound with more top-end than similar mics
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Features a tighter pattern, improving sound focus
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Provides a vintage sound profile, reminiscent of older mics
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Can produce warm audio tones with proper gain adjustment
CONS
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High cost relative to performance for some users
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Requires significant pre-amp gain for optimal sound quality
4.0 out of 5
Based on 1 Review and 1 Rating
Artist usage
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Used in the studio as a vocal mic, as is visible in a photo of Hendrix at 0:34 of this video.
Elvis's signature microphone from his early RCA days, both studio and live. Pictured is a stamped version displayed at Graceland.
Damien Rice has been using the Electro-Voice RE-15 microphones for his live performances since around 2017. This is evidenced by a photo showing three of these discontinued mics, as reported by NME.
At 2:22 you can see Patrick is using a pair of Re-15s one on each side of the drum kit, one close to the ride and the other one close to the hi-hat.
Used during the Muscle Shoals sessions as a hi-hat mic, as stated by mix engineer Jimmy Johnson in this September 21, 2018 ProSoundWeb interview.
Then I had a hi-hat mic, which I think was another (EV) RE-15, though it could have been a little (EV) 635A—that remains in question. The RE15 was a better mic, had more response. We avoided using the 635A unless we had to. Actually, if not the RE15 it might have been a (Shure) SM57, more likely than the 635A.
Used for Parton's vocals on her RCA records, as mentioned in this Recording Magazine article.
When Dolly Parton recorded for RCA, with every jewel Neumann ever made available to her, she did her singing through a particular Electro-Voice RE15, because that was the one that was right. RCA kept it in a safe, with her name on it.
Used on Charles Bradley's Changes, as mentioned in this April 7, 2016 Mix Online article.
“I use an Electro-Voice 664 on my guitar, and an EV RE15 on Leslie, the same mic I use for Charles’ vocals on the whole record,” says Brenneck.
In this YouTube video, Sam Evian can be seen holding the RE-15 at 4:31. He describes using it to record vocals on his song "Easy to Love".
Used on Changes, as mentioned by producer Thomas Brenneck in this April 7, 2016 Mix Online article.
“I use an Electro-Voice 664 on my guitar, and an EV RE15 on Leslie, the same mic I use for Charles’ vocals on the whole record,” says Brenneck.
It is also visible in the music video for "I Feel A Change" starting at 0:18 and this July 30, 2015 Instagram post by producer Thomas Brenneck of Bradley recording "Change for the World" (where the RE-15 can be seen being used in tandem with a Neumann U67).
Album Usage
The Electro-Voice RE-15 has been featured on the following albums:
Both Sides of the Sky
Jimi Hendrix (2018)
Changes
Charles Bradley (2016)
Ziggy Stardust and the Spiders from Mars (The Motion Picture Soundtrack; Live)
David Bowie (1983)
Ziggy Stardust and the Spiders from Mars: The Motion Picture Soundtrack (Live, 50th Anniversary Edition, 2023 Remaster)
David Bowie (1973)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Electro-Voice RE-15, it is most commonly used with the following gear.
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