"Peter Howell in Studio B. A pair of S550 samplers, a Proteus and a pair of DAT recorders can be seen in the rack to the rear. There's an Arp Odyssey on top of the left-hand rack, which also contains a CD player, D550, TX802 and a pair of TG55s."

When asked in regards to the modules Josh used on Crash Bandicoot, he said he used a Proteus/1, 2, and 3, Pro-cussion, Vintage Keys, Morpheus, and the Carnaval. Recalls all of them being the standard version. Later replaced either a Proteus/1 or 2 with a Proteus 2000.

A UNIQUE OPPORTUNITY!

"Ex-BBC Radiophonic Workshop (Blake’s Seven, The Living Planet) and current film and TV composer Elizabeth Parker is selling the famous circular studio she took with her from the BBC when the RW was disbanded.

The studio is virtually complete, including nearly all the equipment she has been using on a regular basis in her profession - up to and including a film project she is finishing in the first half of November before the studio is dismantled. Just add a mother keyboard, mastering, monitoring, and video, and you have virtually the complete set- up used for prestigious projects like the BBC’s World Cup coverage, The Human Body, Weird Nature, Animal Olympics, the Monty Python Holy Grail DVD, Michael Palin TV series, etc.

The custom woodwork and cabling alone is believed to have cost £4500 in the late 1980s, and is probably one of the most famous studio designs in the world. When it was removed from the BBC, the installation and re-design at Liz's private studio was masterminded by Rupert Brun, one of the BBC's most highly respected engineers.

Full documentation is included in the sale. Removal and/or packing and shipping is a serious task, so please bear that in mind before bidding. VEMIA will assist at cost if you need."

The studio consists of:

The studio desk, custom made for the Radiophonic Workshop, out of limed Ash. (Buyer dismantles and collects). Complete with a vast quantity of high-quality cabling, with every cable, jack, phono and XLR numbered and labelled by Rupert Brun, with full diagrams, spreadsheets, etc. Roland XV 5080 with 8-voice expansion unit for sample playback Emu Proteus 2000 (with Proteus 1, 2, and 3 (World) Expansion Cards) Proteus 2 and Proteus 3 World Modules. Emu 4XT Ultra with maximum memory. Roland 760 Samplers (x3) with maximum sample and playback memory + mouse unit for 2 of them Emu Xtreme Lead 1 with MoPhat Card. Yamaha 01 Digital Mixer. Yamaha 01V Digital Mixer. Yamaha KM802 Mixer. Spirit Folio F1 100mm Fader Mixer. Peavey PC 1600X Midi Command Stations (x3) Alesis ADAT XT 8 track digital recorder + remote control. Denon DRM-550 Cassette Deck. Akai Professional rackmount DP3200 Routers (x3) 48-Way Patch Bays (x3) Iomega 250 Zip Drives (x2 - one still in box) CD Rom Players (x3) - one still in box. Emu Proformance Piano Module. Emu Procussion Module. Opcode Studio 4 Midi Interfaces (x2) [Opcode] Studio 5 Midi Interface. Apple 7600 computer with unused new RAM + 21 monitor Apple 8600 computer + monitor. PPM Meter - West German, made by RTW, Köln, and bought from the BBC. Magneto Optical 230 drive. Apple Mac G4, Dual Processor with 512MB RAM, 40GB hard drive in four partitions, extra internal 230GB hard drive."

List of equipment at his studio:

KEYBOARDS F Kaim & Son grand piano Korg SG1D master keyboard

SAMPLERS Akai S1000HD Akai CD3000

SOUND MODULES Emu Proteus 1 Emu Proteus 2 Orchestral Emu Proteus 3XR World Emu Morpheus Sequential Circuits Prophet 2002

DRUM MACHINE Roland R8

COMPUTING & SOFTWARE Atari 1040ST Emagic Notator Time + Space sample CD‑ROMs

RECORDING Alesis ADAT (x5) Alesis BRC remote control Soundtracs Jade mixer Drawmer dual gate TC Electronic M5000 digital effects Lexicon PCM70 digital effects

According to an interview in Modern Drummer titled "Paul Wertico: Paul Wertico's Secret Story," Paul Wertico uses the E-Mu Proteus 2 Orchestral module as part of his musical gear.

