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Eventide Eclipse Multi-Effects Processor

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$1,259.00 Price Tier: High-end

4.5 (16)

4 Reviews

Find out who is using Eventide Eclipse

2 community setups

6 wishlisted

32 saved

Page last updated Jun 16, 2026

Pricing and availability

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Reviews

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5.0 (8)

$1,259.00 6 available Used

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Average Price: $1,259

High-end/Boutique

$100

$501+

Price Tier

In the Effects Processors category, Eventide Eclipse Multi-Effects Processor is priced in the High-end/Boutique range. This premium gear is built to very high standards and offers premium features.

Budget

Standard

High-end

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Description

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The Power, The Performance, The Heritage Of Eventide Audio Effects In A Single Rack Space Unit

There's never been a compact effects box like Eclipse. From the amazing range and depth of its algorithms to its comprehensive array of analog and digital I/O ports, the Eclipse puts the legendary effects processing power of Eventide within your reach. Dual Effects Block Architecture

Eclipse is the only effects processor in its class to feature 24-bit digital conversion and 96kHz sampling. We've packed almost 100 algorithms into Eclipse along with a two effects block design. The dual routing configurations let you use Eclipse as two independent effects processors; ideal for the smaller, budget-conscious studio. The two effects blocks' inputs and outputs can be configured for stereo or mono. Or, select a preset that combines two algorithms or recursive combinations for big multi-effects without sacrificing quality. Classic Eventide Effects

We've packed Eclipse with effects Eventide is famous for. There's quick, seamless pitch shifting including our innovative Micro pitch shift, which FOH engineers and vocalists have come to rely on for turning good vocal performances into great ones. Eclipse boasts no fewer than 11 reverberation algorithms plus four plex algorithms. Originally developed for Eventide's industry-standard Orville™ and DSP 7000 series, these reverbs have been carefully and faithfully transplanted into Eclipse. And all reverbs are true stereo in and out, not mono in, stereo out. The vast array of delays lets you design lush, dense soundscapes. You'll find band delays, chorus delays, comb delays, ducked delays, ring delays and pan delays. And with 20 seconds of memory per effects block, Eclipse is a looper's delight. It's easy to get lost in the 20-second mono loop, 10-second dual loops, 20-second reverse loop, and 10-second dual reverse loop. Remember, these looping presets running on one FX block leaves the other FX block available for adding texture or dimension. Unleash the Sonic Beast

Whether it's live performance, front-of-house engineering, or quality studio processing, Eclipse gives you the tools you can depend on in one compact, professional package. After all, Eclipse is not just an effects box, it's an Eventide.

Product specs

Brand	Eventide
Model	Eclipse
Finish	Black
Year	2010s
Categories	Multi-Effect

FAQs

What are the key features of the Eventide Eclipse Multi-Effects Processor?: The Eventide Eclipse offers powerful multi-effects processing with signature Eventide audio effects, housed in a single rack unit. It boasts five times the processing power of the H3000 series and includes a wide range of effects suitable for studio and live use.
How many effects can the Eventide Eclipse process simultaneously?: The Eventide Eclipse can process up to two stereo effects blocks simultaneously, allowing for complex signal routing and rich soundscapes.
Is the Eventide Eclipse suitable for live performances?: Yes, the Eventide Eclipse is designed for both studio and live applications, offering robust performance and a wide range of effects ideal for live sound environments.
Does the Eventide Eclipse support MIDI control?: Yes, the Eventide Eclipse supports full MIDI control, enabling integration with MIDI controllers and sequencers for dynamic effect manipulation in real-time.
Can the Eventide Eclipse be used with guitar and vocal setups?: Absolutely, the Eventide Eclipse is versatile and can be used with a variety of instruments, including guitars and vocals, to enhance their sound with professional-grade effects.

Videos

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FlyingTex

Eventide Eclipse

FlyingTex

Eventide Eclipse Digital Effects Processor

Guitar World

Eventide Eclipse - Bucket List Gear

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Eventide Eclipse - Sounds So Good!

