Pricing and availability

We compare 600+ stores and found this item at 8 stores. Prices updated .

Sweetwater
4.0 (3)
$2,999.00
Guitar Center
$2,999.00
Amazon
5.0 (2)
$2,999.00
Reverb
$2,322.32 5 available New
zZounds
$2,999.00
B&H
$2,999.00
Thomann
5.0 (5)
$2,399.00 $2,258.00 $141.00 · All time low
Vintage King
5.0 (1)
$2,999.00

Price History

Based on price data from 7 merchants for "RME 12mic". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.

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Description

The RME 12Mic is a powerhouse in the world of audio interfaces, delivering 12 channels of pristine microphone preamps with integrated AVB and MADI connectivity. Its design ensures you get unmatched audio clarity and flexibility, making it the perfect choice for professional studios, live performances, and complex networked audio setups. With its SteadyClock FS technology, this preamp guarantees ultra-low jitter performance, providing a crystal-clear soundscape.

This preamp is engineered for digital excellence, featuring PAD-free inputs that offer a 75 dB gain range, accommodating signals up to +18 dBu with an impressive signal-to-noise ratio of 121.2 dB(A). The front panel provides intuitive control, allowing for quick adjustments to gain levels, phantom power, and more. Whether you're dealing with mic-level, line-level, or instrument-level inputs, the RME 12Mic's versatility is apparent.

Network connectivity is a breeze, thanks to its dual fully redundant Ethernet ports, ensuring seamless integration into any AVB network without the worry of single-point failures. The unit's digital capabilities extend to MADI and ADAT connections, offering extensive routing possibilities through its integrated matrix, making it a robust tool for any audio professional.

Key Features:

  • 12-channel microphone preamplifier with AVB and MADI support
  • Front-panel control for fast and easy access to crucial functions
  • SteadyClock FS technology for ultra-low jitter performance
  • Dual redundant network ports for reliable AVB integration
  • 75 dB gain range for pristine audio capture
  • Integrated routing matrix with remote control via web interface
  • USB 2.0 connectivity for updates and network control
  • 3 ADAT outputs and MADI I/O for extensive digital interfacing
  • Word clock I/O for sync and external clocking options
  • 1 RU design for efficient rack space usage

Product specs

Preamp Type Solid State
Number of Channels 12
Phantom Power Yes (remote switchable)
Polarity Switch Yes (internal setting)
Sample Rate Up to 192kHz
Bit Depth 24-bit
Analog Inputs 4 x XLR-1/4" combo (Hi-Z/mic/line), 8 x XLR (mic/line)
Digital Inputs 1 x BNC Coax (MADI)
Digital Outputs 1 x BNC Coax (MADI), 3 x Optical Toslink (ADAT)
Headphones 1 x 1/4"
USB 1 x Type B (firmware, remote control)
Data I/O 2 x Locking Ethernet (AVB)
Clock I/O 2 x BNC (In/Out)
Frequency Response 3Hz-20kHz
Additional Features SteadyClock FS, RME Network Remote Controllable, Fully Redundant Network Ports
Rack Spaces 1U
Power Source Redundant Power: Standard IEC AC cable / 12V DC adapter (sold separately)
Height 1.7"
Depth 9.6"
Width 17.3"
Weight 6.2 lbs.

FAQs

What are the main connectivity options for the RME 12Mic?

The RME 12Mic offers a variety of connectivity options including 4 XLR-1/4" combo inputs, 8 XLR inputs, BNC Coax (MADI) for digital input and output, 3 Optical Toslink (ADAT) outputs, and 2 locking Ethernet ports for AVB data I/O.

Can the RME 12Mic be remotely controlled over a network?

Yes, the RME 12Mic can be remotely controlled via RME Network Remote, utilizing its fully redundant network ports for reliable operation.

Does the RME 12Mic provide phantom power for microphones?

Yes, the RME 12Mic offers remote switchable phantom power, making it suitable for use with condenser microphones.

What is the maximum sample rate supported by the RME 12Mic?

The RME 12Mic supports a maximum sample rate of up to 192kHz, with a bit depth of 24-bit, ensuring high-quality audio recording.

How does the RME 12Mic ensure stable audio clocking?

The RME 12Mic features SteadyClock FS technology, which provides stable clocking and minimizes jitter for improved audio clarity and precision.

