"Welcome home Super Jupiter, luv you already ??" In her home studio March 7, 2016

Although boasting a lush sound, the album was recorded largely at Paul's Rhythm Ranch studio on a single tascam 16-track with a Studiomaster desk. Synths used include: Roland D-50, Akai S1000 and S3000, Kork M1R, Waldorf Microwave, Roland Super Jupiter module, Oberheim Matrix 1000, Yamaha TX802, Minimoog, MIDIMoog, Oberheim Two-Voice, Roland Jupiter 8 and SH-101.

Roland MKS80 Super Jupiter is included in the list of synths at Daniel Miller's home studio.

In a photo from Vandergraafgenerator, Peter Hammill is shown using a Roland MKS-80 Super Jupiter, highlighting its role in his setup.

In this recorded podcast uploaded to youtube, Ed Upton of DMX Krew talks through the process of making a track using his studio equipment. He starts to talk about the Roland MKS-80 at 25:16.

"This is a synth called a Roland MKS-80 Super Jupiter - which is a rack mount from their very famous Jupiter range of synths. It sounds a little bit like a Jupiter 8 and a little bit like a Jupiter 6, but not exactly like either of them. It's got quite an aggressive, almost digital sound for an analogue synth. And er, It's the only polyphonic analogue synth I own, which means it's the only one you can play chords on. I've got digital stuff you can play chords on, but this is the only old school analogue job. And I feel like making some kind of thin sawtooth sound to play some chords on, so let's have a little play. I've got a programmer attached to it, which is also made by Roland, which let's you programme it very simply using sliders."

In a video by Point Blank Music School titled "Style Guide: House - Part 2 (Making a House Track in Ableton Live)," the Freemasons are seen using the Roland MKS-80 Super Jupiter synthesizer.

Keyboards and synthesizers feature in Morcheeba's studio, and the collection includes a Roland Super Jupiter MKS80, a Novation BassStation, a Hammond organ and a Wurlitzer electric piano. But first prize for pure weirdness goes to the EMS Synthi A -- a 1970s beast in a box that was originally designed as a teaching tool and a portable version of the desktop VCS3 which features so heavily on Dark Side Of The Moon.

Taken from Arjen's website, Info tab: Studio Equipment.

Stephin is credited using this equipment in the liner notes for 69 Love Songs.

The man behind Burn Burn Satellite creation (the English translation of SSS), Tony James, has five channels of bass on stage Di'd for the FOH sound and played through a pair of Ampeg SVT stacks for stage monitoring: a Roland synth bass guitar with foot controller providing a balanced XLR stereo output, a Roland Super Jupiter (MKS-80) with another balanced XLR stereo output and a Yamaha DX-7.

The tenth photo shows his studio and is captioned: "Marius de Vries now does most of his programming work in his own room at London's Strongroom studios. The large rack at left contains, from top, Alesis DM Pro drum module, Korg O1R/W sound module, Roland MKS80 Super Jupiter synth with MPG80 programmer, Studio Electronics MIDIMoog synth, two Akai S3200 samplers, Emu Vintage Keys and Morpheus sound modules, Kurzweil K2000R sound module, Roland MKS50 and JV1080 sound modules."

The Jupiter can be seen 5:12 into this video