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Description
Unleash the power of pure, unadulterated tone with the Naylor Super Drive Sixty, a guitar amplifier head that marries vintage warmth with modern reliability. Designed for guitarists who demand both clarity and muscle, this amplifier head stands out with its all-tube architecture. The Super Drive Sixty is celebrated for its ability to deliver a rich harmonic palette, making it a favorite among blues, rock, and country musicians. With its responsive touch sensitivity, you can effortlessly transition from clean, articulate notes to gritty overdrive, simply by adjusting your picking dynamics.
The Super Drive Sixty is equipped with two channels, offering flexibility for both rhythm and lead tones. Its intuitive control panel allows for seamless navigation across your sound spectrum, ensuring that every note is rendered with precision. Whether you're in the studio or on stage, this amp head's robust output will cut through the mix, providing a commanding presence that elevates your performance.
Key Features:
- All-tube architecture for rich, authentic sound
- Two channels for versatile tone shaping
- Responsive touch sensitivity for dynamic playing
- Robust output suitable for live performances and studio recording
- Durable construction for reliable use in various settings
Videos
Michael Nielsen - Big Hairy Guitars
Is This $15,000 Boutique Amp Really Worth It?
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Artist usage
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Asheton now uses several amps, including a 100-watt 4 X 12 Marshall with a slant cabinet, and two 50-watt heads. He’s also excited by his 30 and 80-watt 4 X 12 Naylor amps, for different reasons.
Nick Perri has been using Naylor amps since the days of Silvertide. He's specifically used the Naylor Superdrive 60.
Enon Kawatani uses the Naylor Super Drive Sixty guitar amplifier head, as referenced in a Twitter post by indigolaEnd.
Jag is my friend and I know what he plays. But here he is talking about his guitar setup in 2012. He has since switched up many of his pedals and cabinets and such, but he always sticks with the Naylor Superdrive 60 - especially for recording:
Here"s the pedalboard/amp set-up
Guitar -> Boss TU-2 Tuner -> VOX JS Big Bad Wah ->
UNIT 1 OF VOODOO LABS PEDAL SWITCHER INPUT Channel 1 -Original Digitech Whammy Channel2 - MXR EVH PHASER - Channel 3 - MXR/CAE Boost/Line Driver Channel 4 - Voodoo Labs Sparkle Drive
UNIT ONE OF VOODOO LABS PEDAL SWITCHER OUTPUT FEEDS UNIT 2 VOODOO LABS PEDAL SWITCHER INPUT Channel 1 - Open Channel 2 - Open Channel 3 BOSS CE-2 Chorus Channel 4 BOSS PN-2 Tremolo Boss fv500 volume pedal
UNIT 2 VOODOO LABS PEDAL SWITCHER OUTPUT _---> Radial Engineering JD7 - the signal is then split off and feeds FOH a direct signal and the other side goes to the amps
EVH 5150iii ( with an ALESIS Quadraverb in the FX LOOP for Delays and a leslie type patch) 2 RANDALL RV412BP Cabinets. Naylor Superdrive 60 Budda 2x12 Cabinet
Genre Usage
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Used With
Based on how musicians on Equipboard use Naylor Super Drive Sixty, it is most commonly used with the following gear.
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