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Description
The Shin-ei Companion FY-6 Super Fuzz is a piece of musical history, offering a vintage-style fuzz sound that has captivated musicians since the late 1960s. Known for its raw and aggressive tone, this pedal is a staple for those seeking an authentic, gritty fuzz effect. Its circuit stays true to the classic design, utilizing germanium transistors to deliver an unmistakable sound that is both nostalgic and cutting-edge.
With the FY-6 Super Fuzz, you get access to a dual-tone switch that allows you to flip between two distinct fuzz sounds, providing versatility for a variety of musical genres. The intuitive layout includes controls for Volume, Fuzz, and Tone, enabling you to shape your sound with precision. Whether you're looking to recreate the signature sounds of iconic rock legends or carve out your own unique sonic path, the Shin-ei Companion FY-6 Super Fuzz is equipped to meet your needs.
This pedal is not just a tool for achieving great sound; it's a conversation starter and a piece of musical art. Its historical significance and unique sonic capabilities make it a must-have for any serious guitarist or collector.
Key Features:
- Germanium transistors for classic fuzz tones
- Dual-tone switch for versatile sound options
- Volume, Fuzz, and Tone controls for precise sound shaping
- Faithful recreation of the original 1960s design
- Ideal for rock, blues, and experimental genres
Product specs
| Power | 9V |
| Analog/Digital | analog |
Videos
Danny Underwood
GEAR VID: Shin Ei Super Fuzz FY6
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Shin-ei Companion FY-6 Super Fuzz.
Comparisons
Features and functionality
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The Fredric Effects Super Unpleasant Companion combines both FY-2 and FY-6 circuits in one pedal, providing versatility in fuzz tones.
Source
Value and pricing
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The Fredric Effects Super Unpleasant Companion is priced competitively, often found used under $200, offering great value for a dual-circuit fuzz pedal.
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Based on 0 Reviews and 0 Ratings
Artist usage
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An OEM Oscar FY-6 is featured in this August 8, 2017 Reddit post and mentioned in this November 19, 2017 Musician's Friend The Hub interview. Progress on an attempt to clone it is documented in this November 14, 2018 Reddit post.
Reddit, r/guitarpedals, August 8, 2017, "'All you need is fuzz' - 1960's Oscar Two-Knob Fuzz" (which includes the following comment)
This beautiful black box was the first pedal I ever used, and my dads first when he got it in the late 60's. He doesn't remember much about it other than that it used to have a plate that said "Oscar" on the front, and I can't find anything about it online.
What I've gleaned is that Shin-Ei licensed some circuits to the Oscar company in the late 60's for American sale & distribution. This only has two knobs (fuzz and volume), but no tone switch like the Shin-Ei Superfuzz.
Spitty, thick grains of fuzz that come and go really quickly, really nasty and organic feeling while you're playing. Very touch sensitive, like playing into an ancient, broken amp with tattered speakers. The EQD Terminal can get kind of close to matching this things sound, but has way more bass doesn't work as well with light playing.
Inside of the pedal has a 9v snap, but my dad always had an adapter to use 2x AA's instead of a 9v, which I think only gives 3 volts of combined power. I tried it on the Iso-Brick from 6v-9v, but switched back to the AA's pretty quickly.
I had more fun playing with just this for a few hours yesterday than I have with a full pedalboard in ages.
All you need is fuzz.
https://soundcloud.com/a-b-33759113/oscar-fuzz-twinkle
https://soundcloud.com/a-b-33759113/oscar-fuzz-chords
Voice memo quality, but you can get a rough idea of the sound.
Reddit, August 8, 2017, reply on the aforementioned post to u/vox_repeater
Putting this into a board is definitely a chore due to the left-mounted jacks - combined with he fact that it absolutely has to be first in the chain or else the fuzz sound devolves into something resembling a bunch of forks in a blender.
Musician’s Friend, The Hub, "Vibing with Frankie and The Witch Fingers" (November 19, 2017)
Alex: I still have the very first fuzz pedal I ever owned, something my dad gave me. It was made by this company Oscar, who made pedals for Shin-Ei in America in the ‘60s. It’s not the Super Fuzz and it’s not the Companion Fuzz. It’s a kind of weird blended circuit. I opened it up recently, trying to clone it. All the capacitors are all the same values, but they’re wired in these crazy configurations. I’ve been using that one forever. It’s by far the best thing. I got an EarthQuaker Devices Terminal Fuzz for bass that’s almost identical to that fuzz, I think it’s a JAX clone. That’s when I realized that I really liked the Oscar.
The HUB: You probably feel better gigging with the Terminal, though?
Alex: Yeah, you don’t want to take something that old out.
Reddit, r/diypedals, November 14, 2018, "Where to find companion-style enclosures?"
Really want to get an angled / flip bottom enclosure for a companion style fuzz I’m working on, but am having the hardest time finding anything.
Greatly appreciate any leads - have almost resigned myself to getting a normal enclosure, cutting it at an angle, and making my own bottom for it.
Image for reference: https://goo.gl/images/nvc78j
Thanks in advance!
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Similar
Add recommendation5 alternative and related items for Shin-ei Companion FY-6 Super Fuzz, curated by the Equipboard community.
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The Univox Super Fuzz was originally an OEM version of the FY-6 with the production number U-1093, until the exterior was redesigned and, eventually, a trimmer was added to the circuit. Wattson Classic Electronics notes the change in the manual to its Fuzz: https://web.archive.org/web/20151123202111/https://www.analoguehaven.com/wattsonclassicelectronics/fy-6/manual.pdf
In the original Shin-ei and early Univox pedals, both transistors in the octave circuit were balanced. Univox later added a trimmer resistor, which allowed the octave circuit to be intentionally unbalanced, making a variety of tone variations possible. Unfortunately, the extra resistance from the trimmer changed the bias of the octave circuit, and also changed it's [sic] tone. For this reason, it's common to find some of these later pedals with the trimmer removed, and jumper wires installed.
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A two mode, clone of both the Shin-ei Companion FY-2, and FY-6 Super Fuzz.
A painstaking replica of the Shin-Ei Super Fuzz, down to the enclosure.
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