Pricing and availability
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Average Price: $3,695
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$501+
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Description
The Eventide H3000S UltraHarmonizer is a renowned effects processor that has earned its place in studios worldwide thanks to its pioneering technology and legendary pitch-shifting capabilities. Characterized by its versatility, the H3000S is much more than just a harmonizer; it’s a complete effects toolbox that can transform any audio input into a rich tapestry of soundscapes.
Originally introduced in the late '80s, the H3000S brought forth a revolution in digital signal processing. It features a proprietary digital algorithm that allows for extreme precision and a vast array of effects such as delay, reverb, modulation, and, of course, harmonization. Musicians and producers alike appreciate its ability to handle everything from subtle enhancements to radical sound transformations, making it a staple for those seeking to push the boundaries of their audio creations.
The intuitive interface and real-time control options make it accessible for both beginners and seasoned audio engineers. Whether you’re adding depth to a vocal track, creating complex sound layers, or crafting entirely new audio experiences, the H3000S ensures a seamless blend of creativity and technical prowess. Its enduring reputation is a testament to its quality and the unique character it imparts to every project.
Key Features:
- Legendary pitch-shifting and harmonization
- Proprietary digital algorithms for diverse effects
- Intuitive interface with real-time control
- Wide range of effects: delay, reverb, modulation, and more
- Trusted choice for studio professionals and musicians worldwide
Product specs
| Brand | Eventide |
| Model | H3000 S Ultra-Harmonizer |
| Finish | Blue |
| Year | 1980s |
| Categories | Multi-Effect |
FAQs
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What are the key features of the Eventide H3000S UltraHarmonizer?
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The Eventide H3000S UltraHarmonizer is known for its advanced diatonic pitch shifting, high-quality reverb, chorus, and flanger effects. It offers a wide range of modulation and delay capabilities, making it a versatile tool for studio and live sound applications.
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Can the Eventide H3000S UltraHarmonizer be used in a live performance setting?
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Yes, the Eventide H3000S UltraHarmonizer is suitable for live performances. Its robust effects processing and reliable build make it a popular choice for musicians looking to enhance their sound on stage.
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How does the Eventide H3000S UltraHarmonizer compare to modern effects processors?
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While modern processors may offer more features, the Eventide H3000S UltraHarmonizer is celebrated for its unique sound quality and classic effects, which remain highly sought after by audio professionals for their distinct character and musicality.
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Is the Eventide H3000S UltraHarmonizer compatible with digital audio workstations (DAWs)?
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The Eventide H3000S UltraHarmonizer can be integrated into a DAW setup using appropriate audio interface connections, allowing users to apply its effects within digital recording environments.
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What type of power supply does the Eventide H3000S UltraHarmonizer require?
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The Eventide H3000S UltraHarmonizer typically requires a standard AC power supply, which is commonly used in professional audio equipment. Always check the specific model's requirements to ensure compatibility.
Videos
Vintage Digital
Eventide H3000
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Eventide H3000S UltraHarmonizer.
Setup and maintenance
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Beamish Electronics is recommended for servicing, known for restoring complex units like the Lexicon 480L.
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Use cases and applications
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The H3000 is praised for its impact on guitars, especially when used in real-time during tracking for enhanced dynamics and timing.
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Used by guitarists in live rigs, often set up in effects loops to enhance performance.
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Jim Martin incorporated the H3000S in live performances, achieving a unique blend of clean and distorted tones with added chorus for richness.
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It's noted that Jim Martin used a mix of guitars, including a Fender Tele Deluxe and Les Paul Deluxe, to achieve various clean, twangy tones.
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Features and functionality
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It's noted the H3000 functions as a digital multi-effects processor, capable of pitch shifting with adjustable delay and feedback, and is often used for chorus and reverb effects.
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Eventide H9 algorithms may include multiple effects like delay, pitch, modulation, and reverb within a single preset, offering complex sound creation.
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The Eventide Pitchfactor focuses specifically on pitch effects, providing a cost-effective alternative for users seeking those particular sound characteristics.
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The Eventide H3000S Ultra-Harmonizer was part of Jim Martin's rig, used alongside a Morley Power Wah fuzz and a Mesa/Boogie Mark IV for a distinctive guitar tone.
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Late 1992 saw the inclusion of chorus effects in Jim's standard tone, enriching the sound during performances like the Sheffield gig.
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Comparisons
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Soundtoys Crystalizer plugin emulates favorite settings from the H3000, highlighting its versatility in digital form.
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Pigtronix Echolution 2 can closely mimic the H3000's Crystal Echos with reverse mode and double pitch-shifted taps.
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Some owners suggest that Jim's tone evolved with a Mesa Boogie/Marshall amp combination, adding warmth and bite compared to using just one brand.
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User experience
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The H3000 can be clunky to navigate without its manual, emphasizing the need for understanding its complex interface.
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Critic Reviews
5.0 out of 5
Based on 0 Reviews and 2 Ratings
Artist usage
Add artist
“I don’t think there were that many things that would surprise people who work in studios. My studio is fairly basic... an Eventide H3000 processing thing — that’s very good indeed," Eno says, in this transcribed interview from the October 1990 issue of Sound On Sound magazine, after being asked what gear was used in the studio during the making of Wrong Way Up, his collaboration with John Cale.
Foto compartida por Pirudina (esposa de Barakus) en su Instagram. Aquí vemos a Barakus con el set de Gustavo de la gira Sueño Stereo/Comfort (1995 - 1996). En el rack se puede ver al Ultra Harmonizer, que ya lo tenía incorporado desde las grabaciones de Dynamo. El H3000 era un procesador frecuentado por Gustavo, pero donde más podemos reconocerlo es en "Planeador" y "Disco Eterno".
In an interview with Future Music, Boys Noize expressed interest in acquiring the Eventide H3000S UltraHarmonizer, highlighting its potential for enhancing drum and vocal processing.
Article in german. One section says: "One of the few effects you can hear more often in hsi playing is the Eventide H3000S Hermonizer, with which he enhanced solos and intros, when his guitar collegue Kerry King was busy or he wanted it to sound really weird."
Trey Azagthoth's rig features the Eventide H3000S UltraHarmonizer, as shown in a user-uploaded photo on Tumblr.
In this interview with Guitar World Magazine, September 1992. Jim said:
"It was basically the same as my live setup. I run my V through a Morley Power Wah fuzz—the old-style 110-volt one—an Eventide H3000S Ultra-Harmonizer and a little delay into a Mesa/Boogie Mark IV to four Marshall cabinets."
Album Usage
The Eventide H3000S UltraHarmonizer has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Eventide H3000S UltraHarmonizer, it is most commonly used with the following gear.
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