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Average Price: $650

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$100

$501+

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High-end

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Description

Unleash the power of vintage and modern delay with the Eventide DDL-500, a 500 Series digital delay that provides you with a world of sonic possibilities. This expertly crafted effects processor combines the warmth of analog with the precision of digital technology, making it an essential tool for any recording studio or live performance setup. The DDL-500's intuitive interface features a low-pass filter and a saturation/clipping circuit that adds character to your sound, while the front panel insert loop and +20dB boost offer incredible flexibility.

The unit's versatility shines with its adjustable sample rates, allowing you to choose between pristine clarity and gritty lo-fi textures. At a 192kHz sample rate, you'll enjoy up to 10 seconds of delay, perfect for intricate soundscapes and rhythmic textures. For those moments when you want to push boundaries, the lo-fi 16kHz sample rate offers a staggering 160 seconds of delay, transforming the DDL-500 into a powerful looper. Connect an LFO to the front panel Remote input to dynamically alter delay times and create evolving sound patterns that captivate your audience.

Whether you're a seasoned professional or an aspiring musician, the Eventide DDL-500 is your ticket to exploring the vast realms of delay effects with unparalleled precision and creativity.

Key Features:

  • 500 Series digital delay
  • Low-pass filter and saturation/clipping circuit
  • Front panel insert loop
  • +20dB boost for added flexibility
  • Adjustable sample rates: 192kHz for 10 seconds of delay; 16kHz for 160 seconds
  • Functionality as a looper
  • Remote input for LFO connection

Product specs

Brand Eventide
Model DDL-500 500 Series Delay Module
Finish Black
Year 2010s
Categories 500 Series Modules and Frames, Delay

FAQs

What makes the Eventide DDL-500 unique compared to other delay modules?

The Eventide DDL-500 offers a digital delay with an analog circuit path, providing a unique blend of digital precision and analog warmth. It features a simple interface with a maximum delay time of 10 seconds, making it versatile for various studio applications.

Can the Eventide DDL-500 be used in live performances?

Yes, the Eventide DDL-500 is suitable for live performances, offering real-time control over delay parameters through its intuitive front panel. Its rugged 500 series format ensures durability and easy integration into live rack setups.

Does the Eventide DDL-500 require any specific power supply?

The Eventide DDL-500 is a 500 series module, so it requires a compatible 500 series rack that supplies power to the module. Ensure your rack is capable of providing the necessary power for optimal performance.

How does the Eventide DDL-500 handle modulation effects?

The Eventide DDL-500 provides modulation capabilities through its onboard LFO, allowing users to create chorusing and flanging effects. This feature enhances the versatility of the delay, making it suitable for creative sound design in the studio.

Is the Eventide DDL-500 compatible with all 500 series racks?

The Eventide DDL-500 is designed to fit standard 500 series racks, but it's always recommended to check the compatibility with your specific rack model to ensure proper fit and functionality.

Reviews

Critic Reviews

Eventide: DDL-500 500-series delay | Tape Op Magazine | Longform candid interviews with music producers and audio engineers covering mixing, mastering, recording and music production.

tapeop.com

Eventide's DDL-500 shines with its inviting and enveloping sound, offering extensive control options that cater to both creative and technical musicians. The high sampling rates and analog components deliver a rich audio experience, making it a standout in the crowded delay market. However, its complex features may overwhelm those seeking straightforward operation, and the lack of external control for some parameters is a notable drawback. At a price point of $899, it’s an investment that promises versatility and quality, but potential buyers should be ready to dive deep into its capabilities.

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Eventide DDL–500

soundonsound.com

While the Eventide DDL-500 boasts impressive sonic clarity and a unique design that retains an analog signal path, its lack of onboard modulation capabilities leaves it wanting for versatility. The need for an external LFO to achieve common effects like chorus and flanging is a significant drawback. For those seeking a straightforward mono digital delay, it performs well, but at a steep price, it may not justify itself for all musicians. If you're a modular synth enthusiast, however, it could be a worthwhile luxury.

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