Pricing and availability

We compare 600+ stores and found this item at 7 stores. Prices updated .

Sweetwater
5.0 (10)
$4,999.00
Guitar Center
$4,999.00
Amazon
$4,999.00
Reverb
5.0 (14)
$749.99 New
$3,224.21 Used
Musician's Friend
5.0 (2)
$4,999.00
B&H
5.0 (1)
$4,999.00
Vintage King
5.0 (5)
$4,999.00

Average Price: $4,246

High-end/Boutique

$100

$501+

Price Tier

Budget

Standard

High-end

Price History

Based on price data from 5 merchants for "Universal Audio Teletronix LA-2A Classic Leveling Amplifier". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.

* Product prices and availability are updated by Equipboard every 24hrs and are subject to change. Equipboard may receive compensation for purchases made at participating retailers linked on this site. This compensation does not affect what products or prices are displayed, or the order of prices listed. For more information, please refer to our affiliate disclosure.

Description

Introducing the Universal Audio LA-2A, a legendary Leveling Amplifier that has been the secret weapon of producers and engineers for over half a century. This reissue is meticulously handcrafted to match the original's design and performance, adding a signature warmth and smoothness to any signal without adding distortion. Its intuitive Gain and Peak Reduction knobs provide effortless control, making tuning the perfect amount of compression a breeze.

The groundbreaking electro-optical attenuator circuit of the LA-2A is its star feature. It is designed with an innovative photocell-based optical compression circuit, which allows transparent, lag-free compression and enhances the subtle details of vocals, guitars, bass, and drums. It can provide up to 40dB of gain limiting without imparting distortion, enabling you to compress signals heavily while maintaining a natural tone.

The LA-2A strikes the perfect balance of simplicity and versatility with just two knobs. The Gain knob adjusts the input level and the amount of compression, while the Peak Reduction knob controls how much the LA-2A will compress transients. You can switch between Compress and Limit modes to go from moderate, natural-sounding compression to heavy limiting. This user-friendly interface allows you to dial in your ideal sound with ease.

Key Features:

  • Groundbreaking electro-optical attenuator circuit for pristine gain reduction
  • Up to 40dB of gain limiting without distortion
  • Simple, intuitive interface with Gain and Peak Reduction knobs
  • Switch between Compress and Limit modes for versatile sound control
  • Meticulously handcrafted to match the original's design and performance
  • Enhances subtle details in vocals, guitars, bass, and drums
  • Delivers warmth, smoothness, and character without adding distortion
  • Balanced XLR input and output
  • Frequency response 30Hz-15kHz (+0/-1dB)
  • Output level: 10dBm; Gain: 40dB
  • Low noise: 70dB below +10dBm output level
  • Handcrafted in Universal Audio's Scotts Valley, California labs

Product specs

Type Optical
Number of Channels 1
Controls Gain, Peak Reduction
Frequency Response 30Hz-15kHz (+0/-1 dB)
Inputs 1 x XLR
Outputs 1 x XLR
Rack Spaces 3U
Power Source Standard IEC AC cable
Height 5.25"
Depth 7.25"
Width 19"
Weight 13 lbs.

FAQs

What type of compressor is the Universal Audio LA-2A?

The Universal Audio LA-2A is a tube-based optical compressor, known for its smooth, natural compression characteristics and warm sound.

What are the key controls on the Universal Audio LA-2A?

The LA-2A features two main controls: Gain and Peak Reduction, allowing users to adjust the input level and the amount of compression applied.

Is the Universal Audio LA-2A suitable for vocals?

Yes, the LA-2A is highly regarded for its ability to add warmth and smoothness to vocal tracks, making it a popular choice for recording and mixing vocals.

What kind of inputs and outputs does the Universal Audio LA-2A have?

The LA-2A is equipped with one XLR input and one XLR output, providing professional-grade connectivity for studio environments.

Can the Universal Audio LA-2A be used for mastering?

While primarily used for tracking and mixing, the LA-2A can also be employed in mastering to add subtle compression and warmth to a mix, particularly for vocals and bass.

Doctor Mix

Doctor Mix

The Teletronix LA-2A in action

Video thumbnail for The Teletronix LA-2A in action by Doctor Mix

The Teletronix LA-2A in action

Doctor Mix

Doctor Mix

Video thumbnail for Chaining the 1176LN and LA2A compressors for maximum control. by Universal Audio

Chaining the 1176LN and LA2A compressors for maximum control.

