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Description
The E-Mu Emulator I is a trailblazing digital sampler synthesizer that has left a lasting mark on the world of electronic music. Released in 1981, this iconic instrument was one of the first to bring digital sampling to a broader audience. Its 8-bit sampling capability allowed musicians to capture and manipulate real-world sounds in innovative ways, paving the way for countless musical possibilities. With a straightforward interface and a unique approach to sound design, the Emulator I became a favorite among musicians and producers seeking to push the boundaries of creativity.
The Emulator I features a 4-octave keyboard and is renowned for its distinctive sonic character, often described as warm and gritty, which is a staple in many classic tracks. Its onboard floppy disk drive allowed users to store and recall samples with ease, making it a powerful tool in the studio and on stage. Despite being a vintage piece of technology, the Emulator I's charm and functionality continue to captivate artists who appreciate the roots of digital sampling.
Key Features:
- 4-octave keyboard for versatile playability
- 8-bit sampling with a rich, vintage sound quality
- Built-in 5.25" floppy disk drive for sample storage and retrieval
- Straightforward interface for easy sample manipulation
- Polyphonic capabilities with up to 8 voices
- Classic design that remains influential in electronic music production
Product specs
| Brand | E-MU Systems |
| Model | Emulator 49-Key 8-Voice Sampler Workstation |
| Finish | Blue / Black |
| Year | 1981 - 1983 |
| Made In | United States |
| Categories | Samplers, Workstation Keyboards |
| Analog / Digital | Digital |
| Key Size | Full Size |
| Keyboard Action | Synth Action |
| Number of Keys | 49 Keys |
| Polyphony | 8 Voices |
FAQs
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What is the polyphony of the E-Mu Emulator I?
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The E-Mu Emulator I features an 8-voice polyphony, allowing you to play up to eight notes simultaneously.
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Is the E-Mu Emulator I a digital or analog synthesizer?
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The E-Mu Emulator I is a digital synthesizer, known for its sampling capabilities and digital sound processing.
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How many keys does the E-Mu Emulator I have?
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The E-Mu Emulator I is equipped with a 49-key full-size keyboard, offering a synth action feel.
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What year was the E-Mu Emulator I released?
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The E-Mu Emulator I was released between 1981 and 1983, marking it as an early digital sampler in the music industry.
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What are the primary categories of the E-Mu Emulator I?
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The E-Mu Emulator I falls under the categories of samplers and workstation keyboards, highlighting its capabilities in sampling and sound manipulation.
Videos
MuStudio
E-mu - Emulator I
Reviews
5.0 out of 5
Based on 0 Reviews and 4 Ratings
Artist usage
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According to International Musician & Recording World March 1986 issue, an Emulator I was used to blend with the Emulator II for the string sounds on Pet Shop Boys' "West End Girls". Stephen Hague programmed and played everything on that track alone as per this article.
From "Electronics & Music Maker" February 1984, page 16:
Paul Wiffen: I noticed on a couple of tracks on 'The Eleventh Hour' you got a great string sound, almost like a string quartet. Was that the Roland?
Mark Stanway: No, that was an Emulator, which we hired. That's a wonderful tool. I don't use one on the road, but the guy from Marillion (Mark Kelly - interviewed E&MM July 83) does and he's got whole string parts stored in thesequencer. I could quite get into that, it would leave me free to play the 'real' keyboard parts.
Then in front of me I've got the CP70 (Yamaha Electric Grand), and if you want a grand piano sound on the road, it's the only one to use. I've heard some good things about the Kawai, but I haven't tried one yet.
On top of the Yamaha, I've got the OB-Xa and I'm currently using a MicroMoog on top of that, which I use for bass riffs. It's very quick and easy to change sounds on.
Then on my right I've got the MiniMoog and another MicroMoog, which I use for wind noises, effects and things like that. It's rather convenient as it saves me doing too many sound changes in the set. Perhaps it's a bit of a luxury to double keyboards but it makes you more relaxed. Obviously the ideal thing would be if all the synths had programs. I'm working towards that but this is more comfortable for the moment.
I've just worked a deal out with Studiomaster. They're building me one of their desks, the 16 into 16, into a flight case, and I'll also be able to use it at home in a Portastudio situation. It's a great desk and it's actually designed to take a patch -field as well. Alongside that that they're ,providing me with their new MOS-FET amps, 500W power amps which will be the crossover that powers my back line.
Authored by Paul Wiffen.
Album Usage
The E-Mu Emulator I has been featured on the following albums:
Tour de France 2003
Kraftwerk & Kraftwerk (2003)
Calling All Stations (2007 Remaster)
Genesis (1997)
Air Liquide
Air Liquide (1994)
We Can't Dance (2007 Remaster)
Genesis (1991)
Dark At The End Of The Tunnel
Oingo Boingo (1990)
Ey!
Fito Páez (1988)
Invisible Touch (2007 Remaster)
Genesis (1986)
Junk Culture
Orchestral Manoeuvres in the Dark (1984)
Stop Making Sense (Live)
Talking Heads (1984)
The Terminator (Original Soundtrack Album)
Brad Fiedel (1984)
Tunes Of Two Cities
The Residents (1982)
Mark Of The Mole
The Residents (1981)
Violent Love
Oingo Boingo (1980)
Philharmony
Haruomi Hosono (1978)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use E-Mu Emulator I, it is most commonly used with the following gear.
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