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Average Price: $9,552
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Description
The PPG Wave 2.2 synthesizer is a timeless bridge between digital brilliance and analog warmth, heralding a new era in music production. With its unique wavetable synthesis and hybrid architecture, the Wave 2.2 offers a soundscape that inspired countless musicians and producers. Its distinctive blend of digital oscillators and analog filters allows for the creation of complex, evolving textures and tones that are as relevant today as they were in the '80s. Whether you're looking to recreate the iconic sounds of the past or forge new sonic territories, the PPG Wave 2.2 stands as a testament to innovation and quality in sound design.
Key Features:
- 16 oscillators per two voices for rich, layered sounds
- Unique wavetable synthesis for creating up to 8000 distinct waveforms
- Analog SSM-based filters for warm, musical tone shaping
- 8-voice polyphony for complex arrangements and textures
- Integrated 8-track sequencer for intricate compositions
- 21 parameter knobs for hands-on control over sound design
- Digital patch storage for preserving your sonic creations
Videos
RetroSound
PPG wave 2.2 Wavetable Synthesizer 1982 - sound demo
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about PPG Wave 2.2.
Features and functionality
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Real-time scanning through the wavetable offers unique sonic possibilities, enhancing the PPG Wave 2.2’s sound range.
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The PPG Wave 2.2's analog SSM filters provide a warm crunch, effectively complementing its digital elements.
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The PPG Wave 2.2's internal sampling rate is 195312.5 Hz, contributing to its smooth sound compared to standard DSP approaches.
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The PPG Wave 2.2 only changes the wavetable index on waveform period boundaries, ensuring zero crossings to avoid unwanted clicking noises during wavetable sweeps.
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Software and compatibility
Comparisons
User experience
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The PPG Wave 2.2’s modulation retains the original's quirky and semi-broken characteristics, resonating with the nostalgic charm of early digital synthesis.
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The PPG Wave 2.2's unfiltered waveforms are described as noisy and metallic, contributing to its unique sonic character, though they may sound monotonous if overused.
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Critic Reviews
Based on 0 Reviews and 0 Ratings
Artist usage
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It is mentioned in this article that Wang Chung used a Fairlight, a PPG Wave 2.2, a Prophet 5, a Jupiter 8, and a LinnDrum, on the "Points On The Curve" Album.
It is mentioned in this article that Wang Chung used a Fairlight, a PPG Wave 2.2, a Prophet 5, a Jupiter 8, and a LinnDrum, on the "Points On The Curve" Album.
Rupert Hine utilized the PPG Wave 2.2, along with other instruments such as the DX7s and a Prophet T8, on the Thinkman album. This is supported by his description of the Prophet T8 as "the best analogue synth around at the moment," as reported in the article "The Thinking Man's Guide To Production" from Electronics & Music Maker, June 1986.
In the 2005 track "Static Cold" by Arianna, the PPG Wave 2.2 synthesizer is featured, as demonstrated in the YouTube video by TEMAZOS DEL SIGLO 21.
Ernst Horn used a PPG Wave 2.2 for his live performance at the Blackfield Fesitval in 2015.
On Camel's "Stationary Traveller" album, Ton Scherpenzeel utilizes a PPG synthesizer in the tracks "Stationary Traveller," "West Berlin," and "Fingertips." While the accompanying image does not specify the exact model, the Andy Latimer Equipboard page indicates that a PPG Wave 2.2 was used during the album's production. It is likely that Scherpenzeel and Latimer shared this gear for the recording.
In Survivor's performance of "I Can't Hold Back" on the German TV show "Peter Illmann Treff" in January 1985, Jim Peterik is seen using the PPG Wave 2.2 synthesizer at the 2:06 mark.
Album Usage
The PPG Wave 2.2 has been featured on the following albums:
Lament (2024 Steven Wilson Mix)
Ultravox & Tigerlily (2024)
Hyperdrama
Justice (2024)
Stationary Traveller (2023 Remastered & Expanded Edition)
Camel (2023)
Brilliant
Ultravox & Tigerlily (2012)
The Final Countdown (Expanded Edition)
Europe (1986)
Songs From The Big Chair
Tears for Fears (1985)
Hunting High and Low
A-ha (1985)
Wouldn't It Be Good
Nik Kershaw (1984)
Points On The Curve
Wang Chung (1984)
Selections From The Original Soundtrack The Woman In Red
Stevie Wonder & Dionne Warwick (1984)
Bark At The Moon (Expanded Edition)
Ozzy Osbourne & Ozzy Osbourne (1983)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use PPG Wave 2.2, it is most commonly used with the following gear.
Community setups
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