Pricing and availability

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Average Price: $700

High-end/Boutique

$75

$201+

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High-end

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Description

The model 666 is an all-purpose microphone designed to provide wide-range reproduction under a great variety of conditions. Because of its excellent and uniform polar response, it is especially useful in locations where ambient noise and severe reverberation exist.

The markedly superior background noise rejection and smooth wide-range response of the 666 result from the use of three sound entrances located at different distance from the back of the diagram. These constitute E-V Variable-D microphone.* In combination, these three entrances form one effective back entrance which varies in distance from the diaphragm inversely with the frequency. The resulting phase and amplitude conditions produce a uniform cardioid polar pattern over a wide frequency range. Adverse effects of high ambient noise, reverberation, and proximity are eliminated.

TV panel shows and roundtable discussions programs utilize the outstanding separation afforded by the 666. Its superior side and rear sound cancellation permits the placement of orchestra members for best TV picture composition when the 666 is used for individual instrument pickup. Recording studios find E-V 666 excellent for stereo.

A tailored low low-frequency response distinguishes the 666R from the 666. Attenuation of the low frequencies has proved to be an excellent method for reinstating sound spectrum balance when excessive drum and bass instrument sound might otherwise constitute a problem. Because the 666R response rises smoothly about 4-1/2 db in 100 to 1, 000 Hz range, room rumble is also minimized.

*U. S. Patent No. 3, 115, 207

The microphone features the exclusive non-metallic Electro-Voice Acoustalloy® diaphragm which permits smooth response over a wide frequency range and withstands high humidity, temperature extremes, corrosive effects of salt air, and sever mechanical shocks. It is practically indestructible in normal use.

Product specs

Brand Electro-Voice
Model 666 Supercardioid Dynamic Microphone
Finish Chrome
Year 1950s
Made In United States
Categories Microphones
Electronics Analog, Passive
Microphone Type Dynamic
Polar Pattern Supercardioid
Wired/Wireless Wired

FAQs

What is the polar pattern of the Electro-Voice EV-666 microphone?

The Electro-Voice EV-666 features a supercardioid polar pattern, which is designed to capture sound primarily from the front while minimizing noise from the sides and rear.

Is the Electro-Voice EV-666 suitable for live vocal performances?

Yes, the EV-666's supercardioid pattern helps reduce feedback and unwanted noise, making it a good choice for live vocal performances.

How does the Electro-Voice EV-666 handle low-frequency sounds?

The EV-666 is known for its tailored low-frequency response, which helps in balancing the sound spectrum, especially in environments with excessive bass.

Can the Electro-Voice EV-666 be used for instrument recording?

Yes, the EV-666 is versatile and can be used to record various instruments, providing clear and focused sound capture due to its supercardioid pattern.

Does the Electro-Voice EV-666 require phantom power?

No, the EV-666 is a dynamic microphone and does not require phantom power to operate.

Asaf Smilan

Asaf Smilan

Kick Drum Mic Shootout - EV 666 vs. EV RE-20 vs. AKG D12 vs. Sennheiser MD421 vs. Audix D6.

Video thumbnail for Kick Drum Mic Shootout - EV 666 vs. EV RE-20 vs. AKG D12 vs. Sennheiser MD421 vs. Audix D6. by Asaf Smilan

Kick Drum Mic Shootout - EV 666 vs. EV RE-20 vs. AKG D12 vs. Sennheiser MD421 vs. Audix D6.

Asaf Smilan

Asaf Smilan

Video thumbnail for Electro Voice Vintage Dynamic Microphone Shootout (666, 664, RE-15, 635A) by Cole Picks Vintage

Electro Voice Vintage Dynamic Microphone Shootout (666, 664, RE-15, 635A)

Cole Picks Vintage

Cole Picks Vintage

Reviews

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Electro-Voice EV-666 Dynamic Microphone.

Comparisons

  • The EV-666, although scarce, is favored for its noise rejection over the RE20 due to its tailored frequency response that compensates for proximity effect without sounding boomy.

    Source
  • The EV-666 is likened to the RE11 and RE16 in terms of performance, with a noted advantage in handling vocals and guitar amps due to its tailored frequency response.

    Source

Use cases and applications

  • The EV-666 is praised for its ability to perform well in untreated environments, suggesting its suitability for live streaming or home recording setups where background noise is a concern.

    Source
  • The EV-666 is recognized as a 'set it and forget it' mic, ideal for situations without soundchecks or experienced engineers, thanks to its consistent performance.

    Source

User experience

  • Despite its rarity, long-term users of the EV-666 appreciate its consistent performance over 40+ years, highlighting its durability and reliability in various settings.

    Source
  • Users appreciate the EV-666's impressive off-axis response, allowing for flexible positioning similar to high-end Neumann microphones.

    Source

Features and functionality

  • The EV-666 uses "variable-D" technology, which helps reduce proximity effect, making it suitable for close vocal applications without excessive boominess.

    Source

5.0 out of 5

Based on 1 Review and 2 Ratings

5 star
4 star
3 star
2 star
1 star
jim_garrison

The most unique microphone one can buy for recording guitars.

This microphone sounds very different from modern microphones. The best description of its sound will be a bit lo-fi and full of character. Anything recorded with it sounds like it was recorded in the good old times. It's a microphone with lots of character, and when I mean a lot, I mean a truckload of character. It's tough to describe it in words, it's like this microphone does some sort of magic to the recordings.

They're tough to find these days, and their Cannon UA-3-11 cables are tough to find too, but if you find one of these microphones then grab them before anyone else does. This is a microphone you won't like to miss.

Artist usage

Add artist
See how Kendrick Lamar uses Electro-Voice EV-666 Dynamic Microphone

Kendrick Lamar

Rapper

Black Hippy

...
Verified via Soundonsound

Engineer Derek Ali on recording To Pimp a Buterfly : "On ‘For Free?’ [we used] two Electro-Voice mics, the RE20 and the 666. We stacked the two EV mics on top of each other, and this gave a warm, almost distorted sound."

See how Charlie Watts uses Electro-Voice EV-666 Dynamic Microphone

Charlie Watts

Drummer

The Rolling Stones

...
Verified via ProSoundWeb

Used on the bass drum for "Brown Sugar", as stated by mix engineer Jimmy Johnson in this September 21, 2018 ProSoundWeb interview.

On the bass drum we used the Electro-Voice 666, a fantastic dynamic mic for the time. It was on a little stand looking to the backside of the drum.

Album Usage

The Electro-Voice EV-666 Dynamic Microphone has been featured on the following albums:

Genre Usage

Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.

Used With

Based on how musicians on Equipboard use Electro-Voice EV-666 Dynamic Microphone, it is most commonly used with the following gear.

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Waves MetaFlanger Music Software
1
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Electro-Voice RE-15 Dynamic Microphones
1
Electro-Voice 635A
Electro-Voice 635A Dynamic Microphones
1
EMT 250 Digital Reverb
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1
Neumann U47
Neumann U47 Condenser Microphones
1
AMS Neve 1073
AMS Neve 1073 Preamps & Channel Strips
1
Pultec EQP-1A3 Equalizer
Pultec EQP-1A3 Equalizer Effects Processors
1

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