$250 was spent on standard setup, fret leveling, intonation, and wax potting to optimize playability and sound.

Users recommend replacing old strings with Ernie Ball Super Slinky 9s for better playability, especially on the SG-2A's narrow fingerboard.

It's suggested to retain any original parts, like the nut, if replaced during servicing to preserve the guitar's value.

The SG-2A is preferred over the SG-7 due to a simpler design that avoids unnecessary features like a third pickup and blend function, which can interfere with strumming.

The SG-2A's pickup output is similar to vintage Fender Stratocaster pickups and identical to Teisco single coils, offering a vintage sound profile.

Owners admire the SG-2A’s white finish, appreciating its unique aging process that turns it into a yellowish hue with beautiful finish checking.

Some find the high action and narrow neck challenging for techniques like bending notes, indicating potential setup adjustments for playability.

The SG-2A is considered more reasonably priced at $1,600 compared to the SG-7, which can be priced as high as $2,500.

Enthusiasts value the rarity and vintage appeal of the 1969 Yamaha SG-2A, making it a sought-after model despite personal preference differences.

The SG-2A has a thin neck profile and low frets, which contrasts with typical 60's Japanese guitars that often have a thicker "baseball bat" neck.

The SG-2A's sunburst finish is noted for its unique design and the distinct katana headstock, contributing to its collectability.

Future demos of the SG-2A are expected to include a Nonagon Fuzz, highlighting its compatibility with fuzz effects for a distinctive sound.

Despite being a vintage model, the SG-2A can suit shredders due to its thin neck and gain after low-output pickups, providing versatility not often found in older guitars.

The SG-2A, despite its vintage design, is noted to be playable by contemporary musicians like Stu MacKenzie from King Gizzard.