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Average Price: $6,926
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Description
The Oberheim OB-8 is a classic analog polyphonic synthesizer that has captivated musicians and producers since its debut in the 1980s. This legendary instrument is renowned for its warm, rich sound and exceptional build quality, making it a top choice for enthusiasts seeking authentic analog tones. With 61 keys and a robust architecture, the OB-8 offers a versatile sound palette, from lush pads and vibrant leads to punchy basses.
Equipped with eight-voice polyphony, the OB-8 allows for complex chord structures and layered sounds, providing a creative playground for sound designers. Its dual VCOs per voice deliver a broad range of sonic possibilities, while the comprehensive modulation options—including LFO, envelope generators, and cross-modulation—enable intricate sound shaping. The onboard arpeggiator and sequencer add rhythmic dynamism, perfect for live performances and studio sessions alike.
The OB-8 is cherished for its unique filter section, featuring a switchable 12/24 dB/octave low-pass filter, which contributes to its signature tonal character. With patch memory storage, musicians can save and recall their favorite settings effortlessly, ensuring a seamless transition during live gigs or recording sessions.
Whether you're recreating vintage sounds or exploring new sonic frontiers, the Oberheim OB-8 remains a timeless instrument that continues to inspire.
Key Features:
- Eight-voice polyphonic analog synthesizer
- 61-key velocity-sensitive keyboard
- Dual VCOs per voice with saw, triangle, and pulse waveforms
- Switchable 12/24 dB/octave low-pass filter
- Extensive modulation options including LFO and envelope generators
- Onboard arpeggiator and sequencer
- Patch memory for storing and recalling settings
- Renowned for warm, rich tones and robust build quality
Product specs
| Brand | Oberheim |
| Model | OB-8 61-Key 8-Voice Synthesizer |
| Finish | Blue with Wood Sides |
| Year | 1983 |
| Categories | Analog Synths, Keyboard Synths |
| Analog / Digital | Analog |
| Key Size | Full Size |
| Keyboard Action | Synth Action |
| Number of Keys | 61 Keys |
| Polyphony | 8 Voices |
FAQs
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Is the Oberheim OB-8 synthesizer polyphonic or monophonic?
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The Oberheim OB-8 is a polyphonic synthesizer, offering up to 8 voices of polyphony, which allows for rich, layered sounds and complex chord structures.
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What are the standout features of the Oberheim OB-8's sound engine?
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The OB-8 features classic analog subtractive synthesis with two oscillators per voice, a versatile modulation matrix, and a rich, warm filter section, known for its lush pads and fat bass sounds.
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How does the Oberheim OB-8 differ from other Oberheim models like the OB-Xa?
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The OB-8 includes additional modulation options, a more advanced arpeggiator, and programmable split and layer modes, offering more flexibility and sound design possibilities compared to the OB-Xa.
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Can the Oberheim OB-8 be integrated with modern MIDI setups?
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Yes, the Oberheim OB-8 can be integrated with modern MIDI setups, providing MIDI in and out capabilities, which allows for control and sequencing from external devices.
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What type of keys does the Oberheim OB-8 have?
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The Oberheim OB-8 features a 61-key full-size keyboard with synth action, providing a responsive and expressive playing experience suitable for live performance and studio work.
Videos
Inasimplerhyme
Van Halen's 1984 & Jump Covered on Oberheim OB-8
Reviews
PROS
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Superior sound quality compared to both vintage and modern polysynths
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Unique "second page" function for accessing additional parameters
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Equipped with 3 LFOs, offering greater modulation possibilities
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Voice panning knobs for detailed spatial control over each of the 8 voices
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Ability to split and stack patches for enhanced sound layering
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Arpeggiator can be synced with external Eurorack pulse
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Holds and potentially increases in value over time
CONS
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Requires significant investment to refurbish
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May not be frequently used by all owners
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Oberheim OB-8.
Setup and maintenance
Build quality
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Early OB-8 models feature a Pratt-Reed keybed, which is heavier and may need bushing replacements compared to the lighter Panasonic keybed.
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The OB-8 features hinged PCBs that facilitate repairs, allowing users with basic electronics knowledge to perform mods and part replacements easily.
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Mods and upgrades
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Owners suggest replacing the keybed with a Fatar TP/9 for improved playability, as the later Matsushita ESK 70 keybed feels inferior.
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Features and functionality
User experience
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Owners report that the OB-8 can freeze or restart, which is not typical and indicates underlying issues.
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Owners express that the OB-8 provides a "warm hug" in sound, indicating its capability to deliver comforting and enveloping sonic experiences.
