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Average Price: $229
High-end/Boutique
$60
$181+
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High-end
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Description
The Fredric Effects Super Unpleasant Companion is a combined Shin-Ei FY-2 Companion Fuzz and FY-6 Superfuzz clone in a single enclosure that's exactly the same dimensions as the original Companion Fuzz.
We've been planning this one for a while, and are very proud of the result. We measured the last Shin-Ei (actually Kimbara branded) FY-2 to pass through our doors and got these new enclosures professionally fabricated to the same dimensions. They've improved upon the vintage boxes by using 1.2mm steel (still not heavy, but no longer bendy!) welding the joins, and using threaded inserts for the side screws. The enclosures are powder coated for a hard-wearing finish, and the classy 'Super Unpleasant Companion' name plates have also been professionally manufactured.
The circuit is a faithful reproduction of both the FY-2 companion fuzz and FY-6 Superfuzz. Choose either with the big toggle switch and the controls are: FY-2: Fuzztone, Volume (little switch does nothing) FY-6: Gain/Sustain, Volume, tone switch
Product specs
| Power | 9V |
| Bypass | true bypass |
| Analog/Digital | analog |
Videos
timhulio
Fredric Effects Super Unpleasant Companion FY-2 Companion, FY-6 Superfuzz in one
Reviews
PROS
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Versatile fuzz tones from fizzy 60s to wooly doom
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High-quality, durable build
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Maintains low-end frequencies well
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Features two distinct circuits for varied sounds
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Offers a scooped tone option
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Attractive enclosure design
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Affordable option for both beginners and enthusiasts
CONS
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Not for those seeking a tame fuzz sound
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Fredric Effects Classic Super Unpleasant Companion.
Use cases and applications
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Ideal for genres like psychedelic solos, garage rock, shoegaze, and doom; not suited for subtle or smooth fuzz tones.
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Recommended for those specifically interested in the Psychocandy era of The Jesus and Mary Chain, suggesting a niche appeal.
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Achieves tones similar to Jesus and Mary Chain's "Psychocandy" when paired with a Gretsch Electromatic 5662T and spring reverb.
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Comparisons
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The FY-6 Superfuzz mode is noted for achieving the guitar sound of "Psychocandy" by The Jesus and Mary Chain, who used a Shin-ei TR8 Fuzz Wah.
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Described as louder and more uncompromising than the EQD Terminal, with the inclusion of the Superfuzz circuit offering additional tonal diversity.
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The Super Unpleasant Companion is considered more "disgustingly brutal" compared to the Frazz Dazzler, which offers more flexibility in sound.
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Features and functionality
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The pedal's tone toggle switches between a noisy blast and a bassy scooped mode, with users preferring mode 1 for both settings.
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The 'Nouveau' version features a smaller enclosure with top jacks and knobs on the face, enhancing pedalboard compatibility.
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Users appreciate the wedge-style enclosure, which pays homage to vintage fuzz pedals while offering an intuitive layout.
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The pedal is silicone-based, allowing it to be placed anywhere in a chain without the typical placement restrictions of germanium-based fuzzes.
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The pedal combines the Shin Ei Companion Fuzz and Superfuzz topologies via a switchable toggle, offering two distinct, aggressive fuzz sounds in one unit.
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An internal trimpot offers users the ability to fine-tune the output to their liking, addressing volume drop issues found in original versions.
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User experience
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Some users experience challenges with playing chords due to the pedal's aggressive sound, recommending it more for single-note lines.
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Some users mention the pedal's tendency to create a "bandpassed" sound, with limited EQ control, which may not suit those preferring a more adjustable tone.
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The pedal is praised for its large output, with a typical volume control setting at noon providing abundant volume.
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Owners note the pedal can be "absolutely bonkers" when used after a compressor, providing a unique and wild sound palette.
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5.0 out of 5
Based on 3 Reviews and 4 Ratings
50
3 fantastic fuzz tones in one pedal.
If low-end is important to you or you're tuning down this pedal is a great option. I've had a couple of Fuzzes in the past that seem to have some fairly aggressive high-pass filtering in them, which must appeal to some players, but if you want a fuzz that preserves a lot of the bass frequencies then this one delivers in spades. The pedal contains two circuits, one is based on the Shinei FY-2 Companion Fuzz and the other based on the FY-6 Superfuzz, the latter has a tone switch that delivers quite a different "scooped" flavour. The FY-2 and FY-6 have been reviewed in detail elsewhere so I won't go into detail but all three tones sound great and would be useful in different contexts. The FY-2 is "zippery" and "buzzy" like a swarm of bees, and the FY-6 sounds more "normal".
41029
I've owned both originals.... the FY2 I would describe as a box of detuned chainsaws. Ina ll the time I owned the FY2 I don't recall ever using it to make anything but irritating noise after a bad day at work. The superfuzz I used a lot until I got bored with it and realized it was worth a small fortune.
263
One of the best sputtery 60s fuzzes out there.
This fuzz is a staple in my sound! With 3 different circuits it is a swiss army fuzz for the brittle 60s tone. Fantastic build quality, also
41029
wow, people are cloning the shin-ei companion now... thing sounds like a chainsaw
263
I know right! It is beautiful
1171
CHAINSAW.....
Excellent.... The 2 mode are really complementary... take a Fender amp crank the reverb put this little box in front... and SHAZAMMM.....
Artist usage
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Barrie Cadogan uses the Fredric Effects Classic Super Unpleasant Companion, as evidenced by the pedalboard image provided.
Genre Usage
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Used With
Based on how musicians on Equipboard use Fredric Effects Classic Super Unpleasant Companion, it is most commonly used with the following gear.
Community setups
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