In his YouTube video, "Charlie Puth's 30-Day Songwriting & Production Class," Charlie Puth uses the iZotope Neutron 3 plugin at the 0:31 mark.

In a livestream on April 7, 2020, Mike Shinoda uses iZotope Neutron 3 while creating a "Reanimation"-themed song, as shown on the Shinoda Livestreams YouTube channel.

Jacob showcases his use of Neutron 3 on his lead vocals in his 'All I Need' Logic Session Breakdown at 30:48. He used it to take out the low end to "leave room for the bass", as well as adding high-end/mids, a compressor, and an exciter.

40:45 he use neutron

Used for the bass drum on "Living", as shown in this July 11, 2019 video at 15:43.

Used for Jimin's lead vocals on "Fake Love", as stated by producer James Reynolds in this August 2018 Sound on Sound interview. An image of the settings can be found here.

Jimin chorus lead vocal: iZotope Neutron, FabFilter Pro-MB, Empirical Labs Arousor, iZotope Trash 2 & FabFilter Pro-DS, plus sends to Slate VerbSuite Classics, FabFilter Pro-R, Soundtoys EchoBoy, Waves Factory Trackspacer & FabFilter Pro-DS.

“Welcome to my vocal world! BTS like bright, punchy vocals. There is not a lot of room in the mix because there is a lot of stuff going on, so I am not boosting low end on the vocals, because you are not going to hear that. Instead I’m trying to give the vocals more presence. The first thing I have in the chain is Neutron, which is a great EQ, and I love its dynamic mode. I boost high end with the Neutron, and band three is set to 4-6000 Hz, with the dynamic mode pulling down any loud ‘ess’ sounds or anything else too sharp. The Neutron is also tidying up the bottom end. After that is the Pro-MB multiband compressor just reining in a couple of frequencies to control the vocal.

“Next is the Arousor, adding some distortion so the vocal is very spitty and present, with lots of attack. After that there’s another instance of Trash 2 set to multiband, which I am using to give the vocal drive and really making it sit solidly in the mix. You have to know how to use Trash 2, otherwise vocals can get too harsh, but in general it is a very good way of saturating and really thickening a vocal and giving it presence. It does depend on the song, I am not always so full on with a vocal! At the end I have the Pro-DS de-esser just controlling the sibilance. Sometimes I used two instances of it, one at the beginning and one at the end, but the Neutron is already kind of doing a de-essing job.

“There also are many sends on that lead vocal. The first send is going to one of my favourites, the Slate VerbSuite Classics. It’s set to a hall-type reverb with 1.75s decay, and because I set quite high pre-delays it is almost like a slap on the vocal, which puts the vocal in a nice space. The next send is to the Pro-R for a longer, bigger reverb, which works for a chorus. I have cut low end and high end as you don’t want that floating around. The Pro-R is really good for controlling those things. Next is an EchoBoy quarter-note delay, saturated by setting it to ‘Splattered’ under ‘Style’ and that send then goes into the Trackspacer. I have a send from the lead vocal going to Trackspacer, so that whenever the lead vocal is singing the Trackspacer ducks the quarter-note delay out of the way. The Trackspacer is frequency-dependent, so it will duck whatever frequencies are dominant in the vocal, which makes it great for moving stuff out of the way. Then there’s another half-time EchoBoy delay setting, which is being automated for delay shots, and finally another Pro-DS.”

at 1:10 you can see his list of izotope plugins.

In this Instagram video clip posted by Hot Since 82, as the camera zooms closer to the computer screen, iZotope Neutron can clearly be seen. He used this plugin on his remix of Foals' track Into The Surf. He says:

My new remix for @foals is out today! ‘Into The Surf’ Enjoy!’ 🏄‍♂ #HotSince82 #Foals #IntoTheSurf #Remix

"Which iZotope plug-ins do you use, and how do you use them?

Oh man, do you have a week?

I've been a diehard fan since Vinyl. Beginning with my 2012 #digitalfreedom release, I've mastered all of my releases with Ozone Advanced; currently I don't even go take a leak without putting Ozone Maximizer on it first. I put Ozone Exciter into my morning coffee instead of sugar. Ozone Imager is literally my only friend, the only one who truly understands me and cares about my feelings.

And not to mention, I've been shamelessly cheating on FF Pro-Q 2 with the Neutron Equalizer lately, and I practically sleep with Neutron Transient Shaper now.

Oh and I almost forgot, if I have to communicate with people verbally, I only do it through VocalSynth.

But yeah, it's hard to find a channel in my session that's not being sent through an iZotope plug-in one way or another. My current master chain is Exciter, Neutron Equalizer, and Maximizer as separate units. I'm kind of obsessed with IRC IV Transient mode—the accuracy and transparency is fantastic. The first thing I do when I open a new Ableton session is put Ozone 7 Imager on two return channels with different band settings and compression; anything that needs expanding goes through them. I love using the Vintage Limiter for vocal group tracks and synth group tracks right before the sidechain compression; it really gives a thick warmth to the overall sound of your main melodic elements in the song.

I've been using Neutron Compressor for parallel compression on return channels a lot lately. Even though you can adjust the mix amount on the plug-in itself, I still prefer to do it that way. I used to use Alloy 2 Transient for my kicks and snares but, as you know, Neutron Transient Shaper just blew it out of the water; it works ridiculously well and you can fine-tune every little detail on multiple bands.

Neutron Track Assistant and the way it can communicate with other instances of itself through all of the channels you put it on is still blowing my mind. I mean seriously, what the f[***] guys?"

According to the official gear list on Darude's Website (Click on the studio tab), it says he owns a license for iZotope Neutron.

Appears at 17:57

"What's cool about Neutron's EQ is that it has these dynamic nodes that only work when a certain threshold is reached"

Visible at 3:03 on the selected track sample reg