Synthax Audio UK

Synthax Audio UK

RME 12Mic Overview - 12 channel microphone preamp with MADI and AVB

Video thumbnail for RME 12Mic Overview - 12 channel microphone preamp with MADI and AVB by Synthax Audio UK

RME 12Mic Overview - 12 channel microphone preamp with MADI and AVB

Synthax Audio UK

Synthax Audio UK

Video thumbnail for RME 12 Mic Unboxing & Wiring Setup with Audio Examples by True Sound Studios

RME 12 Mic Unboxing & Wiring Setup with Audio Examples

True Sound Studios

True Sound Studios

Video thumbnail for RME 12Mic: Turning a House into a Recording Studio with Strange Pill by Synthax Audio UK

RME 12Mic: Turning a House into a Recording Studio with Strange Pill

Synthax Audio UK

Synthax Audio UK

Video thumbnail for Frank Klepacki on the RME 12 mic - The Essential Tool for Creative Workflow by RME USA - Synthax Distribution

Frank Klepacki on the RME 12 mic - The Essential Tool for Creative Workflow

RME USA - Synthax Distribution

RME USA - Synthax Distribution

Reviews

PROS

  • Built durable, handles rough use well

  • Exceptional sound quality, rivals top brands

  • Simplifies setup, replaces multiple devices for live shows

  • Intuitive physical and web-based controls

  • Low-latency, robust performance for studio and live recording

  • Supports MADI and AVB for versatile connectivity

  • Clean, uncolored mic pre-amps and conversion

  • Lightweight, easy to transport

  • DC input with locking connector adds reliability for live recording

  • Can control settings via web browser for convenience

CONS

  • High price point, even on discount

  • Gain and phantom power not controllable via TotalMix yet

  • MADI optical connectivity requires additional purchase

  • No automatic audio pass-through from MADI BNC ports

  • USB-C and AVB compatibility issues without specific adapters

  • Some features may require firmware updates to function properly

  • Initial product defects reported, though resolved by retailers

  • Lack of direct audio interface functionality without additional hardware

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about RME 12mic.

Comparisons

  • The Audient ASP880 is often highlighted as superior in quality compared to MOTU and Focusrite for 8-channel preamps.

    Source
  • The Lynx Aurora offers superior sound quality compared to the RME ADI 8, though it provides more channels than necessary for smaller setups.

    Source

Features and functionality

  • The Midas XL48 offers unique features like dedicated phantom power, polarity, and filter control on each channel, setting it apart from competitors.

    Source
  • Focusrite OctoPre models include basic compressors on each channel, which can be a significant feature for some users looking for added control.

    Source
  • The RME Digiface USB offers built-in stereo headphone D/A conversion and multiple ADAT ports, allowing integration with various ADAT converters for flexible setups.

    Source

Setup and maintenance

  • Users report the Behringer ADA8200 functions reliably even after being powered continuously for 6-7 years, showcasing its durability.

    Source

Value and pricing

  • The Apogee Element 88, though discontinued, is a valued choice on the used market for around $800, providing quality performance.

    Source
  • Older converters like the Apogee Rosetta 800 and Lynx AD16 are highlighted for providing solid conversion at a relatively low cost, ideal for budget-conscious upgrades.

    Source

Use cases and applications

  • The Ferrofish Pulse 16 is recommended when additional inputs are needed without preamps, ideal for connecting multiple synths or line-level devices.

    Source
  • The RME Babyface Pro, combined with outboard preamps and ADAT converters, can expand to 12 mic inputs, suitable for mobile recording setups.

    Source
  • The Cranborne Audio 500 ADAT is recommended for those needing a flexible setup with both preamps and compressors, offering a built-in summing mixer for artist mixes.

    Source

Software and compatibility

  • The Digiface USB is valued for its long-term support from RME, minimizing obsolescence risks compared to all-in-one interfaces reliant on specific computer ports.

    Source

Critic Reviews

RME 12Mic

soundonsound.com

RME's 12Mic delivers an impressive 12 channels of high-quality preamps in a compact 1U unit, ideal for live sound and broadcast applications. With extensive digital connectivity, including ADAT, MADI, and AVB, it stands out for its versatility and redundancy features. The clean, neutral sound and robust gain range make it a favorite among professionals. However, the limited two analog outputs and a potentially tedious setup process for routing may deter some users. Overall, the 12Mic is a powerful addition to any audio setup but may require patience to optimize fully.

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Artist usage

Add artist
See how Rachel K Collier uses RME 12mic

Rachel K Collier

Singer, Keyboardist

...
Verified via Photo

Rachel uses this as her preamp in this video https://youtu.be/6CfCBlKQX3w?t=413

Genre Usage

Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.

Used With

Based on how musicians on Equipboard use RME 12mic, it is most commonly used with the following gear.

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Community setups

Show yours
C

christian_van_someren

Gear IQ 58

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See also: Preamps, RME, RME Preamps

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