David Ferguson's equipment list:

Apple G3 266 computer, 96Mb RAM/4Gb HD. Akai S3000XL sampler. Alesis ADAT XT digital recorder/BRC remote. Alesis Microverb effects. Bit 99 synth. Drawmer DS201 Gate & LX20 compressor. Emagic Logic Platinum 2.6 sequencer. Emu Proteus 1, 2 & 3 sound modules. ("On the album, the 'Hall Strings' preset from Emu's first Proteus module is used a lot, because it's a great marcato string sound.") Emu Proformance piano module. Ensoniq VFX synth. FriendChip Timecode Refresher. Iomega Jaz drive. Korg 1212 PCI card. Korg DRV3000 effects. ("Weird and sometimes wonderful.") Korg Wavestation SR synth. Lexicon MPX1000 effects. Logan String Melody keyboard. ("The last of Random Hold.") Mackie 32:8:2 mixer. Oberheim DPX1 sample player. Roland D550 synth. Roland S760 samplers/SP700 playback unit. Sony 600Mb optical drive. Sony DTC690 DAT recorder. Spirit Absolute 2 monitors. SPL Vitalizer enhancer. Symetrix 511A noise reduction. Tascam DA30 MkII DAT recorder. TC M2000 Wizard effects. Yamaha AN1x synth. Yamaha SPX50 effects.

"Own a part of video game history! This Proteus 2 was used in writing and arranging music for iconic computer games, including Commander Keen, Wolfenstein, Doom, Duke Nukem 3D and many more.

I love the sounds in this box. The instruments use samples of the "real" instruments. All samples are 16-bit. Polyphony is 32 voices which can be layered with up to 8 sounds on each key. The three stereo outputs can be configured as 6 polyphonic submixes, or they can be used as effect sends/returns (for a performance setup). It automatically switches itself for 110 or 220 volt operation.

For full information, download the manual: bobbyprince.com/manuals/E-Mu_Proteus_Manual.pdf (copy and paste since links are not supported in this description)."

Included in his studio are synthesizers such as the Roland MKS-70, two MKS-50s, a MKS-80 and D-50; Yamaha TX-81Z; four Oberheim Matrix 1000s, E-mu Orbit and Morpheus, and a Casio VZ-10M. Sample players include Kurzweil 1000AX+, Roland U-110, Oberheim DPX-1, E-mu Proformance Piano and Proteus (as well as the Proteus 2 and 3), Alesis NanoBass and samplers, including a Casio FZ-10M, two Akai S-1000s and three Akai CD-3000s. He also turns to E-mu Procussion, Roland R-8M, Alesis DM-5, Roland BD-1 and a Roland SPD-11 for drum sounds.

David Bergeaud confirmed his use of the E-Mu Proteus 2 Orchestral module by listing it among his synthesizers on eBay, indicating its role in his various game projects. For further information, refer to the Facebook group post on Ratchet & Clank fans.

https://www.facebook.com/groups/ratchetclankfans/posts/8289617861060344/

Composer Tony Bernetich has confirmed his use of the E-Mu Proteus 2 Orchestral module by stating, "I had a bunch of Proteus equipment including both I and II plus a Morpheus and a drum and dedicated piano module." This statement serves as proof of his use of this specific sound module. The confirmation is supported by a source image available on Equipboard.

The E-Mu Proteus 2 Orchestral module used by Roger Limb can be seen in an image from the Radiophonic Workshop Gallery.

Howard Goodall confirmed his use of the E-Mu Proteus modules by stating, "Well, for those electro-music buffs who might know about it, I have all the Proteus machines, which are all very good sampled sounds." This information is sourced from the Red Dwarf Smegazine (November 1992) available on the Internet Archive.