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Eventide Eclipse Reverb @ ZenProAudio.com

ZenProAudio

Eventide Eclipse Digital Effects Processor Demo/Review

Eugene Bakman

Reviews

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PROS

Brilliant sounding effects, especially reverbs and echoes
1000 carefully crafted presets inspire creativity
Compatible with complex setups, e.g., running ADAT and Spdif simultaneously
High-quality build, reliable for gigging
Enhances sound with a unique, ambient quality
Versatile; excellent for guitars and synths alike
Intuitive controls once presets are configured
Can function as a powerful standalone unit without additional software

CONS

Quality control issues; some units may arrive defective
Expensive repair and shipping costs for warranty service
Learning curve; manual reading required for best experience
Limited to two algorithms at a time, unlike some alternatives
Shimmer effect falls short compared to Eventide Space Reverb

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Eventide Eclipse Multi-Effects Processor.

Features and functionality

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The Eclipse's rack format provides superior headroom and signal handling for synths compared to pedals, which require careful gain management to avoid distortion.
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The analog stages in the Eclipse provide superior headroom and pro audio standards, contributing to its exceptional sound quality.
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Rack units provide more comprehensive modulation and routing opportunities, making them ideal for users interested in deep customization of effects.
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The Eventide Eclipse allows for up to 8 modulated delays, offering unique stereo effects and complex soundscapes not possible with the TC Electronic G-Force.
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Eclipse includes reverse pitch shifting, Plex delays, and band delays, offering more diverse sound manipulation possibilities than the G-Force.
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The Eclipse supports stereo in/stereo out routing for both reverb and pitch shifting, enabling more immersive and expansive sound designs.
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Use cases and applications

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Vsig editing on the Eclipse, though not fully supported, allows for creating new effects from synthesis primitives, offering flexibility for sound design enthusiasts.
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The Eclipse is praised for its ability to handle high headroom and wide bandwidth, making it ideal for ambient music and atmospheric sound creation.
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Synth players are advised to use rack units like the Eclipse for optimal performance, as they offer better integration with professional studio setups.
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For synth users, rack units like the Eclipse are recommended for their ability to handle stronger raw signals without distortion.
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The Eclipse is favored for creating atmospheres and soundscapes, being more versatile in achieving complex effects chains than the G-Force.
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Comparisons

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Compared to the H9, the Eclipse is considered to have better analog input/output stages, offering enhanced audio quality for professional use.
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The Eventide Eclipse offers deeper editing and routing options than the H9, providing better value due to its capability to run multiple algorithms simultaneously.
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The Eclipse's modulated delays are closer to the 2290 sound compared to the G-Force, which lacks true modulation and relies on pitch detune blocks.
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Value and pricing

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A used Eventide Eclipse can be acquired for under $1000, offering more functionality compared to a used H9 Max, which typically costs over $500.
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Other

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Eventide is noted for focusing on research and development over website maintenance, ensuring cutting-edge technology despite a lackluster online presence.
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Software and compatibility

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The Eclipse lacks a computer editor but compensates with a user-friendly interface featuring soft keys and customizable soft rows for quick parameter adjustments.
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User experience

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Owners describe the Eclipse's presets as far superior and more usable straight out of the box compared to those in the G-Force.
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4.5 out of 5

Based on 4 Reviews and 16 Ratings

5 star

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2 star

1 star

parhelia_0000

10745

about 5 years ago

Questionable quality control, not road-worthy. Dear rack users, PLEASE STOP RECOMMENDING THIS POS!

I remember purchasing an Eventide Eclipse back in May 2019 as a birthday gift to myself. I've heard of a lot of great things about the Eventide Eclipse from other rack users, such as the stereo effects sounding amazing, and the components being reliable enough to gig for years to come.

Well, BULLSHIT! The moment I received the item back then, I knew something was wrong. The right input was showing signs of defect by intentionally feeding feedback input even when I wasn't playing guitar! It came so serious to the point where the signals were peaking all over the place. Checked my connections, cables, other rack units, etc. and everything else was okay, except for the Eclipse. Contacted my local music store to get the RMA process rolling, and even they said that they couldn't pinpoint the exact issue! And the worst part is the fact that Eventide will charge me $350 JUST TO SHIP THE DAMN ITEM TO THEM SO THAT THEY CAN INSPECT IT! AND THEY'LL CHARGE ME EXTRA ON TOP OF THE $350 IF THEY HAVE TO FIX IT! WTF EVENTIDE?!

