"Our effects were created mostly from the ground up on the Kurzweil K2000 — which we even used to distort vocals — and on the Eventide H3500. " "...due to Trent being so meticulous and wanting us to come up with vocal effects that had never been used before. That often meant getting out the Eventide H3500 to achieve things like the crazy, almost ring-modish vocal at the end of 'Closer'. "more
A FOH stage hand sent out a couple pictures of Chris Stapleton's live rig on May 27, 2016 in Simpsonville, SC at the Charter Spectrum Amphitheatre. The stage setup clearly matches the setup seen in various videos around the web from early-2016 shows. The Eventide H3000-D/SX UltraHarmonizer can be seen on the left side of Chris' rack setup.more
Used live for vocals on the Carry Fire Tour, as stated by FOH engineer Mark Kennedy in this August 14, 2018 *Front of House Magazine*. > The SSL doesn’t currently run Waves onboard but Kennedy says he doesn’t need much in the way of plug-ins. “The right microphone in the right application will sort out a lot of problems… try tuning the kit or moving the microphone instead of a plug-in. The dynamics on the console do everything I need them to and the all-pass filter is an excellent feature. I use the Buss Compressor and a 31-band graphic on Robert as well as a plate reverb and DDL slapback echo. For my outboard gear, I’m using a TC D2 delay and an Eventide H3500 on Robert’s vocals.” Plant’s vocal mic is a rock ‘n’ roll classic: a Shure SM58.more
Atari 1040 ST, Atari Mega ST 4, Roland: Super JX 10, S 50, D 50, MKS 80, MKS 30, U 110, MPG 80; Akai X 7000, Fairlight, Yamaha TX 81 Z, Akai S 612, Korg DVP 1, Roland SRV 2000, Korg SDD 1200, Ibanez SDR 1000, Eventide Harmonizer, 3x Hohner HS-1/E, 2x Klark EQ, Arsonic-Sigma 5.2, EMS Synthi A, and others...more
Absolute classic. We bought that after Godflesh toured with Skinny Puppy in the USA. David Ogilvie, their live-sound engineer, was using one on the desk every fucking night. They would cart two of them around with all the presets on. We were so blown away, we were like, "Oh my God, we've got to buy one of them." When we did [the 1994 album] Selfless for Columbia, they gave us quite an advance and we immediately bought an Eventide, and it's been a solid part of the studio ever since. Never needs to be maintained or any bullshit.more
"The effects returns on the SSL are pretty much hard-wired, and I would have used a selection of them. On the left side are the Elysia compressor, Fatso Jr tape simulator and compressor, Neve 33609 compressor, Ridge Farm Boiler compressor, Distressor, Dbx 160 compressor, AMS DMX150s delay, Eventide 2016 and H3500 effect units, and EMT plate reverb, and on the right the Drawmer compressor, Valley People Dynamite compressor, Marshall Time Modulator which is an '80s short delay and phaser, Delta Lab Effectron which is a very old digital delay, Thermionic Culture Vulture, Dbx 120 [subharmonic synthesizer] and Eventide H910 Harmonizer.”more
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