Ronald used an Eventide H3000 as part of his rack setup. As seen in the bottom row in this photo.

"As soon as I got an Eventide H-3000 harmonizer, back in the ’80s, I realized that its reverse shift algorithm would let me create this effect in live performances."

“I've owned Eventide equipment for over 20 years. From the H910 to the H949, the H3000 to the Orville and now the H8000FW. Eventides sound fantastic and I've found I can do so much with their new machines that they are now the only outboard digital effects units I use.”

Used for vocals on the Dynamite tour, as stated by mix engineer Rick Pope in this January 1, 2006 Mix Online interview.

Despite reservations, Pope mixes the show sans feedback on a Yamaha PM1D Version 2 digital system, and records both shows to Kay’s Pro Tools rig, which he bought when the band began work on Dynamite. “We’ve been recording every show since 1999, so we have about 250 shows on either DA-88 or Pro Tools,” says Pope. “Most of them we may never even listen to, but Jay likes to have them on file.”

Pope mixes Kay’s vocals, which are sung through a Sennheiser 935 wireless mic, through a Manley VoxBox and an Eventide H3000. Save for an occasional nod to a Lexicon PCM81 or 91, all other processing comes through the Yamaha desk.

By the time of this Britannia Row article from the Automaton tour, Pope had retired the Dynamite-era setup in favor of a Yamaha PM10.

"For Jamiroquai, everyone knows Jay Kay drives a Ferrari. He’s my boss and this is the Ferrari of desks. But consider this, I used to use a TC6000 off board, a Manley Vox Box and an H3000 – they’re expensive bits of kit. Not anymore. The on-board processing and effects are as good or better than anything else out there.”

Listed in the Gear-Section.

In this YouTube video (at around the 4:07 mark) we see Michael talking about -at great length- the Eventide H3000 and showing how he gets his sounds from it. Video is from July, 2016.

Manny Marroquin confirms his use of the Eventide H3000 Ultra Harmonizer Effects Processor, stating, "Out of the box I still love my [Eventide] H3000 Harmonizer," as reported by Daniel Griffiths in an interview on MusicRadar.

Mentioned by A Head Full of Dreams co-producer Rik Simpson as having been used on Coldplay’s “Hymn for the Weekend” in this Sound on Sound interview.

“Another song that came together in an interesting way was ‘Hymn For The Weekend’. The song had been around in a basic form since the beginning of the sessions, and it was quite hard to get the tone of it right. We ended up recording many different versions, and bars or parts of earlier versions found their way in the final version. The song ended up as a hybrid of styles, with strong hip–hop/R&B elements. If you listen to the drums in the verses in particular, they are very swung and sample–based. The main beat is a combination of live drums and programming. I think Stargate used samples in Structure in Pro Tools.

“Mikkel and Tor have an extensive sample library. The great producers that I have worked with in the past generally have had vast palettes of sounds, but often would come back to a handful of their favourites that they knew would work and also constituted part of their signature sound. Even if it is not exactly the same sound, it often shares an ethos. It’s like, ‘Oh, this is a Brian Eno whomp,’ or ‘This is a Stargate kick drum.’ It inspires the people in the room. The beginning of the song ‘Violet Hill’ on Viva La Vida is a big ambient intro with Davide Rossi on strings and Jon Hopkins on electronics. They had been jamming and I put what they had done through an Eventide H3000 and it became this big ambient thing. When the record came out there was a lot of talk about it being classic Eno, even though he had not been in the room. But somehow the energy got tapped, and we did the sort of thing that he would have done.”

In this image of the 45 King's old school studio, an Eventide H3000 Ultra Harmonizer can be spotted in the bottom right.

In this video you can see Philippe Zdar showing an Eventide H3000 processor

In this video, Sergey mentions that he used a variety of studio gear as well as guitar amplifiers for his album "Satellite:"

-Eventide H3000 -Roland SDE3000 -Synergy Friedman HBE Module -Synergy SYN-1 -Marshall Silver Jubilee -Custom Audio Amplification PT100 -Gibson Les Paul -Lexicon PCM80 -st.Rock React:IR -Mesa Boogie Mark V -Synergy Metro Plex -MXR/CAE Line Driver Booster -Marshall Plexi MkII -Universal Audio Apollo 8 -Zilla 2x12 cabinet with Celestion Vintage 30's and Creamback's -Shure SM57 -Model D Synth -Oberheim OB-Xa

"@skudge_elias_landberg Racking #outboard #hardware #gear #mutronicsmutator #klarkteknik #reverb #h3000b #eventide #lexicon #bossce300 #chorus #boss"