The only positive I can say about the Eventide Eclipse is that the reverb sounds and delays aren't half-bad. In fact, the modulate reverb does sound pretty nice. But, did it blow me away like the Strymon BigSky I'm using today? FUCK NO!

I even talked to the guys at Long and McQuade regarding the Eventide Eclipse. They clearly told me that even they receive bad Eclipse units from time to time so they are required to check everything closely and make sure that the rack unit is working in the first place before they ship it out to their customers! AND EVEN THEN THEY STILL RECEIVE CALLS REGARDING DEFECTIVE ECLIPSE UNITS!

Allow me to suggest alternatives to the Eclipse for those of you who are building rack guitar rigs: ALTERNATIVE 1: Boss SE-70's + Strymon TimeLine + Strymon BigSky - Rack gear snobs will tell you that Eventide beats these units out of the water. Don't give in to their bullshit - in fact, I actually prefer Strymon's reverb sound FAR AND BEYOND what the Eclipse can push out. Not only that, the TimeLine can do diffused multi-tap delays that not even rack units can achieve. The SE-70's will provide lush chorus sounds. All of these combined will cost WAY LESS than the Eventide Eclipse and will be INFINITELY MORE RELIABLE THAN THE ECLIPSE!

ALTERNATIVE 2: Boss MD-500 + Eventide TimeFactor + Strymon BigSky - MD-500 is by far the ONLY modern rack-in-a-box pedal that actually produces decent chorus tones, and for those of you who are looking for that classic Eventide delay tone, the TimeFactor will be a decent alternative. It may not do circular delays, but at least you'll have recourse options should any of your units fail, and save tons of money at the same time.

ALTERNATIVE 3: Line 6 Helix OR Fractal Axe-FX - If you must insist that you use rack gear for your rig, go with either the Helix or Fractal. Yes, you will have to make compromises to your guitar tone as the modulation and time-based effects that these units produce won't be as good as the Eclipse, but they will at least be far more reliable.

Final verdict? I'm giving the Eclipse a solid THUMBS DOWN. Spend your money elsewhere and avoid this POS like the plague.

Roles:

Singer Guitarist Bassist

Genres:

Rock Progressive rock Progressive metal

tonymckenziecom

330

about 8 years ago

Incredible effects...

I bought one of these a number of years ago that was second user but had the screen replaced... otherwise like new. The interface, like a lot of rack effects tended to be a bit of a pain but once you get 'your' effects stored then it all becomes a very powerful device. These are not cheap even second user. At the time there was no editing software to my knowledge, so I simply worked with the buttons until I had it sounding great. There is adequate IO on this device and easily controlled once you get those presets as you need them.

Actually, this device made me buy the Eventide H9... but while the fully loaded H9 is a bargain AND has editing software it's harder to control once its sitting on the stage... so the Eventide Eclipse I found better re controllability - but the effects were very similar.

I also have a H7600 which cost substantially more but overall is a better product if more suited to the studio. The Eclipse I had was V4 software and I believe as I write the same version applies even now.

The unit is very well built and I have no hesitation in recommending this unit. The first track on my 'Gravity Waves' album (with the same name) used a guitar, an eventide Eclipse and an DI in to a desk - the resulting stereo sound was incredible.

nsemest182

673

about 4 years ago

What a difference vs VST FX!!

I bought this on a whim when I went to a store and saw it for only $1500 knowing if I didn't like it I could make a profit off it. WOW. I've watched tons of YouTube videos comparing VSTs to Hardware and none of them were truly compelling. When I started using this as an outboard send... NIGHT AND DAY. The reverbs and delays and just so.. clean and crisp I guess you can say. I also own an Eventide Space pedal, but this still beats it by a longshot. Maybe I just needed to actually hear the difference in my own environment with my own gear.

I think a lot of people buy this for their guitar rig.. but using the harmonizing effects & reverbs on synth pads will make any synth lover melt as it just adds another dimension I haven't been able to accomplish any other way. I highly doubt I will ever part with this piece.

Roles:

Guitarist Bassist Composer

Genres:

Electronic Rock Pop

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