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Average Price: $175
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Description
ODIN is back! This time in my favorite format: simple yet powerful. Rightmost foot switch bypasses and leftmost foot switch toggles snappily between a beautiful, warm vintagey fuzztone and a brilliantly clear and cutting octave fuzz.
I spent a lot of time getting the octaves just right and that means you can use this thing for chord work, but also for really clear and glassy octave tones.
The octaveless circuit features internal trimmers to allow you to add or subtract gain at two different places in the circuit, giving you options if either a sweet, light gain overdrive or a very thick and heavy, doomy fuzz or anything in between. One shared volume control makes this the simplest, most flexible pedal on your board and the perfect live fuzz for pretty much anyone!
You know how some pedals seem to write riffs on their own? This is one of them. I put dozens of riffs into each one, by hand and I would suspect that you get a minimum of three half decent songs out of it.
I've tinkered with this circuit for years, but was actually first introduced to its ancestry by Ruban of Unknown Mortal Orchestra almost 10 years ago. He let me try this amazing fOXX Tone Machine he had built and I immediately knew how to get it even better. This is it. It's the only circuit I ever got right first try. I simply ditched the tone control and clipping stage and changed the output stage for a much louder one, identical to the first gain stage in EMBLA and that was really all I needed to do. You're left with a punchy, mid-focused, loud octave fuzz that sits exactly where you want it to.
Years later I discovered it works really well without the octaving too, and so I made it into this ever-expanding piece that grew way beyond its initial scope. This was a regrettable mistake.
ODIN is the one-eyed all-seeing god. The wise. The Wanderer. This pedal is the most powerful device you can have as a touring musician and its one-knob layout is an obvious allusion to the real life Odin. The simple layout calls for your own playing dynamics, volume knob control and musicianship to coax the sounds you want out of it, and that's how I think this thing works the best!
Product specs
| Analog/Digital | analog |
| Power | 9V |
| Bypass | true bypass |
Videos
Fjord Fuzz
Fjord Fuzz ODIN - Amund Maarud
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Fjord Fuzz Odin V1.
Features and functionality
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The Odin V1 doesn't "remember" its previous power state after being powered down, unlike some other pedals which retain their last on/off status.
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The Berserk V2 features a "thiccness" knob, which isn't present in the V3, making it preferable for those seeking additional tonal thickness without cranking volume.
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The issue with high-pitched noise appears in Odin V1 models and might be linked to power supply compatibility.
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Internal trimmers allow adjustment of octave gain and two gain settings for non-octave fuzz, offering flexible sound customization.
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Use cases and applications
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The Odin V1 is perceived as a bright pedal, leading some users to prefer darker fuzz options like the Fulltone '69 for a more balanced tone.
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The Fjord Fuzz pedals are generally not bass-optimized, though some models like the Fenris may accommodate lower frequencies better.
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Adjusting trim pots to 9 o'clock for all gain settings produces a distortion reminiscent of a RAT pedal and a poly synth-like octave sound.
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Comparisons
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The Odin V1 is bright compared to the Fulltone '69, which uses germanium transistors, offering a contrasting tonal character.
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User experience
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Some users find the Odin V1's brightness excessive, leading to its quick resale in favor of darker fuzz pedals.
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Owners appreciate the pedal's ability to clean up as effectively as the Sun Face fuzz, highlighting its versatility.
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The pedal's aesthetic and sound are frequently praised, with users noting the aggressive and filthy nature of both fuzz and octave effects.
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