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Some users find the OB-X8 to sound slightly brighter and harsher on the high end compared to the OB-8, potentially due to its newer construction.
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Comparisons
Use cases and applications
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The OB-8 is praised for its ability to produce both delicate quiet tones and powerful, impactful sounds, making it versatile for ambient and electronic music.
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Critic Reviews
4.5 out of 5
Based on 3 Reviews and 16 Ratings
Artist usage
Add artist
"I've got the complete Oberheim system (DMX, DSX and OB8), a Prophet T8, and I still use Prophet 5 now and again. I have got a problem at the moment though because it seems almost everything is going over to MIDI. I've actually got the very first MIDI OB8 - I had it converted. I'm pretty sure it's the first one because Chase Musicians - where I buy most of my synths - had only this one in stock: I got it for the studio and they wanted to keep it in the shop! (An Oberheim-sanctioned OB8 MIDI retro-fit has been available since January.) It's proved very useful for running the DSX sequencer with other synths."
BADAROU'S COMPASS POINT studio has a full Synclavier system as its centerpiece. Apart from that, there's a Macintosh computer, a DX7, a couple of TX816 modules, a Roland digital piano and two analogue synths: an Oberheim OB8 and a Prophet 600.
In an interview with Move D, a frequent collaborator with Pete Namlook, he mentions that Pete sometimes used the Oberheim OB-8 within their collaborations.
But the equipment list for 'Message' is quite formidable - Roland Jupiter 4, Jupiter 6, CSQ600 and TR808, Korg VC10 vocoder and Polysix, Oberheim OB8, DMX and DSX, Elka Synthex, guitars, Simmons kit and Mattel drums. And as you may have spotted during the Trans X single's recent heavy airplay, there's also a bit of Casio VL-Tone on 'Living On Video', and elsewhere. For his own part, Languirand is at pains to point out that this is really a Jupiter 4, but anyone who's suffered the VL1's built-in Austrian Folk Tune a few hundred times can usually spot one a mile off... I know I could.
The Oberheim OB-8 can be clearly seen in this video of p:Machinery at 1m17s: https://youtu.be/O-kB6nuoCcg?t=77
You can see and Oberheim Ob-8 in this video at 1:09. The OB-B is also shown in a number of their videos.
Paul Hertzog confirmed that he used an Oberheim OB-8 synthesizer while working on the "Kickboxer" official motion picture soundtrack, stating: "In addition to the D-50, I used a Yamaha DX-7 and TX-7, an Oberheim OB-8, an early edition of the Ensoniq Mirage, and an Alesis HR-16 Drum Machine."
In the video titled "Spatial Moon Studios | My ultimate 2025 studio tour," at 8:22, NIVIRO showcases the Oberheim OB-8 synthesizer positioned at the bottom of the synth rack.
In a video posted on their YouTube channel, Dynamik Bass System showcases their studio, featuring the Oberheim OB-8 synthesizer prominently as part of their setup.
"I'm currently using Digital Performer on a Mac Pro for my DAW. I've used just about every DAW out there and I keep returning to DP because it's easy for me to get around on. I have a PC server that's loaded with my orchestral and percussion libraries. Over the years, I've honed my system down to a bare minimum of hardware. I use Apogee convertors, they still sound the best to me. Like everyone else, I have tons of virtual instruments and plug-ins but I'm still using my favorite hardware synths including my Oberheim OB-8, Access Virus TI, Roland Juno 60, Nord Lead 2 and all my Roland 1080s and my MKS-80 Super Jupiter."
Album Usage
The Oberheim OB-8 has been featured on the following albums:
Axel F (From "Beverly Hills Cop") [Piano Version]
Harold Faltermeyer (2023)
Dead Club City
Nothing But Thieves (2023)
Midnights
Taylor Swift (2022)
A Soul Ascends
Steve Roach (2020)
Living on Video
Trans-X (2019)
Reflections: Mojave Desert
Floating Points (2017)
I Wanna Get Better
Bleachers & Tinashé (2014)
Random Access Memories
Daft Punk & Daft Punk (2013)
Recovery
Eminem (2010)
Kickboxer: The Deluxe Edition Soundtrack
Paul Hertzog (1989)
Long Time Coming
Ready for the World (1986)
The Dream Of The Blue Turtles
Sting & Sting (1985)
No Jacket Required (2016 Remaster)
Phil Collins (1985)
Structures from Silence (40th Anniversary Remaster)
Steve Roach (1984)
Axel F (From "Beverly Hills Cop")
Harold Faltermeyer (1984)
90125 (Deluxe Version)
Yes (1983)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Oberheim OB-8, it is most commonly used with the following gear.
Community setups
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