Universal Audio

Universal Audio

Video thumbnail for Teletronix® LA-2A Classic Leveler Plug-In Collection Trailer by Universal Audio

Teletronix® LA-2A Classic Leveler Plug-In Collection Trailer

Universal Audio

Universal Audio

Video thumbnail for History of the Universal Audio LA-2A Leveling Amplifier with CEO Bill Putnam Jr. by Musician's Friend

History of the Universal Audio LA-2A Leveling Amplifier with CEO Bill Putnam Jr.

Musician's Friend

Musician's Friend

Video thumbnail for Universal Audio LA-2A Classic Leveling Amplifier @ FrontEndAudio.com by Front End Audio

Universal Audio LA-2A Classic Leveling Amplifier @ FrontEndAudio.com

Front End Audio

Front End Audio

Video thumbnail for Universal Audio LA-2A Classic Leveling Amplifier - Universal Audio Teletronix LA-2A by American Musical Supply

Universal Audio LA-2A Classic Leveling Amplifier - Universal Audio Teletronix LA-2A

American Musical Supply

American Musical Supply

Reviews

PROS

  • Exceptional on vocals, making them punchy and clear in the mix

  • Enhances kick drum energy and electric guitar tone

  • Simple two-knob operation for ease of use

  • Durable build quality, with units lasting 20+ years

  • Reissues maintain the classic sound, appreciated by professionals

  • Versatile, considered a Swiss Army knife in studios

  • Instantly improves bass depth and clarity in mixes

  • Can be fine-tuned for both modern and vintage sounds

  • Trusted in the industry, used on countless hit records

  • Optical compression provides a distinct, pleasing sound quality

CONS

  • High cost may be prohibitive for some users

  • Not a component-for-component clone of the original, which may affect purists' expectations

  • Early models had issues with photoelectric cells, recommending caution with older units

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Universal Audio Teletronix LA-2A Classic Leveling Amplifier.

Comparisons

  • Owners note that while UAD's LA-2A plugin is superior to Waves' CLA-2A, some prefer the Neold U2A for its crisp attack and added saturation features.

    Source
  • Unlike brickwall limiters, the LA-2A applies a higher ratio without complete cutoff, offering a nuanced approach to limiting versus modern DAW standards.

    Source
  • Some users prefer using the LA-2A after an 1176 for vocals to provide a smooth leveling effect, rather than relying solely on a single compressor like Fabfilter Pro C2.

    Source

Features and functionality

  • UAD's LA-2A plugin is favored for its color enhancement on snares, providing a 'wet smack' that users appreciate.

    Source
  • The LA-2A's Limit/Compress switch adjusts the compression ratio, offering a gentler curve in Compress mode and a higher ratio in Limit mode.

    Source
  • The LA-2A is historically termed as a "leveling amplifier," meant to level peaks and amplify the signal, rather than strictly limit it.

    Source
  • The LA-2A is often used to provide consistent gain reduction after applying an 1176, which handles transients, ensuring a smooth vocal presence in a mix.

    Source

Software and compatibility

  • Analog Obsession's LA-2A plugin is praised for being zero latency and faster to load compared to UAD's version.

    Source

Use cases and applications

  • The UAD LA-2A is noted for excelling on vocals due to its slightly quicker release, preserving more detail.

    Source
  • The 1176 and LA-2A combination is particularly favored for achieving "in your face" vocals, especially in dense mixes, due to the 1176's fast attack and release.

    Source
  • The LA-2A is favored in a two-stage compression setup, handling smoother compression after an initial transient-shaping compressor, often for rock vocal applications.

    Source

User experience

  • Owners have reported that UAD plugins offer the best sound quality and usability, influencing decisions to upgrade audio interfaces to access UAD plugins.

    Source
  • Users often pair the LA-2A with a high-pass EQ set to at least 100Hz to enhance vocal clarity before compression, ensuring low-end frequencies don’t dominate the mix.

    Source

Mods and upgrades

  • Some owners combine the LA-2A with other compression plugins, like DMG Multiplicity, for more nuanced control over resonances and dynamic processing in complex vocal arrangements.

    Source

5.0 out of 5

Based on 0 Reviews and 10 Ratings

5 star
4 star
3 star
2 star
1 star

Artist usage

Add artist
See how Neeraj Khajanchi uses Universal Audio Teletronix LA-2A Classic Leveling Amplifier

Neeraj Khajanchi

Music Producer, Audio Engineer

...
Verified via YouTube

In a YouTube video by 作曲家・和田貴史の庭, Neeraj Khajanchi is shown using the Universal Audio LA-2A, a renowned optical compressor favored by professional mixers for its smooth, program-dependent compression and expertly crafted tube amplifier.

