visble in this video of the band performing twilight driving

Urban Cone's Emil Gustafsson uses a Fender Bassman AB165 Amp, as seen in a photo by Tim Formgren on Instagram, taken during their Scandinavia tour.

Here is the second part to Cody's amp equation—a mid-'60s blackface Fender Bassman that runs through a 2x12 cabinet

Featured in this March 2, 2019 al.com interview.

The resulting recorded tone is, “more in the bass and my hands,” iconic session musician David Hood says.

That said, the bass amplifier rig Hood used for his classic Muscle Shoals Sound Studios work is a Fender Bassman amp head and blonde Fender speaker cabinet.

In 2016, Muscle Shoals Sound reopened at original Sheffield location 3614 Jackson Hwy. and restored to retro ’60s/'70s prime. Hood’s rig was returned to the same spot it was during many vintage sessions. Against the studio wall, just left of the drum booth.

"My father was in the tire business and got hooked up with a purchasing-agent-type place who would connect you with people to buy things wholesale," Hood says. "They hooked us up with Manny's Music in New York, on 48th Street. It's no longer there, but it was a famous music store. I would call and order things from them. I could hardly talk to them because they spoke so fast, but I started buying amps and would sell them to somebody and buy another one, things like that."

(...) From Manny’s, Hood purchased the blonde cab, containing two 12-inch speakers, originally to use as an extension cabinet with the bass amp he was using. He ended up selling that amp. Now he had an extra cabinet. He then purchased a black Tolex-covered Bassman piggyback amp. “And I can’t remember why I did it, but I brought the blonde cabinet to 3614 (Jackson Hwy.) and we started recording that and using the black Bassman head with it, to monitor myself. Sometimes they’d mic it and sometimes we’d go direct. But I used it always as a monitor. In a studio full of loud guitars and keyboards and everything, you just can’t hear the bass well, even with the headphones. It’s getting where nowadays they have so many channels on the recording stuff they can use several channels for a bass. A long time ago you were lucky if you’d get one channel.”

We usually [rent] backline stuff, and I usually get a Bassman because they’re consistent and break down less than anything else. About halfway up, Bass a little less, a little more Treble, and the Presence depends on the amp.

In the interview titled "Great Expectations: An Interview With Hunter Hayes' Guitarist Devin Malone" by Martina Fasano on Seymour Duncan's website, Devin Malone confirms owning a Fender Bassman AB165 Amp.

Used on Why'd I Try, as stated by bandmate Michael Kirsch in this self-written October 5, 2010 SonicScoop article and as visible in this photo from the article captioned "1966 Fender Bassman miked with a Beyer M380 (low) and Josephson E22 (high)". It is further specificied to be a "Vintage Blackface 50 watt" in this archive of the equipment list from Grandfather's official website.