An EMS VCS 3 was used on Chris Carter's* The Space Between*, according to the liner notes.

In the "NEW ATLANTIS STUDIO" feature on the Sonic Boom website, Sonic Boom is shown using the EMS VCS 3 synthesizer.

Peter Kember's use of the EMS VCS 3 synthesizer is confirmed in an article by Adam Douglas on Reverb.com, titled "The Synths and Electronic Gear of Space Rock." Kember shared with Red Bull Music Academy in 2013, "The VCS3 seemed to me to be a very elegant study in limited resources. I always liked very slow modulations, very slow changes, and most people didn't build that into their equipment. A lot of equipment never lets you get dangerous. I like stuff with the safety locks all taken off."

"I like the NS10 studio monitors and the big JBL 4425s, which are kind of shot now. We've got loads of analogue synths MIDI'd and piles of records to sample from. We've got a VCS3 and a Synthi A, which are the same thing really but a different shape. We're going to have them converted. The Roland 303 is MIDI'd up but the box is bigger than the synth itself, which is hilarious."

Thighpaulsandra used the EMS VCS 3 synthesizer on the track "Slammer," as noted on Wikipedia's page for the album "Double Vulgar."

Christopher Franke includes the EMS VCS 3 synthesizer in his equipment list on his official website, highlighting its role in his music production arsenal.

Albums which use EMS Synthi VCS3 : • Oxygene > Oxygene Part 1

• Equinoxe

• Magnetic fields

• The concerts in China

• Oxygene 7-13 > Oxygene 12

Pete Bardens can be seen using the EMS VCS 3 synthesizer during Camel's recording sessions, as shown in a user-uploaded photo.

"I love the Yamaha TX7, the Casio CZ-101, the ARP 2600, Ensoniq Mirage, Roland MKS-50, and the EMS VCS3. I like to have them around mainly for inspiration. In my experience, turning away and just focusing on a different object in front of you can yield good results."

My studio is predominantly analogue but I’m not an analogue or nothing person, I think the hybrid is good. Analogue is amazing but there are certain things that digital can do that are incredible so the marriage of the two is perfect. And I’ve become obsessed over the years with synths. With Techno Animal I used to use an EMS Synthi-A which was this kind of really rare synth that was housed in a suitcase. That and a VCS3 were used on the old Dr Who incidental music. It made sounds that were pure sci-fi. It's that analogue sound which has a link to history. It gives you a tone that you can’t get in any other way. So there’s no disparity there.

"Rick Wright then builds on this with a Hammond organ as well as the synth sounds of an EMS VCS3, ARP Solina and Minimoog before Dave Gilmour plays an extended G-minor blues solo on his Fender Strat."

"Opposite the left-hand mirrored wall are the two isolation booths, one of which contains Flood and Alan’s collection of vintage analogue synthesizers, including the Roland System 700 modular, EMS VCS3 and Moog Minimoog."