See how Ryan Petersen uses Universal Audio Teletronix LA-2A Classic Leveling Amplifier

Ryan Petersen

Drummer, Music Producer

...
Verified via YouTube

In the video titled "EPIC HOME STUDIO Setup 2024 | Ryan Petersen (studio tour)" by Andrew Masters, at timestamp 11:31, a Universal Audio Teletronix LA-2A Classic Leveling Amplifier is clearly visible in the preamp rack within Ryan Petersen's home studio.

See how Lander Vervaet uses Universal Audio Teletronix LA-2A Classic Leveling Amplifier

Lander Vervaet

Singer, Guitarist

oSleau

...
Verified via YouTube

Lander Vervaet uses the Universal Audio LA-2A, as showcased in the "My Demons Are Organized" YouTube video, where it is listed among his studio and live equipment.

See how Addison Rae uses Universal Audio Teletronix LA-2A Classic Leveling Amplifier

Addison Rae

Singer

...
Verified via Photo

Addison Rae used the Universal Audio LA-2A on her song "Headphones on," as evidenced by the third slide in an Instagram post by Elvira Anderfjärd, who produced and co-wrote the track.

See how Senior uses Universal Audio Teletronix LA-2A Classic Leveling Amplifier

Senior

Singer, Rapper

...
Verified via YouTube

In this Youtube Video at 0:10, a Teletronix can be seen

T

Thomas Troelsen

Music Producer

Superheroes

...
Verified via Soundonsound

"I built my studio not to look like a studio, because I don't like studios!” Troelsen says. "I guess the most unique thing about it is the interior, but my studio is also different in terms of what's inside it. All the gear is very non-standard. I think the only standard things I have there are Neumann mics, the Universal Audio Teletronix LA2A compressor and Pro Tools. But the rest is just really odd gear — prototypes and all sorts of things.”

See how Mark “Spike” Stent uses Universal Audio Teletronix LA-2A Classic Leveling Amplifier

Mark “Spike” Stent

Music Producer, Audio Engineer

...
Verified via Sound On Sound

In the article "Spike Stent" on Sound On Sound, Mark “Spike” Stent confirms using the Universal Audio Teletronix LA-2A Classic Leveling Amplifier.

B

Bradley Cook

Bassist, Music Producer

...
Verified via YouTube

In the video titled "Foo Fighters Everlong: Inside the song - Warren Huart: Produce Like A Pro," Bradley Cook, an audio engineer, mentions at the 23:56 mark his use of the Universal Audio Teletronix LA-2A Classic Leveling Amplifier during the recording of the Foo Fighters' song "Everlong."

See how Lorenzo Wolff uses Universal Audio Teletronix LA-2A Classic Leveling Amplifier

Lorenzo Wolff

Keyboardist, Music Producer

...
Verified via YouTube

At 7:01 in the YouTube video titled "Restoration Sound Tour: The Studio Empowering Brooklyn Artists" by Gear Club Podcast, a Universal Audio Teletronix LA-2A Classic Leveling Amplifier is visible in a rack in Annie's room, which is part of Lorenzo Wolff’s studio.

See how Chris Cron uses Universal Audio Teletronix LA-2A Classic Leveling Amplifier

Chris Cron

Singer, Keyboardist

...
Verified

Used for the vocals on “As Long As I’ve Got Music”, as stated by audio engineer Shawn Dealey in this May 24, 2024 Sweetwater interview.

“All the vocals we recorded with the Telefunken U47 through the VLC tube preamp into the Pultec EQ and finished off with the Universal Audio Teletronix LA-2A. Too many tubes? Take a listen to the results and you tell me.”

Genre Usage

Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.

Used With

Based on how musicians on Equipboard use Universal Audio Teletronix LA-2A Classic Leveling Amplifier, it is most commonly used with the following gear.

Universal Audio 1176LN
Universal Audio 1176LN Effects Processors
11
TUBE-TECH CL-1B
TUBE-TECH CL-1B Effects Processors
6
Shure SM57
Shure SM57 Dynamic Microphones
5
Neumann U87
Neumann U87 Condenser Microphones
5
Roland Juno-60
Roland Juno-60 Synthesizers
5
Yamaha NS-10M
Yamaha NS-10M Active & Passive Monitors
4
Electro-Voice RE20
Electro-Voice RE20 Dynamic Microphones
4

Community setups

Show yours
centric_engineering

centric_engineering

Gear IQ 1293

W

wltrillion

Gear IQ 45

1 alternative for Universal Audio Teletronix LA-2A Classic Leveling Amplifier, curated by the Equipboard community.

More Universal Audio Effects Processors

Accessories & Related Items